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MusicTech Magazine

MusicTech Magazine
Author: Music Magazine
Publisher:
Total Pages: 170
Release: 2006
Genre: Computers
ISBN:

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As useful to the newcomer as to the expert, this collection gives readers sufficient information to grasp a concept in the space of 1,500 words or just ten minutes. From analogue recording to Audio CDs, from cabling to copyright, and filters to Firewire, this is an invaluable collection for anyone involved in the music technology field.


Alfred's MusicTech, Bk 1

Alfred's MusicTech, Bk 1
Author: Tom Rudolph
Publisher: Alfred Music Publishing
Total Pages: 192
Release: 2008-11
Genre: Computers
ISBN: 9780739040768

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The Music Tech Series Teacher's Manual incorporates all three of the books in the series (Composing Music with Notation, Playing Keyboard and Sequencing and Music Production). A Teacher's CD containing additional files not found in the Student CDs is included. The Teacher's Manual provides lesson ideas (suggestions that you can reference as you teach each page of the Student Books), assessment possibilities, and extension activities (additional activities you can consider to extend the lesson). The comb binding creates a lay-flat book that is perfect for study and performance.


Musical Sound Effects

Musical Sound Effects
Author: Jean-Michel Réveillac
Publisher: John Wiley & Sons
Total Pages: 404
Release: 2018-03-07
Genre: Technology & Engineering
ISBN: 1786301318

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For decades performers, instrumentalists, composers, technicians and sound engineers continue to manipulate sound material. They are trying with more or less success to create, to innovate, improve, enhance, restore or modify the musical message. The sound of distorted guitar of Jimi Hendrix, Pierre Henry’s concrete music, Pink Flyod’s rock psychedelic, Kraftwerk ‘s electronic music, Daft Punk and rap T-Pain, have let emerge many effects: reverb, compression, distortion, auto-tune, filter, chorus, phasing, etc. The aim of this book is to introduce and explain these effects and sound treatments by addressing their theoretical and practical aspects.


Logic Pro X

Logic Pro X
Author: Mark Cousins
Publisher: CRC Press
Total Pages: 727
Release: 2014-04-03
Genre: Technology & Engineering
ISBN: 1135079668

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From initial demos to mixing and mastering, seasoned authors Mark Cousins and Russ Hepworth-Sawyer show you how to get the most from Logic Pro X. By exploring the essential workflow and the creative possibilities offered by Logic’s virtual instruments and effects, Logic Pro X: Audio and Music Production leads you through the music creation and production process, giving you all the tips and tricks used by the pros to create release-quality recordings. Using full color screenshots throughout, alongside related boxouts that expand on the key concepts, Logic Pro X: Audio and Music Production is an informative and easy-to-read guide to using Logic Pro X. Key features include: Production FAQs – Instructional Walkthroughs and Knowledgebases present information clearly and answer common production–specific problems. Methods – Professional techniques for recording and editing in Logic Pro X – whether you’re dealing with real musicians or cutting-edge virtual instruments. Workflow – Use Logic Pro X’s tools and functions in an optimal way. Website – Access audio examples, samples (Apple Loops), Logic projects, sampler instruments, and instrument patches at www.focalpress.com/cw/cousins Logic Pro X: Audio and Music Production covers more than just the software; it will help you make the most out of every recording session and will illuminate and inspire your creative and sonic endeavors!


Mixing Music

Mixing Music
Author: Russ Hepworth-Sawyer
Publisher: Taylor & Francis
Total Pages: 307
Release: 2016-12-01
Genre: Music
ISBN: 131729551X

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This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative, and professional contexts. We solicit the perspectives of scholars of every disciplinary stripe, alongside recordists and recording musicians themselves, to provide a fully comprehensive analytic point-of-view on each component stage of record production. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record’s production, from pre-production through recording (audio engineering), mixing and mastering to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process. This book includes: References and citations to existing academic works; contributors draw new conclusions from their personal research, interviews, and experience. Models innovative methodological approaches to studying music production. Helps specify the term "record production," especially as it is currently used in the broader field of music production studies.


