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Mythical Animals in Indian Art

Mythical Animals in Indian Art
Author: K. Krishna Murthy
Publisher: Abhinav Publications
Total Pages: 130
Release: 1985
Genre: Animals, Mythical, in art
ISBN: 9780391032873

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Mythical Beings in Ancient Indian Art

Mythical Beings in Ancient Indian Art
Author: Tarun Chakravarty
Publisher:
Total Pages: 187
Release: 2014
Genre: Animals, Mythical, in art
ISBN: 9789383368747

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Animal Art and Mythology of India

Animal Art and Mythology of India
Author: Joyce Wherritt Bowers
Publisher:
Total Pages: 338
Release: 1989
Genre: Animals in art
ISBN:

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Animals in Four Worlds

Animals in Four Worlds
Author: Stella Snead
Publisher: University of Chicago Press
Total Pages: 224
Release: 1989-09-07
Genre: Art
ISBN: 9780226767260

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Animals play a special role in Indian culture. In opposition to deities, they help to frame the human community. Indian philosophy assumes the basic unity of animals and humans and in everyday life animals symbolize various ideas and sentiments. In the realm of Indian art, animals appear everywhere. In this splendid and unique collection of photographs, Stella Snead captures the extraordinary vitality, intelligence, and variety of animals in Indian sculpture found at sites from prehistory through the eighteenth century. Here are cats, peacocks, mongooses, anteaters, cows, hyenas, and tigers, as well as such fantastic creatures as double-bodied lions and elephants with fish tails. Collected from all areas of India, these photographs include images from famous Indian monuments, and museum collections, as well as images from remote sites, some of which have never before been published. Wendy Doniger's essay explores and explains the four worlds or dimensions that animals occupy in Indian thought: nature, the human world, the divine world, and the world of fantasy. George Michell places Indian sculptures of animals in their architectural and art historical context. His chronological survey identifies the location and the subject of the animals photographed and describes the artistic activity of the regions and period from which the photographs are drawn. This beautifully illustrated book will appeal to a wide audience: to those interested in Asian studies, art, architecture, and animals, and to those drawn to Snead's powerful photographs, which capture both the idiosyncratic genius of tiny details and the grand sweep of cosmic symbols.


Animals in Stone

Animals in Stone
Author: Alexandra Anna Enrica van der Geer
Publisher: BRILL
Total Pages: 535
Release: 2008
Genre: Social Science
ISBN: 9004168192

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This magnificently illustrated study of a vast amount of South Asian animal stone sculptures provides an art history covering almost four and a half thousand years, analyzing the art historical, archeological and cultural context of animals in society.


Beasts of India

Beasts of India
Author: Kanchana Arni
Publisher: Tara Publishing
Total Pages: 108
Release: 2003
Genre: Art
ISBN: 9788186211786

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This is a book and art collector's dream, comprising 32 prints from India's most exciting tribal and folk artists.


The Holy Cow and Other Animals

The Holy Cow and Other Animals
Author: Pratapaditya Pal
Publisher:
Total Pages: 88
Release: 2002
Genre: Architecture
ISBN:

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Lavishly illustrated in full color, The Holy Cow and Other Animals provides an account of the fascinating interaction among the realms of the animals, mortals, and immortals as represented in 38 paintings created on the Indian subcontinent between about 1400 and 1900.


Framing Intellectual and Lived Spaces in Early South Asia

Framing Intellectual and Lived Spaces in Early South Asia
Author: Lucas den Boer
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 298
Release: 2020-09-21
Genre: Religion
ISBN: 3110556456

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The contributions to this book address a series of ‘confrontations’—debates between intellectual communities, the interplay of texts and images, and the intersection of monumental architecture and physical terrain—and explore the ways in which the legacy of these encounters, and the human responses to them, conditioned cultural production in early South Asia (c. 4th-7th centuries CE). Rather than an agonistic term, the book uses ‘confrontation’ as a heuristic to examine historical moments within this pivotal period in which individuals and communities were confronted with new ideas and material expressions. The first half of the volume addresses the intersections of textual, material, and visual forms of cultural production by focusing on three primary modes of confrontation: the relation of inscribed texts to material media, the visual articulation of literary images and, finally, the literary interpretation and reception of built landscapes. The second part of the volume focuses on confrontations both within and between intellectual communities. The articles address the dynamics between peripheral and dominant movements in the history of Indian philosophy.


Architecture in the Indian Subcontinent

Architecture in the Indian Subcontinent
Author: Christopher Tadgell
Publisher: Taylor & Francis
Total Pages: 1143
Release: 2023-12-01
Genre: Architecture
ISBN: 1003803369

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Dedicated to the tracing of continuity across sectarian divides, Christopher Tadgell’s History of Architecture in India (1989) was the first modern monograph to draw together in one volume all the strands of India’s pre-colonial architectural history – from the Vedic and Native traditions of early India, through Hindu, Buddhist, Islamic and secular architecture. This comprehensive revision, Architecture in the Indian Subcontinent: From the Mauryas to the Mughals, expands the structure to acknowledge the great advance in scholarship across this extremely complex subject over the last three decades. An understanding of Indian history and religion is the basis for understanding the complex pattern of relationships in the evolution of architecture in the subcontinent. Therefore, background material covers major invasions, migrations, dynastic conflicts and cultural and commercial connections, the main religious developments and their significance and repercussions, and external architectural precedents. While avoiding the usual division of the subject into ‘Buddhist and Hindu’ and ‘Islamic’ parts in order to trace continuity, the importance of religion, symbolism and myth to the development of characteristic Indian architectural forms in all their richness and complexity is fully explained in this fully illustrated account of the subcontinent’s architecture.