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A Complete Opening Repertoire for Black After 1. E4 E5!

A Complete Opening Repertoire for Black After 1. E4 E5!
Author: Yuriy Krykun
Publisher:
Total Pages: 280
Release: 2020-12-08
Genre:
ISBN: 9789492510846

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One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.


My Private Repertoire

My Private Repertoire
Author: Karthik Pm
Publisher: Independently Published
Total Pages: 130
Release: 2016-10-10
Genre: Games & Activities
ISBN: 9781519014658

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"My Private Repertoire: Building a Powerful Queen Pawn Opening for White" is a book that educate chess openings. This is a complete preparation for white side with 1.d4 and 2.c4 Queen Pawn opening. I have personally researched and experienced these lines for several years, making sure its reliability. Often in chess, it is very difficult to decide which opening a player should play for his style or whether the opening is good for our side. So, I hereby present my complete repertoire for white which will give massive opening understanding and its principles. Certain openings which we need not know are completely omitted so that creating a complete opening repertoire becomes easy for players. After reading this book you'll be able to: 1. Understand the basics in any chess opening 2. Play queen pawn opening without any trouble for white 3. Understand basic chess opening setups 4. Understand the bishop setups to be avoided 5. Understand how to develop knights, rooks and bishops 6. Understand how to convert an opening into another 7. Understand different openings against Queen Pawn opening and handle it properly 8. Understand how to punish unusual replies 9. Create a complete repertoire for white 10. Understand much more.


Infinite Repertoire

Infinite Repertoire
Author: Adrienne J. Cohen
Publisher: University of Chicago Press
Total Pages: 207
Release: 2021-08-12
Genre: History
ISBN: 022678102X

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Preface: name-finding -- Invitation: city of dance -- Aesthetic politics, magical resources. Why authority needs magic ; Privatizing ballet ; The discipline of becoming: ballet's pedagogy -- Delicious inventions. Female strong men and the future of resemblance ; Core steps and passport moves: how to inherit a repertoire ; When big is not big enough: on excess in Guinean Sabar -- Epilogue: embodied infrastructure and generative imperfection.


A Chess Opening Repertoire for Blitz & Rapid

A Chess Opening Repertoire for Blitz & Rapid
Author: Evgeny Sveshnikov
Publisher: New In Chess
Total Pages: 459
Release: 2016-03-23
Genre: Games & Activities
ISBN: 9056916041

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Playing blitz is one of the great joys in every chess player’s life. In modern times, faster time controls have become more important than ever. Every day, innumerable numbers of rated blitz and rapid games are being played in online and over-the-board competitions and championships. In blitz, even more than in ‘classical chess’, it is important to make the right decisions quickly and almost instinctively. That is why world-famous opening expert Grandmaster Evgeny Sveshnikov and his son, International Master Vladimir Sveshnikov, have created a chess opening repertoire for club players that is forcing, both narrow and deep, and aggressive. The aim is to be in control as much as possible. You want to be the one who decides which opening is going to be played, you want to dictate the technical and strategic choices. And you want to keep the pressure, increasing your opponent’s chances to stumble. In designing their repertoire, father and son Sveshnikov have made a crucial choice: they do not want you to end up in positions where finding the theoretically best move is all-important, but in positions where it is relatively easy to keep finding the moves with the greatest practical effect and use. If you play the lines the Sveshnikovs have selected, your results will improve. You may even end up playing their variations in ‘slow chess’ as well.


WunderKeys Rock Repertoire for Teen Beginners

WunderKeys Rock Repertoire for Teen Beginners
Author: Trevor Dow
Publisher:
Total Pages: 65
Release: 2018-10-24
Genre:
ISBN: 9781729186206

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Beginning teen piano players want to sound good right away. Beginning teen piano players also want to sound cool... right away. Unfortunately, most beginning piano music is composed with the developmental abilities of young children in mind... which means beginning teen piano players will not sound cool anytime soon. But that's about to change! With WunderKeys Rock Repertoire we are revolutionizing piano music for teen beginners. You will not find Twinkle, Twinkle, Little Star, My Bonnie Lies Over The Ocean, or Mary Had A Little Lamb in this book. Instead, you will find rock-infused music written just for teens in their first year of piano lessons. The 14 piano pieces in WunderKeys Rock Repertoire For Teen Beginners are set in the C 5-Finger Scale and are accompanied by full teacher duets to create an inspiring musical experience. If your teen beginners are uninspired with "too young" music or "too boring" music, surprise them with WunderKeys Rock Repertoire. Upcoming releases in the WunderKeys Rock Repertoire book series include: WunderKeys Rock Repertoire For Teen Beginners: Piano Pieces In Middle C Position WunderKeys Rock Repertoire For Teen Beginners: Piano Pieces In The G 5-Finger Scale


The Symphonic Repertoire, Volume I

The Symphonic Repertoire, Volume I
Author: Mary Sue Morrow
Publisher: Indiana University Press
Total Pages: 946
Release: 2024-03-29
Genre: Music
ISBN: 025307214X

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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.


