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| Author | : |
| Publisher | : Cambria Press |
| Total Pages | : 316 |
| Release | : |
| Genre | : |
| ISBN | : 1621968669 |
| Author | : Jan Alber |
| Publisher | : |
| Total Pages | : 315 |
| Release | : 2014-05-14 |
| Genre | : LITERARY CRITICISM |
| ISBN | : 9781624990557 |
This book investigates the ways in which Charles Dickenss mature fiction, prison novels of the 20th century, and prison films narrate the prison. Alber addresses the significance of prison metaphors in novels and films, and investigates the ideological underpinnings of prison narratives by addressing the question of whether they generate cultural understandings of the legitimacy or illegitimacy of the prison.
| Author | : Stephanie Polsky |
| Publisher | : John Hunt Publishing |
| Total Pages | : 300 |
| Release | : 2015-09-25 |
| Genre | : Social Science |
| ISBN | : 178279879X |
We live in a time of great social, political and economic crisis that many date to the collapse of the global banking system in 2008. Many are finding it difficult to contextualise the hardships that have taken place in the years following on from those events. It is difficult to find the answers in our present media landscape, or in a political and intellectual climate that continues to laud capitalism as the winning economic system coming out of both World War II and the end of the Cold War, which has become over the last century synonymous with democracy itself. The irony is that in our times the majority of the world’s people feel disenfranchised by both capitalism and democracy. How did we come to this historical juncture? What can we learn not just from history, but from our cultural artefacts that might tell us how we first came to conduct ourselves within a system of global finance capitalism? This volume proposes that we reinterpret the writings of Charles Dickens to find the antecedents of our present situation with regards to capital, empire and subjectivity.
| Author | : Alexander Francis Chamberlain |
| Publisher | : IndyPublish.com |
| Total Pages | : 484 |
| Release | : 1896 |
| Genre | : Literary Criticism |
| ISBN | : |
1896. The Child in Primitive Culture. Contents: Child-Study; The Child's Tribute to the Mother; The Child's Tribute to the Father; The Name Child; The Child in the Primitive Laboratory; The Bright Side of Child-Life: Parental Affection; Childhood the Golden Age; Children's Food; Children's Souls; Children's Flowers, Plants, and Trees; Children's Animals, Birds, etc.; Child-Life and Education in General; The Child as Member and Builder of Society; The Child as Linguist; The Child as Actor and Inventor; The Child as Poet and Musician; The Child as Teacher and Wiseacre; The Child as Judge; The Child as Oracle-Keeper and Oracle-Interpreter; The Child as Weather-Maker; The Child as Healer and Physician; The Child as Shaman and Priest; The Child as Hero, Adventurer, etc.; The Child as Fetich and Divinity; The Child as God: The Christ-Child; Proverbs, Sayings, etc., about Parents, Father and Mother; Proverbs, Sayings, etc., about the Child, Mankind, Genius; Proverbs, Sayings, etc., about Mother and Child; Proverbs, Sayings, etc., about Father and Child; Proverbs, Sayings, etc., about Childhood, Youth, and Age; and Proverbs, Sayings, etc., about the Child and Childhood.
| Author | : James Colville |
| Publisher | : Legare Street Press |
| Total Pages | : 360 |
| Release | : 2021-09-09 |
| Genre | : |
| ISBN | : 9781013735790 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Frank Kelleter |
| Publisher | : |
| Total Pages | : 301 |
| Release | : 2017 |
| Genre | : Literary Criticism |
| ISBN | : 9780814213353 |
Media of Serial Narrative, edited by Frank Kelleter, is the first book-length study to address the increasingly popular topic of serial narratives--specifically, how practices and forms of seriality shape media throughout the landscape of popular culture. In modern entertainment formats, seriality and popularity can seem so obviously connected that scholarship has long neglected to address their specific interrelations. This volume looks closely at the relationship between seriality, popularity, media, and narrative form and asks: What are the structural conditions of serial stories? Which historical circumstances are presupposed or supported by series and serials? How do commercial types of seriality differ from serial structures in other cultural fields? Media of Serial Narrative focuses on key sites and technologies of popular seriality since the mid-nineteenth century and up to today: newspapers, comics, cinema, television, and digital communication. Paying close attention to the affordances of individual media, as well as to their historical interactions, the fourteen chapters survey the forms, processes, and functions of popular serial storytelling. With individual chapters by Frank Kelleter, Jared Gardner, Daniel Stein, Christina Meyer, Scott Higgins, Shane Denson, Ruth Mayer, Kathleen Loock, Constantine Verevis, Jason Mittell, Sudeep Dasgupta, Sean O'Sullivan, Henry Jenkins, Christine Hämmerling, Mirjam Nast, and Andreas Sudmann, Media of Serial Narrative is an exciting and broad-ranging intervention in the fields of seriality, media, and narrative studies.
