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| Author | : Sophia Rose Arjana |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 281 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 0199324921 |
Islam in the Western imagination -- The Muslim monster -- Medieval Muslim monsters -- Turkish monsters -- The monsters of Orientalism -- Muslim monsters in the Americas -- The monsters of September 11th.
| Author | : Sophia Rose Arjana |
| Publisher | : |
| Total Pages | : |
| Release | : 2014 |
| Genre | : East and West |
| ISBN | : 9780190207298 |
Sophia Rose Arjana argues that fictive Muslim characters, and in particular male Muslim monsters, have contributed to the Western construction of knowledge about Islam. The belief in monsters has its origins in anxieties about race, ethnicity, sexuality, and gender. The book examines how Christians, then Europeans, and later Americans have formulated an idea about Muslims that is situated in these concerns.
| Author | : M. Eid |
| Publisher | : Springer |
| Total Pages | : 250 |
| Release | : 2014-07-24 |
| Genre | : Social Science |
| ISBN | : 1137403667 |
The twenty-first century exploded into the global imagination with unforgettable scenes of death and destruction. An apocalyptic 'clash of civilizations' seemed to be waged between two old foes - 'the West' and 'Islam.' However, the decade-long and ruinous 'war on terror' has prompted re-assessments of the militaristic approach to Western-Muslim relations. A growing number of academics, policymakers, religious leaders, journalists, and activists view the struggles as resulting from a 'clash of ignorance.' Re-imagining the Other examines the ways in which knowledge is manipulated by dominant Western and Muslim discourses. Authors from several disciplines study how the two societies have constructed images of each other in historical and contemporary times. The complexities and subtleties of their mutually productive relationship are overshadowed by portrayals of unremitting clash, thus serving as encouragement for the promotion of war and terrorism. The book proposes specific approaches to re-imagine the Other in order to mitigate Western-Muslim conflict.
| Author | : Ebrahim Moosa |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 366 |
| Release | : 2006-03-08 |
| Genre | : Religion |
| ISBN | : 0807876453 |
Abu Hamid al-Ghaz&257;l&299;, a Muslim jurist-theologian and polymath who lived from the mid-eleventh to the early twelfth century in present-day Iran, is a figure equivalent in stature to Maimonides in Judaism and Thomas Aquinas in Christianity. He is best known for his work in philosophy, ethics, law, and mysticism. In an engaged re-reading of the ideas of this preeminent Muslim thinker, Ebrahim Moosa argues that Ghaz&257;l&299;'s work has lasting relevance today as a model for a critical encounter with the Muslim intellectual tradition in a modern and postmodern context. Moosa employs the theme of the threshold, or dihliz, the space from which Ghaz&257;l&299; himself engaged the different currents of thought in his day, and proposes that contemporary Muslims who wish to place their own traditions in conversation with modern traditions consider the same vantage point. Moosa argues that by incorporating elements of Islamic theology, neoplatonic mysticism, and Aristotelian philosophy, Ghaz&257;l&299;'s work epitomizes the idea that the answers to life's complex realities do not reside in a single culture or intellectual tradition. Ghaz&257;l&299;'s emphasis on poiesis--creativity, imagination, and freedom of thought--provides a sorely needed model for a cosmopolitan intellectual renewal among Muslims, Moosa argues. Such a creative and critical inheritance, he concludes, ought to be heeded by those who seek to cultivate Muslim intellectual traditions in today's tumultuous world.
| Author | : Abe W. Ata |
| Publisher | : Oxford University Press |
| Total Pages | : 280 |
| Release | : 2018-08-28 |
| Genre | : Social Science |
| ISBN | : 0199093660 |
The bombings in New York and Washington in 2001 and subsequent terrorist attacks in different countries of the West have led to fast changing socio-cultural and political contexts where Islam has been depicted as a global threat. The meaning of being a Muslim has undergone rapid transformation with the interplay of perceptions and misperceptions impacted by, for instance, the Iranian Revolution of 1978–9, the Lockerbie bombing in 1988, the Gulf War of 1990–1, and the clash of civilizations thesis propagated by Samuel Huntington in 1993. This book examines the way Muslims and mainstream societies in the West perceive each other by taking into account themes like cultural pluralism, media, religious education, interfaith dialogue, and so on. It argues that Muslims are not defined solely by their faith but as an emerging group which is self-critical, reflective, and focused on clearing the misconceptions associated with their identity. Further, it posits that Westerners who are more knowledgeable about Muslims usually express positive opinions about Islam, thereby arguing that the knowledge about and attitudes towards Islam are interrelated.
