Musicks Monument Or A Remembrancer Of The Best Practical Musick Both Divine And Civil That Has Ever Been Known To Have Been In The World Divided Into Three Parts The First Part Shews A Necessity Of Singing Psalms Well The Second Part Treats Of The Noble Lute In The Third Part The Generous Viol In Its Rightest Use Is Treated Upon By Tho Mace PDF Download

Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Musicks Monument Or A Remembrancer Of The Best Practical Musick Both Divine And Civil That Has Ever Been Known To Have Been In The World Divided Into Three Parts The First Part Shews A Necessity Of Singing Psalms Well The Second Part Treats Of The Noble Lute In The Third Part The Generous Viol In Its Rightest Use Is Treated Upon By Tho Mace PDF full book. Access full book title Musicks Monument Or A Remembrancer Of The Best Practical Musick Both Divine And Civil That Has Ever Been Known To Have Been In The World Divided Into Three Parts The First Part Shews A Necessity Of Singing Psalms Well The Second Part Treats Of The Noble Lute In The Third Part The Generous Viol In Its Rightest Use Is Treated Upon By Tho Mace.

Musick's Monument; Or, a Remembrancer of the Best Practical Musick, Both Divine, and Civil, That Has Ever Been Known, to Have Been in the World

Musick's Monument; Or, a Remembrancer of the Best Practical Musick, Both Divine, and Civil, That Has Ever Been Known, to Have Been in the World
Author: Thomas Mace
Publisher:
Total Pages: 292
Release: 2012-04-17
Genre:
ISBN: 9781462292363

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Hardcover reprint of the original 1676 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Mace, Thomas ?. Musick's Monument; Or, A Remembrancer of The Best Practical Musick, Both Divine, And Civil, That Has Ever Been Known, To Have Been In The World.: Divided Into Three Parts. The First Part, Shews A Necessity of Singing Psalms Well, In Parachial Churches, Or Not To Sing At All; Directing, How They May Be Well Sung, Certainly; By Two Several Ways, Or Means; With An Assurance of Perpetual National-Quire; And Also Shewing, How Cathedral Musick, May Be Much Improved, And Refined. The Second Part, Treats of The Noble Lute, (The Best of Instruments) Now Made Easie; And All Its Occult-Locked-Up-Secrets Plainly Laid Open, Never Before Discovered;Directing The Most Ample Way, For The Use of The Theorboe, From Off The Note, In Confort, Etc.In The Third Part, The Generous Viol, In Its Rightest Use, Is Treated Upon. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Mace, Thomas ?. Musick's Monument; Or, A Remembrancer of The Best Practical Musick, Both Divine, And Civil, That Has Ever Been Known, To Have Been In The World.: Divided Into Three Parts. The First Part, Shews A Necessity of Singing Psalms Well, In Parachial Churches, Or Not To Sing At All; Directing, How They May Be Well Sung, Certainly; By Two Several Ways, Or Means; With An Assurance of Perpetual National-Quire; And Also Shewing, How Cathedral Musick, May Be Much Improved, And Refined. The Second Part, Treats of The Noble Lute, (The Best of Instruments) Now Made Easie; And All Its Occult-Locked-Up-Secrets Plainly Laid Open, Never Before Discovered;Directing The Most Ample Way, For The Use of The Theorboe, From Off The Note, In Confort, Etc.In The Third Part, The Generous Viol, In Its Rightest Use, Is Treated Upon, . London: Printed By T. Ratcliffe, And N. Thompson, For The Author, And Are To Be Sold By Himself, At His House In Cambridge, And By John Carr, At His Shop At The Middle-Temple Gate In Fleetstreet, 1676. Subject: Music


Synopsis of Vocal Musick by A.B. Philo-Mus.

Synopsis of Vocal Musick by A.B. Philo-Mus.
Author: Rebecca Herissone
Publisher: Routledge
Total Pages: 271
Release: 2017-07-05
Genre: Music
ISBN: 1351547321

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Synopsis of Vocal Musick, by the unidentified A.B., was published in London in 1680 and appears to have only ever had one edition. Its relatively short shelf-life belies its importance to the history of early British music theory. Unlike other English theoretical writings of the period, the Synopsis derives many of its aspects from the continental theoretical tradition, including the first references in English theory to the modern fractional time signatures that had been invented in Italy in the mid-seventeenth century, the first references in English to compound time and the first explanations of tempo terms such as Adagio and Presto. In these respects the treatise forms an important link between English and continental theoretical traditions and may have encouraged the adoption of Italian principles which became a common feature of English writings by the early eighteenth century. The treatise is essentially in two parts. The first section of the book comprises rudimentary instruction on understanding notation and intervals, descriptions of common vocal ornaments and instruction in the process of learning to sing. The second part consists of a selection of psalms, songs and catches which are provided as exercises for the singer, though several of them require a reasonably advanced degree of skill. These pieces provide valuable insight into the way both sacred and secular music might have been performed by amateur musicians in the Restoration period. They include 14 rare English madrigal settings by the Italian composer Gastoldi - further evidence of the Italian influence which pervades the text. This is the first modern edition of the Synopsis, and indeed the first edition to appear since its original publication.


Music Theory in Seventeenth-century England

Music Theory in Seventeenth-century England
Author: Rebecca Herissone
Publisher: Oxford University Press, USA
Total Pages: 354
Release: 2000
Genre: Music
ISBN: 9780198167006

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Thus, over the course of the seventeenth century, there occurred a complete transformation in almost every aspect of theory: by the 1720s, many of the principles being described bore close relation to those still used today. Nowhere was this metamorphosis clearer than in England where, because of a traditional emphasis on practicality, there was much more willingness to accept and encourage new theoretical ideas than on the continent.


Musick's Monument; Or, A Remembrancer of the Best Practical Musick, Both Divine, and Civil, that Has Ever Been Known, to Have Been in the World. Divided Into Three Parts. The First Part, Shews a Necessity of Singing Psalms Well [...] The Second Part, Treats of the Noble Lute [...] In the Third Part, the Generous Viol, in Its Rightest Use, is Treated Upon [...] By Tho. Mace [...].

Musick's Monument; Or, A Remembrancer of the Best Practical Musick, Both Divine, and Civil, that Has Ever Been Known, to Have Been in the World. Divided Into Three Parts. The First Part, Shews a Necessity of Singing Psalms Well [...] The Second Part, Treats of the Noble Lute [...] In the Third Part, the Generous Viol, in Its Rightest Use, is Treated Upon [...] By Tho. Mace [...].
Author:
Publisher:
Total Pages: 0
Release: 1676
Genre:
ISBN:

Download Musick's Monument; Or, A Remembrancer of the Best Practical Musick, Both Divine, and Civil, that Has Ever Been Known, to Have Been in the World. Divided Into Three Parts. The First Part, Shews a Necessity of Singing Psalms Well [...] The Second Part, Treats of the Noble Lute [...] In the Third Part, the Generous Viol, in Its Rightest Use, is Treated Upon [...] By Tho. Mace [...]. Book in PDF, ePub and Kindle


Musicks̕ Monument

Musicks̕ Monument
Author: Thomas Mace
Publisher:
Total Pages: 272
Release: 1676
Genre:
ISBN:

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Perspectives on Early Keyboard Music and Revival in the Twentieth Century

Perspectives on Early Keyboard Music and Revival in the Twentieth Century
Author: Rachelle Taylor
Publisher: Routledge
Total Pages: 337
Release: 2017-12-15
Genre: Music
ISBN: 1351254944

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The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.