Electronic Music Machines

Electronic Music Machines
Author: Jean-Michel Reveillac
Publisher: John Wiley & Sons
Total Pages: 382
Release: 2019-04-23
Genre: Science
ISBN: 1119618118

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Since 1960, with the advent of musical electronics, composers and musicians have been using ever more sophisticated machines to create sonic material that presents innovation, color and new styles: electro-acoustic, electro, house, techno, etc. music. The music of Pierre Henry, Kraftwerk, Pink Floyd, Daft Punk and many others has introduced new sounds, improbable rhythms and a unique approach to composition and notation. Electronic machines have become essential: they have built and influenced the music of the most recent decades and set the trend for future productions. This book explores the theory and practice related to the different machines which constitute the universe of musical electronics, omitting synthesizers which are treated in other works. Sequencers, drum machines, samplers, groove machines and vocoders from 1960 to today are studied in their historical, physical and theoretical context. More detailed approaches to the Elektron Octatrack sequencer-sampler and the Korg Electribe 2 groove machine are also included.


The Music Industry Handbook

The Music Industry Handbook
Author: Paul Rutter
Publisher: Routledge
Total Pages: 427
Release: 2016-06-17
Genre: Performing Arts
ISBN: 1317434609

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The Music Industry Handbook, Second edition is an expert resource and guide for all those seeking an authoritative and user-friendly overview of the music industry today. The new edition includes coverage of the latest developments in music streaming, including new business models created by the streaming service sector. There is also expanded exploration of the music industry in different regions of the UK and in other areas of Europe, and coverage of new debates within the music industry, including the impact of copyright extensions on the UK music industry and the business protocols involved when music is used in film and advertising. The Music Industry Handbook, Second edition also includes: in-depth explorations of different elements of the music industry, including the live music sector, the recording industry and the classical music business analysis of business practices across all areas of the industry, including publishing, synchronisation and trading in the music industry profiles presenting interviews with key figures workings in the music industry detailed further reading for each chapter and a glossary of essential music industry terms.


The Synthesizer

The Synthesizer
Author: Mark Vail
Publisher: Oxford University Press
Total Pages: 427
Release: 2014-01-22
Genre: Music
ISBN: 0199334862

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Electronic music instruments weren't called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen's development of the Etherphone, now known as the Theremin. From that point, synthesizers have undergone a remarkable evolution from prohibitively large mid-century models confined to university laboratories to the development of musical synthesis software that runs on tablet computers and portable media devices. Throughout its history, the synthesizer has always been at the forefront of technology for the arts. In The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument, veteran music technology journalist, educator, and performer Mark Vail tells the complete story of the synthesizer: the origins of the many forms the instrument takes; crucial advancements in sound generation, musical control, and composition made with instruments that may have become best sellers or gone entirely unnoticed; and the basics and intricacies of acoustics and synthesized sound. Vail also describes how to successfully select, program, and play a synthesizer; what alternative controllers exist for creating electronic music; and how to stay focused and productive when faced with a room full of instruments. This one-stop reference guide on all things synthesizer also offers tips on encouraging creativity, layering sounds, performance, composing and recording for film and television, and much more.


From Demo to Delivery

From Demo to Delivery
Author: Russ Hepworth-Sawyer
Publisher: Taylor & Francis
Total Pages: 499
Release: 2013-04-03
Genre: Technology & Engineering
ISBN: 1136121897

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From Demo to Delivery: The Process of Production discusses each stage of the typical music production process from start to finish. Beginning with the creation and development of the composition and song production, the book then traces the process from the recording, mixing and mastering stages through to marketing and distribution. This book is a must read for anyone who wants to learn the pro techniques involved in creating music from start to finish. Packed with essential information, including signposts to other sources of information at the end of each chapter, From Demo to Delivery provides a map for musicians, semi-pro and aspiring producers, engineers and music professionals interested in learning how music makes it from the an idea to the page to the studio to a demo and into the hands of the market and beyond. Check out the book's website - http://demo2delivery.com/


The Cambridge Companion to Recorded Music

The Cambridge Companion to Recorded Music
Author: Nicholas Cook
Publisher: Cambridge University Press
Total Pages: 381
Release: 2009-11-26
Genre: Music
ISBN: 1139827960

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From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture.