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| Author | : Vera Maletic |
| Publisher | : Walter de Gruyter |
| Total Pages | : 289 |
| Release | : 2011-05-02 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110861836 |
Body - Space - Expression: The Development Of Rudolf Laban's Movement And Dance Concepts (Approaches To Semiotics).
| Author | : Gloria Ferrari |
| Publisher | : University of Chicago Press |
| Total Pages | : 209 |
| Release | : 2008-12 |
| Genre | : History |
| ISBN | : 0226668673 |
The Partheneion, or “maiden song,” composed in the seventh century BCE by the SpartanpoetAlcman, is the earliest substantial example of a choral lyric. A provocative reinterpretation of the Partheneion and its broader context, Alcman and the Cosmos of Sparta excavates the poem’s invocations of widespread and long-lived cosmological ideas that cast the universe as perfectly harmonious and invested its workings with an ethical dimension. Moving far beyond standard literary interpretations, Gloria Ferrari uncovers this astral symbolism by approaching the poem from several angles to brilliantly reconstruct the web of ancient drama, music, religion, painting, and material culture in which it is enmeshed. She shows, for example, that by stringing together images of horses, stars, and birds, the poem evokes classical antiquity’s beloved dance of the constellations. Instrumental in shaping the structure of the lyric, this dance symbolizes the cosmic order reflected in the order of the state, which the chorus would have enacted in a ritual performance of the song. With broad implications for archaeology, art history, and ancient science, Ferrari’s bold new analysis dramatically deepens our understanding of Greek poetry and the rich culture of archaic Sparta.
| Author | : Christelle Cazaux |
| Publisher | : Schwabe Verlag (Basel) |
| Total Pages | : 442 |
| Release | : 2023-11-13 |
| Genre | : Music |
| ISBN | : 379654973X |
Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.
| Author | : Horst Albert Glaser |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 784 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9789027234476 |
This volume is the twelfth to date in a series of works in French or English presenting the epochs and movements of a Comparative History of Literatures in European Languages (Histoire Comparée des Littératures de Langues Européennes). The original intention of the editors was to publish a four-volume history of European literature from 1760-1820, and the first of these volumes, Des Lumières au Romantisme. Genres en Vers, appeared as long ago as 1982. The volumes Genres en Prose and Théâtre are still awaited. In their absence the present volume, Epoche im _berblick, attempts a more comprehensive and rigorous treatment of the period and its historiographical problems than was initially planned, providing the reader with an overview of sixty eventful years of European literary history years in which German Classicism coincided with the birth, initially in Germany and England, of Romanticism. And at the centre of this turbulent period of European intellectual and literary history stands the French Revolution.
| Author | : Patrizia Veroli |
| Publisher | : Routledge |
| Total Pages | : 268 |
| Release | : 2017-11-10 |
| Genre | : Music |
| ISBN | : 1351986740 |
Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance performance. Scholars of dance and music analyse the ways in which a musical score changes its prescriptive status when it becomes part of a choreographic project, the encounter between sound and motion on stage, and the intersection of listening and seeing. As well as being of interest to musicologists and choreologists considering issues such as notation, multimedia and the analysis of performance, this volume will appeal to scholars interested in applied research in the fields of cognition and neuroscience. The line-up of authors comprises representative figures of today’s choreomusicology, dance historians, scholars of twentieth-century composition and specialists in cognitive science and performance studies. Among the topics covered are multimedia and the analysis of performance; the notational practice of choreographers and the parallel attempts of composers to find a graphic representation for musical gestures; and the experience of dance as a paradigm for a multimodal perception, which is investigated in terms of how the association of sound and movement triggers emotions and specific forms of cognition.
| Author | : |
| Publisher | : Soffer Publishing |
| Total Pages | : 112 |
| Release | : |
| Genre | : |
| ISBN | : 2500588815 |
| Author | : Susan Manning |
| Publisher | : U of Minnesota Press |
| Total Pages | : 400 |
| Release | : 2006 |
| Genre | : Performing Arts |
| ISBN | : 9780816638024 |
Mary Wigman, Germany’s premier dancer between the two world wars, envisioned the performer in the thrall of ecstatic and demonic forces. Widely hailed as an innovator of dance modernism, she never acknowledged her complex relationship with National Socialism. In Ecstasy and the Demon, Susan Manning advances a sociological explanation for the collaboration between German modern dancers and National Socialism. She models methods for dance studies that contextualize choreography in relation to changing sociopolitical conditions, bringing dance scholarship into conversation with intellectual trends across the humanities. The introduction to this second edition brings Manning’s groundbreaking work to bear on dance studies today and reconsiders Wigman’s career from the perspective of queer theory and globalization, further illuminating the interplay of dance and politics in the twentieth century. Susan Manning is professor of English, theater, and performance studies at Northwestern University.
| Author | : Ilse Storb |
| Publisher | : LIT Verlag Münster |
| Total Pages | : 244 |
| Release | : 2000 |
| Genre | : Jazz |
| ISBN | : 9783825837488 |
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 407 |
| Release | : 2022-05-20 |
| Genre | : Social Science |
| ISBN | : 9004484663 |
| Author | : Rodríguez-Quiles, José |
| Publisher | : Universitätsverlag Potsdam |
| Total Pages | : 297 |
| Release | : 2017 |
| Genre | : Music |
| ISBN | : 3869563788 |
Das Bildungsgesetz der spanischen Regierung aus dem Jahre 2013 (sp. LOMCE) gilt als Todesstoß für künstlerische Fächer an allgemein bildenden Schulen: Erst 1990 als Pflichtfach eingeführt, wird Musik nun nur noch als Wahlfach angeboten. Auch die Musiklehrerausbildung an den Hochschulen verzeichnet massive Einbußen. Besonders irritierend daran ist, dass die betroffenen Universitätsgremien zu dieser politischen Entscheidung nicht gehört wurden. Damit verschwindet in Spanien das Studienfach Lehramt Musik je nach Universität nach nicht einmal 18 bis 20 Jahren aus dem Studienangebot.
