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| Author | : John Lippitt |
| Publisher | : Edinburgh University Press |
| Total Pages | : 248 |
| Release | : 2015-05-18 |
| Genre | : Philosophy |
| ISBN | : 0748694447 |
For the first time, this collection brings together figures in both contemporary philosophy and Kierkegaard studies to explore pressing issues in the philosophy of personal identity and moral psychology.
| Author | : Patrick Stokes |
| Publisher | : |
| Total Pages | : 275 |
| Release | : 2015 |
| Genre | : Philosophy |
| ISBN | : 0198732732 |
Across his relatively short and eccentric authorial career, Soren Kierkegaard develops a unique, and provocative, account of what it is to become, to be, and to lose a self, backed up by a rich phenomenology of self-experience. Yet Kierkegaard has been almost totally absent from the burgeoning analytic philosophical literature on self-constitution and personal identity. How, then, does Kierkegaard's work appear when viewed in light of current debates about self and identity--and what does Kierkegaard have to teach philosophers grappling with these problems today? The Naked Self explores Kierkegaard's understanding of selfhood by situating his work in relation to central problems in contemporary philosophy of personal identity: the role of memory in selfhood, the relationship between the notional and actual subjects of memory and anticipation, the phenomenology of diachronic self-experience, affective alienation from our past and future, psychological continuity, practical and narrative approaches to identity, and the intelligibility of posthumous survival. By bringing his thought into dialogue with major living and recent philosophers of identity (such as Derek Parfit, Galen Strawson, Bernard Williams, J. David Velleman, Marya Schechtman, Mark Johnston, and others), Stokes reveals Kierkegaard as a philosopher with a significant--if challenging--contribution to make to philosophy of self and identity.
| Author | : John J. Davenport |
| Publisher | : Routledge |
| Total Pages | : 250 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 0415894131 |
In the last two decades, interest in narrative conceptions of identity has grown exponentially, though there is little agreement about what a "life-narrative" might be. In connecting Kierkegaard with virtue ethics, several scholars have recently argued that narrative models of selves and MacIntyre's concept of the unity of a life help make sense of Kierkegaard's existential stages and, in particular, explain the transition from "aesthetic" to "ethical" modes of life. But others have recently raised difficult questions both for these readings of Kierkegaard and for narrative accounts of identity that draw on the work of MacIntyre in general. While some of these objections concern a strong kind of unity or "wholeheartedness" among an agent's long-term goals or cares, the fundamental objection raised by critics is that personal identity cannot be a narrative, since stories are artifacts made by persons. In this book, Davenport defends the narrative approach to practical identity and autonomy in general, and to Kierkegaard's stages in particular.
| Author | : Anthony Rudd |
| Publisher | : Oxford University Press |
| Total Pages | : 277 |
| Release | : 2012-10-25 |
| Genre | : Philosophy |
| ISBN | : 0199660042 |
Anthony Rudd presents a striking new account of the self as an ethical, evaluative being. He draws on Kierkegaard's thought to present a case for an ancient and currently neglected view: that the tensions which are constitutive of selfhood can only be reconciled through the understanding of the self as guided by an objective Good.
| Author | : John J. Davenport |
| Publisher | : Routledge |
| Total Pages | : 249 |
| Release | : 2012-09-10 |
| Genre | : Philosophy |
| ISBN | : 1136453342 |
In the last two decades, interest in narrative conceptions of identity has grown exponentially, though there is little agreement about what a "life-narrative" might be. In connecting Kierkegaard with virtue ethics, several scholars have recently argued that narrative models of selves and MacIntyre's concept of the unity of a life help make sense of Kierkegaard's existential stages and, in particular, explain the transition from "aesthetic" to "ethical" modes of life. But others have recently raised difficult questions both for these readings of Kierkegaard and for narrative accounts of identity that draw on the work of MacIntyre in general. While some of these objections concern a strong kind of unity or "wholeheartedness" among an agent's long-term goals or cares, the fundamental objection raised by critics is that personal identity cannot be a narrative, since stories are artifacts made by persons. In this book, Davenport defends the narrative approach to practical identity and autonomy in general, and to Kierkegaard's stages in particular.
