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Myths of the Underworld in Contemporary Culture

Myths of the Underworld in Contemporary Culture
Author: Judith Fletcher
Publisher: Oxford University Press
Total Pages: 272
Release: 2019-04-25
Genre: Literary Criticism
ISBN: 0191079804

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Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld. Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. S. Byatt, Toni Morrison, and Anne Patchett - it reveals how an enduring fascination with life after death, and fantasies of accessing the world of the dead while we are still alive, manifest themselves in myriad and varied re-imaginings of the ancient descent myth. The volume begins with a detailed overview of the use of the myth by ancient authors such as Homer, Aristophanes, Vergil, and Ovid, before exploring the ways in which the narrative of a return trip to Hades by Odysseus, Aeneas, Orpheus, and Persephone can be manipulated by contemporary storytellers to fit themes of social marginality and alterity, postmodern rebellion, the position of female authors in the literary canon, and the dislocation endured by refugees, exiles, and diasporic populations. It also argues that citations of classical underworld stories can disrupt and challenge the literary canon by using media - such as comic books, children's culture, or rock music - not conventionally associated with high culture.


Myths of the Underworld in Contemporary Culture

Myths of the Underworld in Contemporary Culture
Author: Judith Fletcher
Publisher: Oxford University Press
Total Pages: 237
Release: 2019-04-11
Genre: Literary Criticism
ISBN: 0192524224

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Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld. Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. S. Byatt, Toni Morrison, and Anne Patchett - it reveals how an enduring fascination with life after death, and fantasies of accessing the world of the dead while we are still alive, manifest themselves in myriad and varied re-imaginings of the ancient descent myth. The volume begins with a detailed overview of the use of the myth by ancient authors such as Homer, Aristophanes, Vergil, and Ovid, before exploring the ways in which the narrative of a return trip to Hades by Odysseus, Aeneas, Orpheus, and Persephone can be manipulated by contemporary storytellers to fit themes of social marginality and alterity, postmodern rebellion, the position of female authors in the literary canon, and the dislocation endured by refugees, exiles, and diasporic populations. It also argues that citations of classical underworld stories can disrupt and challenge the literary canon by using media - such as comic books, children's culture, or rock music - not conventionally associated with high culture.


Myths of the Underworld Journey

Myths of the Underworld Journey
Author: Radcliffe G. Edmonds, III
Publisher: Cambridge University Press
Total Pages: 298
Release: 2004-09-20
Genre: History
ISBN: 9781139456005

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This book was first published in 2004. Plato, Aristophanes and the creators of the 'Orphic' gold tablets employ the traditional tale of a journey to the realm of the dead to redefine, within the mythic narrative, the boundaries of their societies. Rather than being the relics of a faded ritual tradition or the products of Orphic influence, these myths can only reveal their meanings through a close analysis of the specific ways in which each author makes use of the tradition. For these authors, myth is an agonistic discourse, neither a kind of sacred dogma nor a mere literary diversion, but rather a flexible tool that serves the wide variety of uses to which it is put. The traditional tale of the journey to the Underworld in Greek mythology is neither simple nor single, but each telling reveals a perspective on the cosmos, a reflection of the order of this world through the image of the other.


Thomas Pynchon and the Postmodern Mythology of the Underworld

Thomas Pynchon and the Postmodern Mythology of the Underworld
Author: Evans Lansing Smith
Publisher: Modern American Literature
Total Pages: 0
Release: 2012
Genre: Gnosticism in literature
ISBN: 9781433120275

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Thomas Pynchon and the Postmodern Mythology of the Underworld is devoted to the work of one of the most highly acclaimed writers of the post-World War II period of American literature, Thomas Pynchon. Through close readings and broad amplification, this book illustrates that the descent to the underworld is the single most important myth in Pynchon's work, conferring shape and significance upon each of his novels. This book also offers a unique perspective on postmodernism, which is characterized by ludic syncretism - the playful synthesis of myths from a variety of cultures. In addition, Thomas Pynchon and the Postmodern Mythology of the Underworld is a major contribution to the study of myth and literature as a whole, through the definition of what Evans Lansing Smith calls necrotypes - archetypal images catalyzed by the mythology of the underworld. This book employs an interdisciplinary methodology that will be of critical interest to scholars of comparative literature, mythology, and religion; to theorists and critics of modernism and postmodernism; to depth psychologists in the traditions of Jung, Freud, and James Hillman; as well as to the broad base of Pynchon enthusiasts and exponents of popular culture.