| Author | : Peter Morey |
| Publisher | : Harvard University Press |
| Total Pages | : 257 |
| Release | : 2011-06-13 |
| Genre | : Social Science |
| ISBN | : 0674048520 |
In Framing Muslims: Stereotyping and Representation after 9/11, Peter Morey and Amina Yaqin dissect how stereotypes that depict Muslims as an inherently problematic presence in the West are constructed, deployed, and circulated in the public imagination, producing an immense gulf between representation and a considerably more complex reality.
| Author | : John Victor Tolan |
| Publisher | : Columbia University Press |
| Total Pages | : 401 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 0231123337 |
Medieval Christian writers distorted the teachings of Islam and caricatured its believers in a variety of ways. This book provides a comprehensive study of Christian polemical responses to Islam in the Middle Ages.
| Author | : Tarek Kahlaoui |
| Publisher | : BRILL |
| Total Pages | : 369 |
| Release | : 2018-01-16 |
| Genre | : Reference |
| ISBN | : 9004347380 |
In Creating the Mediterranean: Maps and the Islamic Imagination Tarek Kahlaoui treats the subject of the Islamic visual representations of the Mediterranean. It tracks the history of the Islamic visualization of the sea from when geography was created by the Islamic state’s bureaucrats of the tenth century C.E. located mainly in the central Islamic lands, to the later men of the field, specifically the sea captains from the fourteenth to the sixteenth centuries C.E. located in the western Islamic lands. A narrative has emerged from this investigation in which the metamorphosis of the identity of the author or mapmaker seemed to be changing with the rest of the elements that constitute the identity of a map: its reader or viewer, its style and structure, and its textual content.
| Author | : John Victor Tolan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Christianity and other religions |
| ISBN | : 9780813044675 |
"This collection will be welcomed by anyone working on the interactions of the Muslim and Christian worlds in the Middle Ages--and the more casual reader will be struck by the persistence of stereotypes on both sides of the divide."--Medium Aevum LXXIX "The essays explore what, from the ninth to the fourteenth century, Western Christian clerks and kings, monks and abbots, friars and bishops, and scholars and poets wrote about Muslims and Islam. . . . Tolan's book is among the best in the field."--Journal of Religion "Considers such examples as portrayals of Muhammad in thirteenth-century Spain, Saladin in the medieval European imagination, and Saracen philosophers who secretly deride Islam. . . . Tolan is an engaging writer, accessible to the general as well as the scholarly reader."--Book News "Tolan has a talent for unraveling often tangled threads and subplots in a complex and intriguing story."--Religion and the Arts "Tolan's writing distinguishes itself by being insightful, nuanced, and magnificently lucid as well as highly accessible. Certain chapters will particularly enthrall: the chapter on Saladin will be one favorite; the chapter on the floating coffin of prophet Muhammad--a rhetorical masterpiece--will delight and fascinate. Every chapter is illuminating."--Geraldine Heng, University of Texas The Bible and the Qur'ân agree that the Arabs were the descendants of Ishmael, son of Abraham and Hagar. To many medieval Christians, the description of Ishmael in Genesis ("a wild man; his hand will be against every man and every man's hand against him") was a prophecy of the violence and enmity between Ishmael's progeny and the Christians--spiritual descendants of his half-brother Isaac. John Tolan, one of the world's foremost authorities on early Christian/Muslim interactions, offers ten essays that explore the history of conflict and convergence between Latin Christendom and the Arab Muslim world during the Middle Ages, deepening our understanding of the roots of current stereotypes of Muslims and Arabs in Western Culture. John V. Tolan, professor of history at the University of Nantes, is the author of numerous articles and books, including the acclaimed Saracens: Islam in the Medieval European Imagination.
| Author | : Andrew Shryock |
| Publisher | : Indiana University Press |
| Total Pages | : 260 |
| Release | : 2010-06-30 |
| Genre | : Social Science |
| ISBN | : 0253004543 |
"Islamophobia" is a term that has been widely applied to anti-Muslim ideas and actions, especially since 9/11. The contributors to this provocative volume explore and critique the usefulness of the concept for understanding contexts ranging from the Middle Ages to the modern day. Moving beyond familiar explanations such as good Muslim/bad Muslim stereotypes or the "clash of civilizations," they describe Islamophobia's counterpart, Islamophilia, which deploys similar oppositions in the interest of fostering public acceptance of Islam. Contributors address topics such as conflicts over Islam outside and within Muslim communities in North America, Europe, the Middle East, and South Asia; the cultural politics of literature, humor, and urban renewal; and religious conversion to Islam.
