Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Narrative And Cycle PDF full book. Access full book title Narrative And Cycle.
| Author | : Jennifer J. Smith |
| Publisher | : Edinburgh University Press |
| Total Pages | : 240 |
| Release | : 2017-09-26 |
| Genre | : Literary Criticism |
| ISBN | : 1474423957 |
Explores the contradictory position of Arabic being both the official language and marginalized in Israel
| Author | : James Nagel |
| Publisher | : LSU Press |
| Total Pages | : 316 |
| Release | : 2004-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780807129616 |
James Nagel offers the first systematic history and definition of the short-story cycle as exemplified in contemporary American fiction, bringing attention to the format's wide appeal among various ethnic groups. He examines in detail eight recent manifestations of the genre, all praised by critics while uniformly misidentified as novels. Nagel proposes that the short-story cycle, with its concentric as opposed to linear plot development possibilities, lends itself particularly well to exploring themes of ethnic assimilation, which mirror some of the major issues facing American society today.
| Author | : Patrick Gill |
| Publisher | : Routledge |
| Total Pages | : 405 |
| Release | : 2018-05-11 |
| Genre | : Literary Criticism |
| ISBN | : 1351382136 |
The first major collection of essays on the contemporary British short story cycle, this volume offers in-depth explorations of the genre by comparing its strategies for creating coherence with those of the novel and the short story collection, inquiring after the ties that bind individual short stories into a cycle. A section on theory approaches the form from the point of view of genre theory, cognitive literary studies, and book studies. It is followed by investigations of hitherto neglected aspects of the generic tradition of the British short story cycle and how they relate to the contemporary outlook of the form. Readings of individual contemporary cycles, illustrating the form’s multifaceted uses from the presentation of sexual identities to politics and trauma, make up the third and most substantial part of the volume, placing its focus squarely on the past decades. Unique in its combination of a focus on the literary traditions, politics and markets of the UK with a thorough examination of the genre’s manifold formal and thematic potentials, the volume explores what is at the heart of the short story cycle as a literary form: the constant negotiation between unity and separateness, collective and individual, of coherence and autonomy.
| Author | : Patrick Edwards |
| Publisher | : Titan Books (US, CA) |
| Total Pages | : 318 |
| Release | : 2020-03-10 |
| Genre | : Fiction |
| ISBN | : 1785658824 |
Gladiator meets 1984 in this near-future thriller featuring timeslips, ancient magic and a disturbingly plausible dystopian Britain... 68 CE Fleeing disaster, young Winston Monk wakes to find himself trapped in the past, imprisoned by the mad Emperor Nero. The Roman civilization he idolized is anything but civilized, and his escape from a barbaric home has led him somewhere far more dangerous. 2070 CE As the European Union crumbled, Britain closed its borders, believing they were stronger alone. After decades of hardship, British envoy Lindon Banks joins a diplomatic team to rebuild bridges with the hypermodern European Confederacy. But in Rome, Banks discovers his childhood friend who disappeared without a trace. Monk appears to have spent the last two decades living rough, but he tells a different story: a tale of Caesars, slavery and something altogether more sinister. Monk's mysterious emergence sparks the tinderbox of diplomatic relations between Britain and the Confederacy, controlled by shadowy players with links back to the ancient world itself...
| Author | : Maggie Dunn |
| Publisher | : Macmillan Reference USA |
| Total Pages | : 238 |
| Release | : 1995 |
| Genre | : Literary Criticism |
| ISBN | : |
Critics have been aware for years that such literary works as Sherwood Anderson's Winesburg, Ohio, William Faulkner's Go Down, Moses and James Joyce's Dubliners do not fit comfortably into established genres. By proposing the name composite novel and a supportive, comprehensive theory of genre for these works, Maggie Dunn and Ann Morris break new critical ground. In tracing the development of this literary genre in the 19th and 20th centuries throughout the world, the authors offer not only a new way to understand these classics, but also a useful approach to the best contemporary fiction such as N. Scott Momaday's The Way to Rainy Mountain and Laura Esquivel's Like Water for Chocolate.
