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National Narratives in Mexico

National Narratives in Mexico
Author: Enrique Florescano
Publisher: University of Oklahoma Press
Total Pages: 456
Release: 2006
Genre: History
ISBN: 9780806137018

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If history is written by the victors, then as the rulers of a nation change, so too does the history. Mexico has had many distinct periods of history, demonstrating clearly that the tale changes with the writer. In National Narratives in Mexico, Enrique Florescano examines each historical vision of Mexico as it was interpreted in its own time, revealing the influences of national or ethnic identity, culture, and evolving concepts of history and national memory. Florescano shows how the image of Mexico today is deeply rooted in ideas of past Mexicos—ancient Mexico, colonial Mexico, revolutionary Mexico—and how these ideas can be more fully understood by examining Mexico’s past historians. An awareness of the historian’s cultural perspective helps us to understand which types of evidence would be considered valid in constructing a national narrative. These considerations are important in modern Mexican historiography, as historians begin to question the validity of Mexico’s “collective memory.” Enhanced by more than two hundred drawings, photographs, and maps, National Narratives in Mexico offers a new vision of Mexico’s turbulent history.


Mexico on Film

Mexico on Film
Author: Armida de la Garza
Publisher: Arena books
Total Pages: 188
Release: 2006-12-18
Genre: Social Science
ISBN: 0954316169

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Given its features as a modern mass medium and thus closely related to the nation, cinema has rightly been regarded as a privileged site for putting forward and contesting representations of national identity, or in short, as a main arena in which narratives of national identity are negotiated. What do films such as Amores Perros or Traffic say about Mexican identity? In what way could Bread and Roses or The Crime of Padre Amaro be part of its transformation? This book looks at representations of "e;Mexicanity"e; in Mexican cinema and also in Hollywood throughout the twentieth century and beyond, arguing that the international context plays at least as important a role as ethnicity, religion and language in the construction of images of the national self, although it is seldom taken into account in theories of national identity. The Mexican film may reveal much about Mexican society, e.g.,Traffic and the prevalence of drug trafficking, Bread and Roses, and the problems of migration; Amores Perros, in relation to metaphors of the nation as an extended family; The Crime of Father Amaro, in discussing the changing position of the Catholic Church; and Herod's Law, a scathing critique to the political system that dominated Mexico for the best part of the 20th century. Throughout, the book emphasises the contingent nature of hegemonic representations, and our ongoing need to tell and to listen to - or indeed, view - stories that weave together a variety of strands to convincingly tell us who we are.


Mexico on Film

Mexico on Film
Author: Armida De La Garza Author
Publisher: Arena books
Total Pages: 180
Release: 2006-06-20
Genre: Social Science
ISBN: 1906791104

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Given its features as a modern mass medium and thus closely related to the nation, cinema has rightly been regarded as a privileged site for putting forward contesting representations of national identity, or in short, as a main area in which narratives of national identity are negotiated.What do films such as Amores Perros or Traffic say about Mexican identity? In what way could Bread and Roses or The Crime of Padre Amaro be part of its transformation? This book looks at representations of "e;Mexicanity"e; in Mexican cinema and also in Hollywood throughout the 20th century and beyond, arguing that the international context plays at least as important a role as ethnicity, religion and language in the construction of images of the national self, although it is seldom taken into account in theories of national identity.The Mexican film may reveal much about Mexican society, e.g., Traffic and the prevalence of drug trafficking, Bread and Roses, and the problems of migration; Amores Perros, in relation to metaphors of the nation as an extended family; The Crime of Father Amaro, in discussing the changing position of the Catholic Church; and Herod's Law, a scathing critique of the political system that dominated Mexico for the best past of the 20th century.Throughout, the book emphases the contingent nature of hegemonic representations, and our ongoing need to tell and to listen to - or indeed, view - stories that weave together a variety of strands to convincingly tell us who we are.


Mexico in Peace and War

Mexico in Peace and War
Author: Thomas Herbert Russell
Publisher:
Total Pages: 396
Release: 1914
Genre: Mexico
ISBN:

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Museum Matters

Museum Matters
Author: Miruna Achim
Publisher: University of Arizona Press
Total Pages: 313
Release: 2021-08-24
Genre: History
ISBN: 081653957X

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Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.


