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| Author | : Lisa Florman |
| Publisher | : MIT Press |
| Total Pages | : 300 |
| Release | : 2002-08-23 |
| Genre | : Architecture |
| ISBN | : 9780262561556 |
A radical new interpretation of Picasso and his relation to the classical seen through the artist's prints of the 1930s.
| Author | : Ovid |
| Publisher | : |
| Total Pages | : 500 |
| Release | : 1960 |
| Genre | : |
| ISBN | : |
| Author | : Richard Buxton |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 298 |
| Release | : 2009-07-23 |
| Genre | : History |
| ISBN | : 0199245495 |
An illustrated study of a number of Greek myths about the transformations of humans and gods. Richard Buxton poses the question of how seriously the Greeks took these tales, and in doing so also illuminates issues explored by anthropologists and students of religion.
| Author | : Paul M. C. Forbes Irving |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 326 |
| Release | : 1990 |
| Genre | : History |
| ISBN | : 9780198140900 |
The transformation of human beings to animals, plants, and stones is one of the commonest and most characteristic themes of Greek mythology; whereas many cultures contain some such stories, in none are they so popular as in the Greek myths. Transformations are also some of the most mysterious and fantastic episodes in Greek mythology. Given the intriguing nature of the subject-matter, it is surprising that no study of these stories has ever appeared in English. But this book is unusual in its approach. Studies of Greek myths have usually tended to try to explain them away in terms of some external entity, whether it be some hypothetical ritual, some curious phenomenum of nature or some long-forgotten historical event. The book argues that this attitude ignores what is of most interest about Greek myths - their appeal as stories. The author analyses the various ways in which these stories imagine and explore what it means for a person to change his or her form.
| Author | : Ovid |
| Publisher | : |
| Total Pages | : 158 |
| Release | : 1898 |
| Genre | : |
| ISBN | : |
| Author | : John Warden |
| Publisher | : |
| Total Pages | : 238 |
| Release | : 1985 |
| Genre | : Literary Criticism |
| ISBN | : 9780802065933 |
The myth of Orpheus, shaman and teacher, musician and lover, is the subject of this book. It brings together the work of scholars from a variety of disciplines to present a conspectus of the myth's career, to show how it grows and changes to meet changing demands -- always different, yet always the same. Early Greek evidence for the Orpheus myth and a speculative explanation of its origins are offered along with chapters on the treatments of the myth by Virgil and Ovid, on Orpheus and Christianity, and on the allegorizing treatment of Orpheus which characterizes the Middle Ages. Orpheus in the Renaissance is studied in the work of the philosopher Marsilio Ficino; in Italian art from 1400 to 1600; in operas by Peri and Monteverdi; in a religious allegorical play by Calderon; and in the writings of Spenser, Milton, and Bacon. The Orpheus myth has been crucial in the defining of a culture. Its history demonstrates effectively the persistence and plasticity of myth.
| Author | : Mary Zimmerman |
| Publisher | : Northwestern University Press |
| Total Pages | : 115 |
| Release | : 2002 |
| Genre | : Drama |
| ISBN | : 0810119803 |
This play is based on David R. Slavitt's translation of The Metamorphoses of Ovid - Monologues.
| Author | : Paul M. C. Forbes Irving |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 352 |
| Release | : 1990 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
The transformation of people into animals, plants, and stones is one of the most common and characteristic themes of Greek mythology, embodying as well some of the most mysterious and fantastic episodes in a mythology that is sometimes considered to be relatively realistic and lacking in fantasy. This book, the first study of these myths in English, analyzes the various ways in which they imagine and explore the experience of changing one's form. Irving's unusual approach is to look for their meaning not in long-forgotten rituals or historical events, but in their imaginative appeal as stories.
| Author | : Mark H. Gelber |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 336 |
| Release | : 2014-07-24 |
| Genre | : Literary Criticism |
| ISBN | : 3110934191 |
This volume contains the lectures delivered at an international conference in Israel devoted to the topic of Franz Kafka (1883-1924) and Zionism. Kafka's interests in Hebrew, Yiddish, and Jewish Nationalism and his various relationships to his Zionist friends and his participation in Jewish national and Zionist-related activity are explored from a number of different critical vantage points. Likewise, his writings are considered within the specific framework of Jewish nationalism and Zionism.
| Author | : Emma Aston |
| Publisher | : Presses universitaires de Liège |
| Total Pages | : 381 |
| Release | : 2017-10-25 |
| Genre | : Social Science |
| ISBN | : 2821895631 |
Many of the beings in this book – Cheiron, Pan, Acheloos, the Sirens and others – will be familiar from the narratives of Greek mythology, in which fabulous anatomies abound. However, they have never previously been studied together from a religious perspective, as recipients of cult and as members of the ancient pantheon. This book is the first major treatment of the use of part-animal – mixanthropic – form in the representation and visual imagination of Greek gods and goddesses, and of its significance with regard to divine character and function. What did it mean to depict deities in a form so strongly associated in the ancient imagination with monstrous adversaries? How did iconography, myth and ritual interact in particular sites of worship? Drawing together literary and visual material, this study establishes the themes dominant in the worship of divine mixanthropes, and argues that, so far from being insignificant curiosities, they make possible a greater understanding of the fabric of ancient religious practice, in particular the tense and challenging relationship between divinity and visual representation.
