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| Author | : M. D. (Michel D.) Calvocoressi |
| Publisher | : London : Oxford University Press |
| Total Pages | : 108 |
| Release | : 1925 |
| Genre | : Music appreciation |
| ISBN | : |
| Author | : Michel D. Calvocoressi |
| Publisher | : |
| Total Pages | : 116 |
| Release | : 1925 |
| Genre | : Music appreciation |
| ISBN | : |
| Author | : Juho Vepsäläinen |
| Publisher | : |
| Total Pages | : 338 |
| Release | : 2020-11-24 |
| Genre | : |
| ISBN | : |
Webpack, a module bundler, is a powerful tool that helps you to develop complex web applications. "SurviveJS - Webpack 5" is meant for beginner to intermediate users of the tool wanting to understand webpack better. You will develop a complex configuration in the book tutorial while covering different facets of webpack. In addition, the 34 short chapters and six appendices work as a reference. Even though the book has been designed around webpack, many of the techniques covered go beyond it. You will learn to improve the quality of your code while becoming aware of optimization techniques that help you to deliver more performant web applications. The book was developed in collaboration with the webpack community, and its structure has evolved accordingly. A third of royalties go to Tobias Koppers, the author of the tool. Testimonials After weeks failing at configuring webpack, I stumbled upon SurviveJS book while looking for yet another tutorial. Since that day, it has been my go-to resource for every single webpack question I ever had. - Clément Paris, Front-end engineer Brilliant! A must have if you want to to learn webpack but also if need an updated reference guide. I always use it as a reference guide when I develop. - Andrea Chiumenti, CEO, Red Software Systems Before I worked through the SurviveJS webpack book, my own webpack config, cobbled together from random code on the Internet, was a mystery to me. Afterwards, I have route-splitting and parallel-loading superpowers. - Gavin Doughtie, Senior Software Engineer, Google Webpack is powerful but configuring it can be painful. Same goes with React. There are so many ways of configuring React with asset compilation, minification etc that it is easy to get lost. This book provides practical tips on how to proceed. - Neeraj Singh, Founder, Big Binary This guide was a great starter in taming the Wild West of ESNext-era JavaScript development. Its beauty comes from its commitment to not skipping the fundamentals in favor of a fast demo, but making sure you're understanding what you're doing as you bootstrap your next JavaScript-based UI project. - Aaron Harris, Software Engineer This guide is a great way to get started with webpack or improve your existing skills. After a detailed introduction, you'll start working on a webpack project that provides all you need to push your app to production. Highly recommended. - Julien Castelain, Software Engineer, Liferay About Author Juho Vepsäläinen is behind the SurviveJS effort. He has been active in the open source scene since the early 2000s and participated in projects like Blender and webpack as a core team member. Blue Arrow Awards winner.
| Author | : Nicholas Cook |
| Publisher | : OUP Oxford |
| Total Pages | : 203 |
| Release | : 2000-02-24 |
| Genre | : Music |
| ISBN | : 0191606413 |
This stimulating Very Short Introduction to music invites us to really think about music and the values and qualities we ascribe to it. The world teems with different kinds of music-traditional, folk, classical, jazz, rock, pop-and each type of music tends to come with its own way of thinking. Drawing on a wealth of accessible examples ranging from Beethoven to Chinese zither music, Nicholas Cook attempts to provide a framework for thinking about all music. By examining the personal, social, and cultural values that music embodies, the book reveals the shortcomings of traditional conceptions of music, and sketches a more inclusive approach emphasizing the role of performers and listeners. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
| Author | : Howard Goodall |
| Publisher | : Simon and Schuster |
| Total Pages | : 471 |
| Release | : 2021-11-15 |
| Genre | : Music |
| ISBN | : 1639361219 |
Why did prehistoric people start making music? What does every postwar pop song have in common? A “masterful” tour of music through the ages (Booklist, starred review). Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multi-layered orchestration can seem bewilderingly specialized and complex. In his dynamic tour through 40,000 years of music, from prehistoric instruments to modern-day pop, Howard Goodall does away with stuffy biographies, unhelpful labels, and tired terminology. Instead, he leads us through the story of music as it happened, idea by idea, so that each musical innovation—harmony, notation, sung theater, the orchestra, dance music, recording, broadcasting—strikes us with its original force. He focuses on what changed when and why, picking out the discoveries that revolutionized man-made sound and bringing to life musical visionaries from the little-known Pérotin to the colossus of Wagner. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound discordant, and what all post-war pop songs have in common. The story of music is the story of our urge to invent, connect, rebel—and entertain. Howard Goodall's beautifully clear and compelling account is both a hymn to human endeavor and a groundbreaking map of our musical journey.
