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Author | : Michael Chanan |
Publisher | : Verso |
Total Pages | : 324 |
Release | : 1994-10-17 |
Genre | : Music |
ISBN | : 9781859840054 |
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Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century. Chanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.
Author | : Reinhard Strohm |
Publisher | : |
Total Pages | : 522 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780198162056 |
Download Music as Concept and Practice in the Late Middle Ages Book in PDF, ePub and Kindle
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Author | : Margaret S. Barrett |
Publisher | : Routledge |
Total Pages | : 562 |
Release | : 2016-05-23 |
Genre | : Music |
ISBN | : 1317164431 |
Download Collaborative Creative Thought and Practice in Music Book in PDF, ePub and Kindle
The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice. The book provides new perspectives to our understandings of the role of collaborative thought and processes in creative work across the domain of music including: composition, musicology, performance, music education and music psychology.
Author | : John Hawkins |
Publisher | : |
Total Pages | : 538 |
Release | : 1875 |
Genre | : Music |
ISBN | : |
Download A General History of the Science and Practice of Music Book in PDF, ePub and Kindle
Author | : Sir John Hawkins |
Publisher | : BoD – Books on Demand |
Total Pages | : 526 |
Release | : 2024-01-27 |
Genre | : Fiction |
ISBN | : 3368717987 |
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Reprint of the original, first published in 1875.
Author | : Hermann Finck |
Publisher | : |
Total Pages | : 380 |
Release | : 1556 |
Genre | : Music |
ISBN | : |
Download Practica musica Book in PDF, ePub and Kindle
Author | : John Hawkins |
Publisher | : |
Total Pages | : 580 |
Release | : 1853 |
Genre | : |
ISBN | : |
Download A General History of the Science and Practice of Music ... A New Edition, with the Author's Posthumous Notes. (Supplementary Volume of Portraits.). Book in PDF, ePub and Kindle
Author | : Pamela Burnard |
Publisher | : Oxford University Press |
Total Pages | : 325 |
Release | : 2012-03-22 |
Genre | : Education |
ISBN | : 0199583943 |
Download Musical Creativities in Practice Book in PDF, ePub and Kindle
This book explores the social and the cultural contexts in which creativity in music occurs. It considers what constitutes creativity, taking a cross cultural view of music, and investigating creative processes far beyond just the classical music genre - including electronic media, popular music, and improvised music.
Author | : Franchinus Gaffurius |
Publisher | : |
Total Pages | : 258 |
Release | : 1968 |
Genre | : Music |
ISBN | : |
Download Practica Musicae Book in PDF, ePub and Kindle
Author | : Blanche M. Gangwere |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 550 |
Release | : 2004-10-30 |
Genre | : Social Science |
ISBN | : 0313072825 |
Download Music History During the Renaissance Period, 1520-1550 Book in PDF, ePub and Kindle
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.