Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Musical Witness And Holocaust Representation PDF full book. Access full book title Musical Witness And Holocaust Representation.
| Author | : Amy Lynn Wlodarski |
| Publisher | : Cambridge University Press |
| Total Pages | : 255 |
| Release | : 2015-07-09 |
| Genre | : History |
| ISBN | : 1107116473 |
The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.
| Author | : Thomas Trezise |
| Publisher | : Fordham Univ Press |
| Total Pages | : 336 |
| Release | : 2014-05-01 |
| Genre | : Philosophy |
| ISBN | : 0823264041 |
Witnessing Witnessing focuses critical attention on those who receive the testimony of Holocaust survivors. Questioning the notion that traumatic experience is intrinsically unspeakable and that the Holocaust thus lies in a quasi-sacred realm beyond history, the book asks whether much current theory does not have the effect of silencing the voices of real historical victims. It thereby challenges widely accepted theoretical views about the representation of trauma in general and the Holocaust in particular as set forth by Giorgio Agamben, Cathy Caruth, Berel Lang, and Dori Laub. It also reconsiders, in the work of Theodor Adorno and Emmanuel Levinas, reflections on ethics and aesthetics after Auschwitz as these pertain to the reception of testimony. Referring at length to videotaped testimony and to texts by Charlotte Delbo, Primo Levi, and Jorge Semprun, the book aims to make these voices heard. In doing so, it clarifies the problems that anyone receiving testimony may encounter and emphasizes the degree to which listening to survivors depends on listening to ourselves and to one another. Witnessing Witnessing seeks to show how, in the situation of address in which Holocaust survivors call upon us, we discover our own tacit assumptions about the nature of community and the very manner in which we practice it.
| Author | : Eric J. Sundquist |
| Publisher | : State University of New York Press |
| Total Pages | : 504 |
| Release | : 2018-06-25 |
| Genre | : History |
| ISBN | : 1438470339 |
A comprehensive survey of the most important writing to come out of the Holocaust. Finalist for the 2019 National Jewish Book Award in the Anthologies and Collections Category presented by the Jewish Book Council Silver Winner for Anthologies, 2018 Foreword INDIES Book of the Year Awards Writing in Witness is a broad survey of the most important writing about the Holocaust produced by eyewitnesses at the time and soon after. Whether they intended to spark resistance and undermine Nazi authority, to comfort family and community, to beseech God, or to leave a memorial record for posterity, the writers reflect on the power and limitations of the written word in the face of events often thought to be beyond representation. The diaries, journals, letters, poems, and other works were created across a geography reaching from the Baltics to the Balkans, from the Atlantic coast to the heart of the Soviet Union, and in a wide array of original languages. Along with the readings, Eric J. Sundquist’s introductions provide a comprehensive account of the Holocaust as a historical event. Including works by prominent authors such as Primo Levi and Elie Wiesel, as well those little known or anonymous, Writing in Witness provides, in vital and memorable examples, a wide-ranging account of the Holocaust by those who felt the imperative to give written testimony. Eric J. Sundquist is Andrew W. Mellon Professor Emeritus of the Humanities at Johns Hopkins University, and the editor of many books, including (with David Cesarani) After the Holocaust: Challenging the Myth of Silence.
| Author | : Assistant Professor of History Shirli Gilbert |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 262 |
| Release | : 2005-03-17 |
| Genre | : History |
| ISBN | : 0199277974 |
Publisher Description
| Author | : Michal Ben-Horin |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 181 |
| Release | : 2016-04-25 |
| Genre | : Social Science |
| ISBN | : 3110460467 |
Since the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past.
| Author | : Victoria Aarons |
| Publisher | : Rutgers University Press |
| Total Pages | : 252 |
| Release | : 2019-12-19 |
| Genre | : History |
| ISBN | : 1978802579 |
In Holocaust Graphic Narratives, Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons’ reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.
| Author | : Berel Lang |
| Publisher | : JHU Press |
| Total Pages | : 198 |
| Release | : 2003-05-01 |
| Genre | : History |
| ISBN | : 0801876362 |
Since Theodor Adorno's attack on the writing of poetry "after Auschwitz," artists and theorists have faced the problem of reconciling the moral enormity of the Nazi genocide with the artist's search for creative freedom. In Holocaust Representation, Berel Lang addresses the relation between ethics and art in the context of contemporary discussions of the Holocaust. Are certain aesthetic means or genres "out of bounds" for the Holocaust? To what extent should artists be constrained by the "actuality" of history—and is the Holocaust unique in raising these problems of representation? The dynamics between artistic form and content generally hold even more intensely, Lang argues, when art's subject has the moral weight of an event like the Holocaust. As authors reach beyond the standard conventions for more adequate means of representation, Holocaust writings frequently display a blurring of genres. The same impulse manifests itself in repeated claims of historical as well as artistic authenticity. Informing Lang's discussion are the recent conflicts about the truth-status of Benjamin Wilkomirski's "memoir" Fragments and the comic fantasy of Roberto Benigni's film Life Is Beautiful. Lang views Holocaust representation as limited by a combination of ethical and historical constraints. As art that violates such constraints often lapses into sentimentality or melodrama, cliché or kitsch, this becomes all the more objectionable when its subject is moral enormity. At an extreme, all Holocaust representation must face the test of whether its referent would not be more authentically expressed by silence—that is, by the absence of representation.
| Author | : M. Boswell |
| Publisher | : Springer |
| Total Pages | : 211 |
| Release | : 2011-12-07 |
| Genre | : Performing Arts |
| ISBN | : 0230358691 |
Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding of the Nazi genocide and what it means to be human.
| Author | : Michael Bernard-Donals |
| Publisher | : State University of New York Press |
| Total Pages | : 211 |
| Release | : 2012-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 0791489671 |
The Holocaust presents an immense challenge to those who would represent it or teach it through fiction, film, or historical accounts. Even the testimonies of those who were there provide only a glimpse of the disaster to those who were not. Between Witness and Testimony investigates the difficulties inherent in the obligation to bear witness to events that seem not just unspeakable but also unthinkable. The authors examine films, fictional narratives, survivor testimonies, and the museums at Yad Vashem and the United States Holocaust Memorial Museum in order to establish an ethics of Holocaust representation. Traversing the disciplines of history, philosophy, religious studies, and literary and cultural theory, the authors suggest that while no account adequately provides access to what Adorno called "the extremity that eludes the concept," we are still obliged to testify, to put into language what history cannot contain.
| Author | : Tanja Schult |
| Publisher | : Springer |
| Total Pages | : 317 |
| Release | : 2015-07-28 |
| Genre | : History |
| ISBN | : 1137530421 |
This volume explores post-2000s artistic engagements with Holocaust memory arguing that imagination plays an increasingly important role in keeping the memory of the Holocaust vivid for contemporary and future audiences.