| Author | : David Temperley |
| Publisher | : MIT Press |
| Total Pages | : 432 |
| Release | : 2004-08-20 |
| Genre | : Music |
| ISBN | : 9780262701051 |
In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.
| Author | : Debra Barsha |
| Publisher | : Concord Theatricals |
| Total Pages | : 93 |
| Release | : 2019 |
| Genre | : Drama |
| ISBN | : 0573707502 |
Smack-dab in the middle of America in Winnetka, Illinois, four women enter a Betty Crocker cooking contest in hopes of changing their lives. What they get is much more than they bargained for. Little did they know that it would take a zoologist from Indiana University, Alfred C. Kinsey, to really get them “cooking”! In an age when people believed the way to a man’s heart was through his stomach, the four women discover that the way to a woman’s heart is through her best friends.
| Author | : Daniel Levitin |
| Publisher | : Penguin UK |
| Total Pages | : 229 |
| Release | : 2019-07-04 |
| Genre | : Music |
| ISBN | : 0241987369 |
From the author of The Changing Mind and The Organized Mind comes a New York Times bestseller that unravels the mystery of our perennial love affair with music ***** 'What do the music of Bach, Depeche Mode and John Cage fundamentally have in common?' Music is an obsession at the heart of human nature, even more fundamental to our species than language. From Mozart to the Beatles, neuroscientist, psychologist and internationally-bestselling author Daniel Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand music, and what it can teach us about ourselves. ***** 'Music seems to have an almost wilful, evasive quality, defying simple explanation, so that the more we find out, the more there is to know . . . Daniel Levitin's book is an eloquent and poetic exploration of this paradox' Sting 'You'll never hear music in the same way again' Classic FM magazine 'Music, Levitin argues, is not a decadent modern diversion but something of fundamental importance to the history of human development' Literary Review
| Author | : Robert L. Freedman |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 76 |
| Release | : 2021-05-15 |
| Genre | : Performing Arts |
| ISBN | : 1493055992 |
The most frequently asked question about writing musicals is, "Which comes first, the music or the lyrics?" As anyone on Broadway will tell you, the answer is, "The book." Tony-winning book writer Robert L. Freedman takes you through the process of writing a new musical, including story structure, song placement, dialogue, character development, and more that led to the creation of A Gentleman's Guide to Love and Murder, the 2014 Best Musical Tony winner. With candor and insight, Freedman describes the challenging and rewarding growing pains of what the critics called "Hilarious!" and "Ingenious!" and said "Ranks among the most inspired and entertaining new musical comedies I've seen in years."
| Author | : Sally Anne Gross |
| Publisher | : University of Westminster Press |
| Total Pages | : 200 |
| Release | : 2020-09-29 |
| Genre | : Music |
| ISBN | : 1912656612 |
“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author). “Singing is crying for grown-ups. To create great songs or play them with meaning music's creators reach far into emotion and fragility seeking the communion we demand of it. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much needed reality check, deglamorising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy). It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head. By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. Artistic merit and intimate, often painful, self-disclosures are the subject of unremitting scrutiny and data metrics. Personal relationships and social support networks are increasingly bound up with calculative transactions. Drawing on original empirical research and a wide-ranging survey of scholarship from across the social sciences, their findings will be provocative for future research on mental health, wellbeing and working conditions in the music industries and across the creative economy. Going beyond self-help strategies, they challenge the industry to make transformative structural change. Until then, the book provides an invaluable guide for anyone currently making their career in music, as well as those tasked with training and educating the next generation.