| Author | : John J. Davenport |
| Publisher | : Open Court |
| Total Pages | : 399 |
| Release | : 2015-11-02 |
| Genre | : Philosophy |
| ISBN | : 0812699319 |
In his extraordinarily influential book on ethics, After Virtue, Alasdair MacIntyre maintained that Kierkegaard's notion of "choosing" to interpret one's choices in ethical terms implies an arbitrary and irrational leap. MacIntyre's critique of Kierkegaard has become the focal point for several new interpretations of Kierkegaard that seek to answer MacIntyre. Kierkegaard After MacIntyre brings together both new and already published articles in this vein, with a new reply by Professor MacIntyre. Kierkegaard After MacIntyre reflects the emergence of a new consensus in Kierkegaard scholarship. This consensus is strongly anti-irrationalist and contemporary neo-Aristotelian virtue ethics, clarifying their common ground as well as their differences. In responding to MacIntyre's 'irrationalist' objection, the authors clarify the sense in which Kierkegaard's own conception of freedom is teleological and suggest that his understanding of the development of ethical personality involves a quest for narrative unity, a commitment to practices involving social values, and a self-understanding conditioned by historical reality—all of which are also central themes in MacIntyre's work on virtue ethics. Despite MacIntyre's diagnosis of Kierkegaard's existential approach to ethics as unsuccessful, some of Kierkegaard's insights may support MacIntyre's own theses. "Kierkegaard After MacIntyre is an outstanding book which brings Kierkegaard into direct conversation with one of the most important contemporary philosophers. The conversation contains both lively disagreements and illuminating analyses, all focused on issues of fundamental importance for human life." —C. Stephen Evans, Calvin College ". . . this wonderfully edifying collection of essays." —Timothy P. Jackson, Emory University "In addressing MacIntyre's charge that for Kierkegaard the adoption of the ethical can only be a 'cirterionless choice,' this stimulating set of essays by well-known Kierkegaard scholars provides a welcome addition to the literature on Kierkegaardian ethics. Kierkegaard After MacIntyre provides a valuable exploration of the role of reasoning, will, and passion in moral life, as well as of the relation between aesthetic and ethical dimensions of life." —M. Jamie Ferreira, University of Virginia
| Author | : Antony Aumann |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 253 |
| Release | : 2019-02-14 |
| Genre | : Philosophy |
| ISBN | : 1498552854 |
On Art and Selfhood lies at the intersection of existentialism and the philosophy of art. On the philosophy of art side, it addresses questions about why art matters and how we ought to appreciate it. On the existentialism side, it attends to questions pertaining to authenticity or authentic selfhood. That is to say, it focuses on issues and problems having to do with our personal identity or our sense of who we are. The goal of the book is to bring together these two topics in a productive manner by showing that works of art matter partly because they can help us with the project of selfhood. In other words, works of art are important in part because they can offer us much needed guidance and support as we try to figure out who we really are. To make the case for this thesis, On Art and Selfhood draws on the works of the Danish thinker, Søren Kierkegaard (1813-55). It mines his writings for insights regarding aesthetics and personal identity, and then uses these insights to contribute to current discussions of these topics. Thus, the book speaks not only to those with interests in contemporary analytic philosophy but also to those with interests in historical scholarship on Kierkegaard.
| Author | : Marya Schechtman |
| Publisher | : Cornell University Press |
| Total Pages | : 188 |
| Release | : 2018-10-18 |
| Genre | : Philosophy |
| ISBN | : 150171838X |
An amnesia victim asking "Who am I?" means something different from a confused adolescent asking the same question. Marya Schechtman takes issue with analytic philosophy's emphasis on the first sort of question to the exclusion of the second. The problem of personal identity, she suggests, is usually understood to be a question about historical life. What she calls the "reidentification question" is taken to be the real metaphysical question of personal identity, whereas questions about beliefs or values and the actions they prompt, the "characterization question," are often presented as merely metaphorical. Failure to recognize the philosophical importance of both these questions, Schechtman argues, has undermined analytic philosophy's attempts at offering a satisfying account of personal identity. Considerations related to the characterization question creep unrecognized into discussions of reidentification, with the result that neither question is adequately addressed. Schechtman shows how separating the two questions allows for a more fruitful approach to the reidentification question, and she develops her own narrative account of characterization. She suggests that persons constitute their identities by developing autobiographical narratives that bear the right relation to facts about the environment, the general concept of a person, and other people's concepts of who they are.
| Author | : Christopher Cowley |
| Publisher | : University of Chicago Press |
| Total Pages | : 249 |
| Release | : 2015-10-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 022626792X |
This book promises to be the first of its kind: a philosophical investigation of autobiographical writing. All of us are autobiographers at least some of the time, and all of us crave certain kinds of recognition and confirmation from others, just as we fear blame and reproach from those who know us well. The philosophy of autobiography examines this fundamental story-telling process and its place in our lives. As such it straddles a number of long-standing philosophical questions, having to do with the meaning of life, the problems of autonomy and responsibility and authenticity, the nature of self-deception and bad faith, the structure of the self and its existence through time, the question of the reliability and meaning of memory, and the problem of understanding another person and imaginatively identifying with him. The contributors to the volume are mostly philosophers, but many of them have interests outside philosophy and have been informed by research findings from literary theory and from psychiatry. Some of the contributors are also literary theorists, and one of them has even published autobiographical work. Contributors also examine specific autobiographies and diaries, of philosophers and non-philosophers, as well as fictional works using an autobiographical format, in order to explore the philosophical implications and presuppositions of the genre. The result is a most useful and productive interdisciplinary exchange."
| Author | : P. Stokes |
| Publisher | : Springer |
| Total Pages | : 232 |
| Release | : 2009-11-18 |
| Genre | : Philosophy |
| ISBN | : 0230251269 |
What is it to see the world, other people, and imagined situations as making personal moral demands of us? What is it to experience stories as speaking to us personally and directly? Kierkegaard's Mirrors explores Kierkegaard's answers to these questions, with a new phenomenological interpretation of Kierkegaardian 'interest'.