Adolescents on Music

Adolescents on Music
Author: Elizabeth Cassidy Parker
Publisher: Oxford University Press, USA
Total Pages: 281
Release: 2020
Genre: Education
ISBN: 0190671351

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"Adolescents on Music foregrounds the voices of 30 American adolescent musicians, ages 12-18. Adolescent singer-songwriters, studio and solo musicians, rappers, composers and arrangers, and band, choir, and orchestra members tell about their musical development, what it is like to make music by themselves, and make music with others. Situated in these 30 adolescents' experiences is a theory of adolescent musical development-a theory that will help music educators support tadolescents in their lives. The book is structured in three parts: (a) Part I focuses on "Who I am" with an in-depth look at musical identities; (b) Part II explores "The social self" by investigating adolescent experiences of belonging, community, and social identity; (c) Part III examines "Toward a future vision" focusing on adolescent perspectives of their future and their advice for music educators. In the last chapter, Parker proposes one philosophy of adolescent music-making. Throughout the book, research from the arts, social and natural sciences, humanities, and education dimensionalize adolescent perspectives. Special features of this book include "Step back" locations or reflective spaces for the reader to draw connections with adolescents' experience and their own experiences. At the end of each chapter, the "Wrap Up" allows additional spaces for topics, questions, and possibilities for effective teaching interactions. Between each chapter are "Interludes" written by one or more of the 30 adolescent contributors"--


The Joy of Classical Music

The Joy of Classical Music
Author: Joan Kennedy
Publisher: Main Street Books
Total Pages: 253
Release: 2011-04-20
Genre: Music
ISBN: 0307786102

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Who’s Afraid of Classical Music? For years Joan Kennedy, at home, on the campaign trail, and in concert, has shared her love of classical music with adults and children. Now she uses her experience as a teacher and musician to show how you and your family can make music an enriching part of your lives. In this easy-to-understand and reassuring guide, Joan Kennedy explains: • How to start listening to classical music and enjoying what you hear—with a minimum of effort and expense • Creative, fun ways to bring music to your children—both at home and in school • All you and your family will need to enjoy a musical performance: a brief history of classical music, a user-friendly guide to concert rituals, and advice on how to bring your children to concerts—choosing the performances they will enjoy and making sure they get the most out of the experience Also: a glossary of musical terms • lists of the most popular classical pieces and Joan Kennedy’s personal favorites • a guide to further reading • sixteen pages of photographs • foreword by John Williams, former conducter of the Boston Pops and Academy Award–winning composer of the classic film scores for Star Wars, E.T., and Schindler’s List.


Lifting My Voice

Lifting My Voice
Author: Barbara Hendricks
Publisher: Chicago Review Press
Total Pages: 532
Release: 2014-06-01
Genre: Biography & Autobiography
ISBN: 1613748523

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Growing up African American in segregated Arkansas in the 1950s, Barbara Hendricks witnessed firsthand the painful struggle for civil rights. After graduation from the Juilliard School of Music, Hendricks immediately won a number of important international prizes, and began performing in recitals and operas throughout the world. A Goodwill Ambassador for the United Nations High Commission for Refugees, she is as devoted to humanitarian work as she is to her music. Always the anti-diva, Hendricks is a down-to-earth and straightforward woman, whether singing Mozart or black spirituals. She challenges stereotypes and puts the music first and presents a warm, engaging, and honest self-portrait of one of the great women of music.


Play the 4 F3 Nimzo-Indian

Play the 4 F3 Nimzo-Indian
Author: Yuri Yakovich
Publisher: Gambit Publications
Total Pages: 0
Release: 2004
Genre: Chess
ISBN: 9781904600169

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Gambit Chess: books for chess enthusiasts The most aggressive response to the Nimzo An ideal weapon for club-players The 4 f3 Nimzo variation is making a strong comeback, as it results in sharp, forcing play of a type that is rare in the early stages of most Nimzo-Indians. The Nimzo-Indian is an extremely popular and reliable defence, upon which most world champions have relied at some point in their careers. Black controls the vital e4-square with his pieces, and retains total flexibility with his central pawns. By playing 4 f3, White challenges Black's idea head-on. Russian GM Yakovich, intimately familiar with the opening, provides the necessary details for White to steam-roller his opponent. Essential reading for players of the black pieces too!