My Experience in Collecting Historical Photographs
| Author | : Frederick Hill Meserve |
| Publisher | : |
| Total Pages | : 36 |
| Release | : 1954 |
| Genre | : Photographs |
| ISBN | : |
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My Experience in Collecting Historical Photographs
| Author | : Frederick Meserve |
| Publisher | : |
| Total Pages | : |
| Release | : 1954 |
| Genre | : |
| ISBN | : |
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Collection, Use, and Care of Historical Photographs
| Author | : Robert A. Weinstein |
| Publisher | : Nashville : American Association for State and Local History |
| Total Pages | : 248 |
| Release | : 1977 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
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Writings on American History
| Author | : |
| Publisher | : |
| Total Pages | : 768 |
| Release | : 1963 |
| Genre | : America |
| ISBN | : |
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Mathew Brady and the Image of History
| Author | : Mary Panzer |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 1997 |
| Genre | : Photographers |
| ISBN | : |
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Taking advantage of emerging photographic paper printing techniques to create large-format, classically posed portraits, Brady also collaborated with painters such as G.P.A. Healy and Alonzo Chappel, who used his photographs to complete their own heroically scaled images. Contending that Brady's photographs contribute to an ongoing national interest in the Civil War, Panzer concludes that they continue to function as Brady hoped they would, constructing an idealized history in which fact and memory are intertwined.
Photographs and the Practice of History
| Author | : Elizabeth Edwards |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 185 |
| Release | : 2021-12-16 |
| Genre | : History |
| ISBN | : 1350120677 |
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What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.
The Historical Picture Gallery, Or, Scenes and Incidents in American History
| Author | : John R. Chapin |
| Publisher | : |
| Total Pages | : 516 |
| Release | : 1856 |
| Genre | : United States |
| ISBN | : |
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Beyond Memory
| Author | : Diane Neumaier |
| Publisher | : Rutgers University Press |
| Total Pages | : 360 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780813534541 |
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Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.
The Pirate Bay Collection: History, Trues Stories & Most Famous Pirate Novels
| Author | : Charles Johnson |
| Publisher | : e-artnow |
| Total Pages | : 11553 |
| Release | : 2022-01-04 |
| Genre | : True Crime |
| ISBN | : |
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Musaicum Books presents to you this unique collection of sea adventure novels and true stories of the most notorious pirates. History of Pirates of the Caribbean: Contents: The King of Pirates: Of Captain Avery, And his Crew Captain Martel Captain Teach, alias Blackbeard Edward England Charles Vane Rackam Mary Read Anne Bonny John Bowen The Trial of the Pirates at Providence The Pirate Gow The Pirates of Panama… Novels & Stories: Treasure Island (Robert Louis Stevenson) The Pirate (Walter Scott) Blackbeard: Buccaneer (Ralph D. Paine) Pieces of Eight (Richard Le Gallienne) The Gold-Bug (Edgar Allan Poe) Jack London: Hearts of Three Tales of the Fish Patrol Daniel Defoe: Robinson Crusoe Captain Singleton Jules Verne: The Mysterious Island Facing the Flag The Dark Frigate (Charles Boardman Hawes) Peter Pan and Wendy (J. M. Barrie) The Dealings of Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) The Madman and the Pirate (R. M. Ballantyne) The Pirate City (R. M. Ballantyne) Gascoyne, the Sandal-Wood Trader (R. M. Ballantyne) Captain Boldheart& the Latin-Grammar Master (Charles Dickens) The Master Key (L. Frank Baum) A Man to His Mate (J. Allan Dunn) The Isle of Pirate's Doom (Robert E. Howard) Queen of the Black Coast (Robert E. Howard) James Fenimore Cooper: Afloat and Ashore Homeward Bound The Red Rover The Rose of Paradise (Howard Pyle) The Count of Monte Cristo (Alexandre Dumas) The Ghost Pirates (William Hope Hodgson) The Offshore Pirate (F. Scott Fitzgerald) Harry Collingwood: A Pirate of the Caribbees The Pirate Island Among Malay Pirates (G. A. Henty) Great Pirate Stories (Joseph L. French) Fanny Campbell, the Female Pirate Captain (Maturin Murray Ballou) The Dark Frigate (Charles B. Hawes) Kidd the Pirate (Washington Irving) The Death Ship (William Clark Russell) The Iron Pirate (Max Pemberton)…
Photography and Its Origins
| Author | : Tanya Sheehan |
| Publisher | : Routledge |
| Total Pages | : 254 |
| Release | : 2014-11-20 |
| Genre | : Photography |
| ISBN | : 1317578961 |
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Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