AEneid

AEneid
Author: Virgil
Publisher:
Total Pages: 454
Release: 1909
Genre:
ISBN:

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Myths of the Underworld

Myths of the Underworld
Author: Lindsay Christinee
Publisher: Simon and Schuster
Total Pages: 168
Release: 2023-12-12
Genre: Social Science
ISBN: 1646045742

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Immerse yourself in stories of gods and goddesses of the underworld and explore how themes of death, love, and revenge are depicted in folklore and mythology by different cultures around the world. Myths of the Underworld is a vibrant collection of ten retellings of forbidden love, acts of vengeance, and naive attractions. Modernized for today’s reader, these diverse stories span time and space. But while the cultures and traditions are varied, the themes woven throughout these tales reveal how the struggle to understand and accept death and all that comes with it is one that is quintessentially human. The ten different stories include: Hades and Persephone, the classic myth from Ancient Greece Kali, the Indian goddess (and wife of Shiva), known for her fierceness on the battlefield Anubis, the ancient Egyptian god of the underworld Mictlantecuhtli and Mictecacíhuatl, the lovers who ruled the Aztec underworld The Shinigami, Japanese spirits of the underworld Maman Brigitte, the Haitian intermediary of death Gamab, the Namibian god of fate who gifted rain to mankind Hel, the Norse overseer of the underworld Sedna, the Inuit goddess of the sea and the underworld The Sand Hills, the home of the dead for the Blackfeet Nation The tales in Myths of the Underworld are sure to captivate and enchant readers. Perfect for fans of mythology, romance, and fairy tales.


Homer and the Poetics of Hades

Homer and the Poetics of Hades
Author: George Alexander Gazis
Publisher: Oxford University Press
Total Pages: 266
Release: 2018
Genre: History
ISBN: 019878726X

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This book examines Homer's use of Hades as a poetic resource. By portraying Hades as a realm where vision is not possible, Homer creates a unique poetic environment where social constraints and divine prohibitions are not applicable. The resulting narrative emulates that of the Muses but is markedly distinct from it, as in Hades experimentation with and alteration of epic forms and values can be pursued, giving rise to a 'poetics of Hades'. In the Iliad, Homer shows how this alternative poetics works through the visit of Patroclus' shade in Achilles' dream. The recollection offered by the shade reveals an approach to its past in which regret, self-pity, and a lingering memory of intimate and emotional moments displace an objective tone and a traditional exposition of heroic values. The potential of Hades for providing alternative means of commemorating the past is more fully explored in the 'Nekyia' of Odyssey 11; there, Odysseus' extraordinary ability to see (idein) the dead in Hades allows him to meet and interview the shades of heroines and heroes of the epic past. The absolute confinement of Hades allows the shades to recount their stories from their own viewpoint. The poetic implications of this are important since by visiting Hades and hearing the shades' stories, Odysseus-and Homer--gains access to a tradition in which epic values associated with gender roles and even divine law are suspended in favour of a more immediate and personally inflected approach to the epic past. -- Prové de l'editorial.


Classical Vertigo

Classical Vertigo
Author: Mark William Padilla
Publisher: Lexington Books
Total Pages: 339
Release: 2024-03-18
Genre: Art
ISBN: 1666915920

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Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.


All the Flowers Kneeling

All the Flowers Kneeling
Author: Paul Tran
Publisher: Penguin
Total Pages: 112
Release: 2022-02-15
Genre: Poetry
ISBN: 0525508341

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“Paul Tran’s debut collection of poems is indelible, this remarkable voice transforming itself as you read, eventually transforming you.” —Alexander Chee, author of How to Write an Autobiographical Novel “This powerful debut marshals narrative lyrics and stark beauty to address personal and political violence.” —New York Times Book Review A profound meditation on physical, emotional, and psychological transformation in the aftermath of imperial violence and interpersonal abuse, from a poet both “tender and unflinching” (Khadijah Queen) Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors. At once grand and intimate, commanding and deeply vulnerable, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacity for resilience, endurance, and love.


Dream Tonight of Peacock Tails

Dream Tonight of Peacock Tails
Author: Umberto Rossi
Publisher: Cambridge Scholars Publishing
Total Pages: 235
Release: 2015-09-04
Genre: Psychological fiction, American
ISBN: 1443881511

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Dream Tonight of Peacock Tails marks the first in-depth examination of Pynchon’s debut novel, which was immediately recognized as a breakthrough masterpiece. The eight essays collected in the volume provide both scholars and avid readers with new and original insights into a too-often underestimated work that, probably even more than Gravity’s Rainbow, established Pynchon as one of the great masters of twentieth-century American literature. This book deliberately privileges a multidisciplinary and transnational approach, encompassing collaborations from a particularly international and diverse academic context. As such, this volume offers a multifaceted pattern of expanding investigation that tackles the novel’s apparently chaotic but meticulously organized structure by rereading it in the light of recent US and European history and economics, as well as by exploring its many real and imagined locations. Not only are the essays brought together here revelatory of Pynchon’s way of working, but they also tell us something about our own ways of approaching his fiction.