Narratives of Greater Mexico

Narratives of Greater Mexico
Author: Héctor Calderón
Publisher: University of Texas Press
Total Pages: 308
Release: 2004
Genre: Literary Criticism
ISBN: 9780292705821

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Once relegated to the borders of literature—neither Mexican nor truly American—Chicana/o writers have always been in the vanguard of change, articulating the multicultural ethnicities, shifting identities, border realities, and even postmodern anxieties and hostilities that already characterize the twenty-first century. Indeed, it is Chicana/o writers' very in-between-ness that makes them authentic spokespersons for an America that is becoming increasingly Mexican/Latin American and for a Mexico that is ever more Americanized. In this pioneering study, Héctor Calderón looks at seven Chicana and Chicano writers whose narratives constitute what he terms an American Mexican literature. Drawing on the concept of "Greater Mexican" culture first articulated by Américo Paredes, Calderón explores how the works of Paredes, Rudolfo Anaya, Tomás Rivera, Oscar Zeta Acosta, Cherríe Moraga, Rolando Hinojosa, and Sandra Cisneros derive from Mexican literary traditions and genres that reach all the way back to the colonial era. His readings cover a wide span of time (1892-2001), from the invention of the Spanish Southwest in the nineteenth century to the América Mexicana that is currently emerging on both sides of the border. In addition to his own readings of the works, Calderón also includes the writers' perspectives on their place in American/Mexican literature through excerpts from their personal papers and interviews, correspondence, and e-mail exchanges he conducted with most of them.


The Picaresque and the Writing Life in Mexico

The Picaresque and the Writing Life in Mexico
Author: Jorge Téllez
Publisher:
Total Pages: 292
Release: 2021-05-15
Genre:
ISBN: 9780268200176

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This book studies picaresque narratives from 1690 to 2013, examining how this literary form serves as a reflection on the material conditions necessary for writing literature in Mexico. In The Picaresque and the Writing Life in Mexico, Jorge Téllez argues that Mexican writers have drawn on the picaresque as a device for pondering what they regard as the perils of intellectual and creative labor. Surveying ten narratives from 1690 to 2013, Téllez shows how, by and large, all of them are iterations of the same basic structure: pícaro meets writer; picaro tells life story; writer eagerly writes it down. This written mediation (sometimes fictional but other times completely factual) is presented as part of a transaction in which it is rarely clear who is exploiting whom. Highlighting this ambiguity, Téllez's study brings into focus the role that the picaresque has played in the presentation of writers as disenfranchised and vulnerable subjects. But as Téllez demonstrates, these narratives embody a discourse of precarity that goes beyond pícaros, and applies to all subjects who engage in the production and circulation of literature. In this way, Téllez shows that the literary form of the picaresque is, above all, a reflection on the value of literature, as well as on the place and role of writing in Mexican society more broadly. The Picaresque and the Writing Life in Mexico is a unique work that suggests new paths for studying the reiteration of literary forms across centuries. Looking at the picaresque in particular, Téllez offers a new interpretation of this genre within its national context and suggests ways in which this genre remains relevant for reflecting on literature in contemporary society. It will be of interest to students and scholars of Latin American studies, Mexican cultures and literatures, and comparative literature.


Traversing the Border of Two Cultures

Traversing the Border of Two Cultures
Author: Kristin M. Hamon
Publisher:
Total Pages: 188
Release: 2011
Genre: Immigrants
ISBN:

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Mexican immigrants to the United States, especially when compared to immigrants who leave their homelands far behind by sea or air, develops special relationships with both their home country and their new one: a border culture in which people cross and re-cross from one collective identity to another, varied by many individual and family narratives. As every journey begins with a single step, movement between available identities is propelled forward by specific purpose--whether an emotional journey out of a barrio microcosm or a spatial journey toward El Norte. Diverse Mexican American literary texts describing physical and cultural movement to and from real and imaginary homelands drive this ethnic group's immigrant narrative to spawn a number of related but unique identities and trajectories involving both immigrant and minority characteristics while maintaining ties to a larger national narrative essential to American culture.


Mexico

Mexico
Author: Josh Barkan
Publisher: Hogarth
Total Pages: 258
Release: 2017-01-24
Genre: Fiction
ISBN: 1101906308

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The unforgettable characters in Josh Barkan’s astonishing and beautiful story collection—chef, architect, nurse, high school teacher, painter, beauty queen, classical bass player, plastic surgeon, businessman, mime—are simply trying to lead their lives and steer clear of violence. Yet, inevitably, crime has a way of intruding on their lives all the same. A surgeon finds himself forced into performing a risky procedure on a narco killer. A teacher struggles to protect lovestruck students whose forbidden romance has put them in mortal peril. A painter’s freewheeling ways land him in the back of a kidnapper’s car. Again and again, the walls between “ordinary life” and cartel violence are shown to be paper thin, and when they collapse the consequences are life-changing. These are stories about transformation and danger, passion and heartbreak, terror and triumph. They are funny, deeply moving, and stunningly well-crafted, and they tap into the most universal and enduring human experiences: love even in the face of danger and loss, the struggle to grow and keep faith amidst hardship and conflict, and the pursuit of authenticity and courage over apathy and oppression. With unflinching honesty and exquisite tenderness, Josh Barkan masterfully introduces us to characters that are full of life, marking the arrival of a new and essential voice in American fiction.


Los Chinos de La Chinesca

Los Chinos de La Chinesca
Author: Mya Hansel Gelber
Publisher:
Total Pages: 0
Release: 2018
Genre: Chinese diaspora
ISBN:

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