| Author | : Rob Allen |
| Publisher | : Routledge |
| Total Pages | : 223 |
| Release | : 2014-05-23 |
| Genre | : Social Science |
| ISBN | : 1134492057 |
From prime-time television shows and graphic novels to the development of computer game expansion packs, the recent explosion of popular serials has provoked renewed interest in the history and economics of serialization, as well as the impact of this cultural form on readers, viewers, and gamers. In this volume, contributors—literary scholars, media theorists, and specialists in comics, graphic novels, and digital culture—examine the economic, narratological, and social effects of serials from the nineteenth to the twenty-first century and offer some predictions of where the form will go from here.
| Author | : Linda Williams |
| Publisher | : Duke University Press |
| Total Pages | : 403 |
| Release | : 2014-08-08 |
| Genre | : Performing Arts |
| ISBN | : 082237644X |
Many television critics, legions of fans, even the president of the United States, have cited The Wire as the best television series ever. In this sophisticated examination of the HBO serial drama that aired from 2002 until 2008, Linda Williams, a leading film scholar and authority on the interplay between film, melodrama, and issues of race, suggests what exactly it is that makes The Wire so good. She argues that while the series is a powerful exploration of urban dysfunction and institutional failure, its narrative power derives from its genre. The Wire is popular melodrama, not Greek tragedy, as critics and the series creator David Simon have claimed. Entertaining, addictive, funny, and despairing all at once, it is a serial melodrama grounded in observation of Baltimore's people and institutions: of cops and criminals, schools and blue-collar labor, local government and local journalism. The Wire transforms close observation into an unparalleled melodrama by juxtaposing the good and evil of individuals with the good and evil of institutions.
| Author | : Miles Hadley |
| Publisher | : Bookbaby |
| Total Pages | : 0 |
| Release | : 2018-10-21 |
| Genre | : |
| ISBN | : 9781543940954 |
Archie Hodgkin-Smith is the quintessential British Toff. From the stately environs of Risely, he is determined to launch a career as a photographer while enjoying a hedonist lifestyle. But everything changes when he meets the liberal and progressive Polly Raynard. Will Polly truly change him? Or will Archie remain the unabashed snob that he always was?Meanwhile, Gary Brown, the archetypal Chav, is forced to confront the harsh realities of his own life on an inner London council estate. Will history prove to be his salvation? Or will the grim reality of his life ultimately prove to be his undoing?Rich and poor. Toff and Chav. Join Archie and Gary as their worlds collide in a telling account of social disparity in the United Kingdom.
| Author | : Jennifer Hayward |
| Publisher | : University Press of Kentucky |
| Total Pages | : 354 |
| Release | : 2021-10-21 |
| Genre | : Social Science |
| ISBN | : 0813184479 |
"To be continued..." Whether these words fall at the end of The Empire Strikes Back or a TV commercial flirtation between coffee-loving neighbors, true fans find them impossible to resist. Ever since the 1830s, when Charles Dickens's Pickwick Papers enticed a mass market for fiction, the serial has been a popular means of snaring avid audiences. In Consuming Pleasures jennifer Hayward establishes serial fiction as a distinct genre-one defined by the activities of its audience rather than by the formal qualities of the text. Ranging from installment novels, mysteries, and detective fiction of the 1800s to the television and movie series, comics, and advertisements of the twentieth century, serials are loosely linked by what may be called, after Wittgenstein, "family resemblances." These traits include intertwined subplots, diverse casts of characters, dramatic plot reversals, suspense, and such narrative devices as long-lost family members and evil twins. Hayward chooses four texts—Dickens's novel Our Mutual Friend (1864-65), Milton Caniff's comic strip Terry and the Pirates (1934-46), and the soap operas All My Children (1970-) and One Life to Live (1968-)—to represent the evolution of serial fiction as a genre, and to analyze the peculiar draw serials have upon their audiences. Although the serial has enjoyed great marketplace success, traditional literary and social critics have denounced its ties to mass culture, claiming it preys upon passive fans. But Hayward argues that active serial audiences have developed identifiable strategies of consumption, such as collaborative reading and attempts to shape the production process.
