My Wife and I. Harry Henderson's History
Author | : Гарриет Бичер-Стоу |
Publisher | : Litres |
Total Pages | : 634 |
Release | : 2021-01-18 |
Genre | : Fiction |
ISBN | : 5040564066 |
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Author | : Гарриет Бичер-Стоу |
Publisher | : Litres |
Total Pages | : 634 |
Release | : 2021-01-18 |
Genre | : Fiction |
ISBN | : 5040564066 |
Author | : Harriet Beecher Stowe |
Publisher | : Good Press |
Total Pages | : 451 |
Release | : 2023-10-12 |
Genre | : Fiction |
ISBN | : |
Harriet Beecher Stowe's "My Wife and I; Or, Harry Henderson's History" is a classic novel that explores themes of marriage and family dynamics. Stowe, renowned for her powerful storytelling, weaves a compelling narrative around Harry Henderson and his marital journey. Through vivid characters and relatable situations, Stowe delves into the complexities of married life, making this book a thought-provoking and emotionally resonant read. "My Wife and I" is a testament to Stowe's literary prowess and her ability to tackle timeless themes.
Author | : Harriet Beecher Stowe |
Publisher | : |
Total Pages | : 514 |
Release | : 1871 |
Genre | : |
ISBN | : |
Author | : Harriet Beecher Stowe (Writer, United States) |
Publisher | : |
Total Pages | : 474 |
Release | : 1872 |
Genre | : |
ISBN | : |
Author | : Stowe |
Publisher | : |
Total Pages | : 440 |
Release | : 1888 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1871 |
Genre | : |
ISBN | : |
Author | : HardPress |
Publisher | : Hardpress Publishing |
Total Pages | : 524 |
Release | : 2013-01 |
Genre | : |
ISBN | : 9781290978354 |
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author | : Harriet B. Stowe |
Publisher | : |
Total Pages | : 512 |
Release | : 2018-12-16 |
Genre | : |
ISBN | : 9783337710248 |
Author | : Harriet Beecher Stowe |
Publisher | : |
Total Pages | : 528 |
Release | : 1967 |
Genre | : |
ISBN | : |
Author | : Nathan Wolff |
Publisher | : Oxford University Press, USA |
Total Pages | : 227 |
Release | : 2019-02-13 |
Genre | : |
ISBN | : 0198831692 |
Not Quite Hope and Other Political Emotions in the Gilded Age argues that late nineteenth-century US fiction grapples with and helps to conceptualize the disagreeable feelings that are both a threat to citizens' agency and an inescapable part of the emotional life of democracy--then as now. In detailing the corruption and venality for which the period remains known, authors including Mark Twain, Harriet Beecher Stowe, Henry Adams, and Helen Hunt Jackson evoked the depressing inefficacy of reform, the lunatic passions of the mob, and the revolting appetites of lobbyists and office seekers. Readers and critics of these Washington novels, historical romances, and satiric romans a clef have denounced these books' fiercely negative tone, seeing it as a sign of elitism and apathy. The volume argues, in contrast, that their distrust of politics is coupled with an intense investment in it. Chapters examine both common and idiosyncratic forms of political emotion, including 'crazy love', disgust, cynicism, 'election fatigue', and the myriad feelings of hatred and suspicion provoked by the figure of the hypocrite. In so doing, the book corrects critics' too-narrow focus on 'sympathy' as the American novel's model political emotion. We think of reform novels as fostering feeling for fellow citizens or for specific causes. This volume argues that Gilded Age fiction refocuses attention on the unstable emotions that shape our relation to politics as such. It also positions this literature's fraught fascination with formal politics as a necessary counterpoint to histories of US literature that focus only on the nineteenth-century novel's anti-institutional imaginaries.