| Author | : Allan Weiss |
| Publisher | : Routledge |
| Total Pages | : 320 |
| Release | : 2021-05-06 |
| Genre | : Fiction |
| ISBN | : 1000382028 |
While scholars have been studying the short story cycle for some time now, this book discusses a form that has never before been identified and named, let alone analyzed: the mini-cycle. A mini-cycle is a short story cycle made up, in most cases, of only two or three stories. This study looks at mini-cycles spanning the period from Anton Chekhov’s "little trilogy" (1898) to the "Alphinland" stories in Margaret Atwood’s Stone Mattress (2014), including texts by such authors as Stephen Leacock, Alice Munro, Robert Olen Butler, and Clark Blaise. Consideration is also given to marginal examples, like Sherwood Anderson’s "Godliness—A Tale in Four Parts" (1919), which can be seen as one story or four distinct texts unified under one title, and to what is called the "exploded" mini-cycle: one whose component stories are published with intervening stories between them rather than consecutively. For each mini-cycle, the analysis is based on close reading of both the linking elements—character, imagery, symbolism, and so forth—and the rhetorical and aesthetic effects of the mini-cycle’s being made up of distinct stories rather than constructed as one long narrative.
| Author | : Howard A. Norman |
| Publisher | : |
| Total Pages | : 244 |
| Release | : 1982 |
| Genre | : Poetry |
| ISBN | : |
Poems about a "trickster" capable of changing into various characters, objects, and circumstances.
| Author | : Thomas Hinton |
| Publisher | : DS Brewer |
| Total Pages | : 292 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 1843842858 |
A new study of the continuations to Chrétien's Conte du Graal shows their crucial influence on the development of Arthurian literature. Chrétien de Troyes's late twelfth-century Conte du Graal has inspired writers and scholars from the moment of its composition to the present day. The challenge represented by its unfinished state was quickly taken up, and over the next fifty years the romance was supplemented by a number of continuations and prologues, which eventually came to dwarf Chrétien's text. In one of the first studies to treat the Conte du Graal and its continuations as a unified work, Thomas Hinton considers the whole corpus as a narrative cycle. Through a combination of close textual readings and manuscript analysis, the author argues that the unity of the narrative depends on a balanced tension between centripetal and centrifugal dynamics. He traces how the authors, scribes and illuminators of the cycle worked to produce coherence, even as they contended with potentially disruptive forces: multiple authorship, differences of intention, and changes in the relation between text, audience and book. Finally, he tackles the long-held orthodoxy that places the Perceval Continuations on the margins of literary history. Widening the scope of enquiry to consider the corpus's influence on thirteenth-century verse romances, this study re-situates the Conte du Graal cycle as a vital element in the evolution of Arthurian literature. Thomas Hinton isJunior Research Fellow in Modern Languages at Jesus College, Oxford.
| Author | : Larissa Theule |
| Publisher | : Abrams |
| Total Pages | : 32 |
| Release | : 2019-03-12 |
| Genre | : Juvenile Fiction |
| ISBN | : 1683354591 |
Louise Belinda Bellflower lives in Rochester, New York, in 1896. She spends her days playing with her brother, Joe. But Joe gets to ride a bicycle, and Louise Belinda doesn’t. In fact, Joe issues a solemn warning: If girls ride bikes, their faces will get so scrunched up, eyes bulging from the effort of balancing, that they’ll get stuck that way FOREVER! Louise Belinda is appalled by this nonsense, so she strikes out to discover the truth about this so-called “bicycle face.” Set against the backdrop of the women’s suffrage movement, Born to Ride is the story of one girl’s courageous quest to prove that she can do everything the boys can do, while capturing the universal freedom and accomplishment children experience when riding a bike.
| Author | : Susan Mann |
| Publisher | : Greenwood |
| Total Pages | : 256 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : |
This guide is an excellent beginning for the study of a little-recognized genre and will be needed by all academic libraries. Choice During the 1970s many distinguished writers began experimenting with the short story cycle, a literary form that achieved prominence in the early decades of the century through such works as James Joyce's Dubliners and Sherwood Anderson's Winesburg, Ohio. Despite the growing interest of both writers and readers, no theoretical work has been done on this genre in the past ten years. The Short Story Cycle provides a wide-ranging survey of the subject, offering detailed analyses of nine classic short story cycles and an annotated listing of over 120 others, many by contemporary authors. In addition, the introduction includes a history of the genre and its related forms as well as a discussion of conventions associated with the cycle. Short story cycles by Joyce, Anderson, Hemingway, Steinbeck, Faulkner, Welty, O'Connor, and Updike are described in individual chapters. These works illustrate the genre's diversity and vitality, ranging from cycles that are explicitly related through chronology, plot, and character to collections that reveal subtler, implicit unities. The author looks at the ways different writers use repeated or developed characters, themes, myth, imagery, setting, point of view, and plot or chronology to create the sense of a larger whole. Chapter bibliographies supply information on relevant critical writings as well as biographical and autobiographical materials. The volume concludes with an annotated listing of important twentieth-century short-story cycles by American, British, European, Canadian, Australian, Polish, Soviet, and Latin American writers.
