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Mussolini's Theatre

Mussolini's Theatre
Author: Patricia Gaborik
Publisher: Cambridge University Press
Total Pages: 327
Release: 2021-05-06
Genre: Drama
ISBN: 1108905056

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Benito Mussolini has persistently been described as an 'actor' – and also as a master of illusions. In her vividly narrated account of the Italian dictator's relationship with the theatre, Patricia Gaborik discards any metaphorical notions of Il Duce as a performer and instead tells the story of his life as literal spectator, critic, impresario, dramatist and censor of the stage. Discussing the ways in which the autarch's personal tastes and convictions shaped, in fascist Italy, theatrical programming, she explores Mussolini's most significant dramatic influences, his association with important figures such as Luigi Pirandello, Gabriele D'Annunzio and George Bernard Shaw, his oversight of stage censorship, and his forays into playwriting. By focusing on its subject's manoeuvres in the theatre, and manipulation of theatrical ideas, this consistently illuminating book transforms our understandings of fascism as a whole. It will have strong appeal to readers in both theatre studies and modern Italian history.


Mussolini's Theatre

Mussolini's Theatre
Author: Patricia Gaborik
Publisher: Cambridge University Press
Total Pages: 327
Release: 2021-05-06
Genre: Drama
ISBN: 1108830595

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A vividly written portrait of Benito Mussolini, whose passion for the theatre profoundly shaped his ideology and actions as head of fascist Italy This consistently illuminating book transforms our understanding of fascism as a whole, and will have strong appeal to readers in both theatre studies and modern Italian history.


Fascism and Theatre

Fascism and Theatre
Author: Günter Berghaus
Publisher: Berghahn Books
Total Pages: 348
Release: 1996
Genre: History
ISBN: 9781571818775

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Presents 15 essays from an interdisciplinary research project, offering a comparative analysis of the forms and functions of theater in countries governed by fascist and para-fascist regimes. Topics include the cultural politics of fascist governments; the theater of politics in fascist Italy; Mussolini's "Theater of the Masses"; the influence of the Reich's Ministry of Propaganda on German theater and drama; and Jaques Copeau and popular theater in Vichy France. Annotation copyright by Book News, Inc., Portland, OR


Staging Fascism

Staging Fascism
Author: Jeffrey Thompson Schnapp
Publisher: Stanford University Press
Total Pages: 260
Release: 1996
Genre: Performing Arts
ISBN: 9780804726085

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On an April evening in Florence in 1934, before twenty thousand spectators, the mass spectacle 18BL was presented, involving two thousand amateur actors, an air squadron, one infantry and cavalry brigade, fifty trucks, four field and machine gun batteries, ten field-radio stations, and six photoelectric units. However titantic its scale, 18BL's ambitions were even greater: to institute a revolutionary fascist theater of the future, a modern theatre of and for the masses that would end the crisis of the bourgeois theatre. This is the complete story of the event, a colossal failure to critics and spectators alike, which the fascist government took pains to expunge from the annals of the regime. The detailed reconstruction of these various aspects of 18BL serves as a springboard for a larger inquiry into the place of media, technology, and machinery in the fascist imagination, particularly in its links to fascist models of narrative, historiography, spectacle, and subjectivity.


Mussolini's Dream Factory

Mussolini's Dream Factory
Author: Stephen Gundle
Publisher: Berghahn Books
Total Pages: 336
Release: 2013-12-01
Genre: Performing Arts
ISBN: 1782382453

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The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.


The Pope and Mussolini

The Pope and Mussolini
Author: David I. Kertzer
Publisher:
Total Pages: 587
Release: 2014
Genre: Biography & Autobiography
ISBN: 0198716168

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The compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work, based on seven years of research in the Vatican and Fascist archives by US National Book Award-finalist David Kertzer, it will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.


Benito Mussolini

Benito Mussolini
Author: Sofia McQuaide De Bonis
Publisher:
Total Pages: 332
Release: 1927
Genre: Italy
ISBN:

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National Theatres in a Changing Europe

National Theatres in a Changing Europe
Author: S. Wilmer
Publisher: Palgrave MacMillan
Total Pages: 288
Release: 2008-02-22
Genre: Art
ISBN:

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This book examines the various ways in which national theatres have formed and evolved over time, and the different functions they have acquired depending on the nature of the political regimes and cultural circumstances in which they have been situated. It also highlights the difficulties these institutions encounter today, in an environment where nationalism and national identity are increasingly contested by global, transnational, regional, pluralist and local agendas, and where economic forces create conflicting demands in a competitive marketplace.


Cinema and Fascism

Cinema and Fascism
Author: Steven Ricci
Publisher: Univ of California Press
Total Pages: 248
Release: 2008-02
Genre: History
ISBN: 0520253566

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"This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history." -- Book cover.


Theatre History Studies 2018, Vol. 37

Theatre History Studies 2018, Vol. 37
Author: Sara Freeman
Publisher: University Alabama Press
Total Pages: 380
Release: 2018-12-18
Genre: Performing Arts
ISBN: 9780817371128

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Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 37 STEFAN AQUILINA Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” VIVIAN APPLER “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon KRISTI GOOD Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress PETER A. CAMPBELL Staging Ajax’s Suicide: A Historiography BRIAN E. G. COOK Rousing Experiences: Theatre, Politics, and Change MEGAN LEWIS Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze PATRICIA GABORIK Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy ILINCA TODORUT AND ANTHONY SORGE To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring SHULAMITH LEV-ALADGEM Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today CHRISTINE WOODWORTH “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements LURANA DONNELS O’MALLEY “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism JULIET GUZZETTA The Lasting Theatre of Dario Fo and Franca Rame ASHLEY E. LUCAS Chavez Ravine: Culture Clash and the Political Project of Rewriting History NOE MONTEZ The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity