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National Traditions in Nineteenth-Century Opera, Volume I

National Traditions in Nineteenth-Century Opera, Volume I
Author: Steven Huebner
Publisher: Routledge
Total Pages: 465
Release: 2017-03-02
Genre: Music
ISBN: 1351915851

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This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.


National Traditions in Nineteenth-century Opera: Italy, France, England and the Americas

National Traditions in Nineteenth-century Opera: Italy, France, England and the Americas
Author: Steven Huebner
Publisher: Routledge
Total Pages: 537
Release: 2010
Genre: Music
ISBN: 9780754628996

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This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.


National Traditions in Nineteenth-Century Opera, Volume II

National Traditions in Nineteenth-Century Opera, Volume II
Author: Michael C. Tusa
Publisher: Routledge
Total Pages: 376
Release: 2017-03-02
Genre: Music
ISBN: 1351915827

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This volume offers a cross-section of English-language scholarship on German and Slavonic operatic repertories of the "long nineteenth century," giving particular emphasis to four areas: German opera in the first half of the nineteenth century; the works of Richard Wagner after 1848; Russian opera between Glinka and Rimsky-Korsakov; and the operas of Richard Strauss and Janácek. The essays reflect diverse methods, ranging from stylistic, philological, and historical approaches to those rooted in hermeneutics, critical theory, and post-modernist inquiry.


Studies in Seventeenth-Century Opera

Studies in Seventeenth-Century Opera
Author: BethL. Glixon
Publisher: Routledge
Total Pages: 514
Release: 2017-07-05
Genre: Music
ISBN: 1351547631

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The past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of dance and scenery, as well as newer disciplines such as studies of patronage, gender, and semiotics. While most of the essays in the volume pertain to Italian opera, others concern opera production in France, England, Spain and the Germanic countries.


Staging the Nation: Opera and Nationalism in 19th-Century Hungary

Staging the Nation: Opera and Nationalism in 19th-Century Hungary
Author: Krisztina Lajosi
Publisher: BRILL
Total Pages: 187
Release: 2018-02-27
Genre: History
ISBN: 9004347224

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In Staging the Nation: Opera and Nationalism in 19th-Century Hungary, Krisztina Lajosi examines the crucial role of theatre and opera in the shaping of historical consciousness and the formation of national identity by turning opera-loving audiences into a national public.


Sourcebook for Research in Music, Third Edition

Sourcebook for Research in Music, Third Edition
Author: Allen Scott
Publisher: Indiana University Press
Total Pages: 518
Release: 2015-06-01
Genre: Music
ISBN: 0253014565

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Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.


Opera after 1900

Opera after 1900
Author: Margaret Notley
Publisher: Routledge
Total Pages: 780
Release: 2017-07-05
Genre: Music
ISBN: 1351555782

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The articles reprinted in this volume treat operas as opera and from some sort of critical angle; none of the articles uses methodology appropriate for another kind of musical work. Additional criteria used in selecting the articles were that they should not have been reprinted widely before and that taken together they should cover an extended array of significant operas and critical questions about them. Trends in Anglophone scholarship on post-1900 opera then determined the structure of the volume. The anthologized articles are organized according to the place of origin of the opera discussed in each of them; the introduction, however, follows a thematic approach. Themes considered in the introduction include questions of genre and reception; perspectives on librettos and librettists; words, lyricism, and roles of the orchestra; and modernism and other political contexts.


Opera Remade, 1700-1750

Opera Remade, 1700-1750
Author: Charles Dill
Publisher: Routledge
Total Pages: 530
Release: 2017-07-05
Genre: Music
ISBN: 1351555731

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Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.


"Opera Remade, 1700?750 "

Author: Charles Dill
Publisher: Routledge
Total Pages: 908
Release: 2017-07-05
Genre: Music
ISBN: 1351555723

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Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.