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| Author | : Henry Kingsbury |
| Publisher | : Temple University Press |
| Total Pages | : 216 |
| Release | : 2010-06-17 |
| Genre | : Music |
| ISBN | : 1439904022 |
An anthropologist's unusual ethnography of an American conservatory.
| Author | : Angela Myles Beeching |
| Publisher | : Oxford University Press |
| Total Pages | : 577 |
| Release | : 2010-10-18 |
| Genre | : Music |
| ISBN | : 019979894X |
This second edition of Beyond Talent provides user-friendly real-life advice, examples, and perspectives on how to further a career in music. Understanding the unique talents and training of musicians, veteran music career counselor Angela Myles Beeching presents a wealth of creative solutions for career advancement in the highly competitive music industry. Step-by-step instructions detail how to design promotional materials, book performances, network and access resources and assistance, jump start a stalled career, and expand your employment opportunities while remaining true to your music. Beeching untangles artist management and the recording industry, explains how to find and create performance opportunities, and provides guidance on grant writing and fundraising, day jobs, freelancing, and how to manage money, time, and stress. The companion website puts numerous up-to-date and useful internet resources at your fingertips. This essential handbook goes beyond the usual "how-to," helping musicians tackle the core questions about career goals, and create a meaningful life as a professional musician. Beyond Talent is the ideal companion for students and professionals, emerging musicians and mid-career artists.
| Author | : Ryan North |
| Publisher | : Machines of Death LLC |
| Total Pages | : 468 |
| Release | : 2010 |
| Genre | : Fiction |
| ISBN | : 0982167121 |
MACHINE OF DEATH tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out.
| Author | : Jo Hodgkinson |
| Publisher | : Andersen Press USA |
| Total Pages | : 32 |
| Release | : 2014-01-01 |
| Genre | : Juvenile Fiction |
| ISBN | : 1467744379 |
Four friends decide to enter a talent show. A tiny red bird asks to join them, but they laugh and tell him he’s too small. But then a mysterious, tall stranger arrives to audition for lead singer and turns out to be someone quite unexpected . . .
| Author | : Mark A. Johnson |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 2012-06-07 |
| Genre | : Music |
| ISBN | : 9781477613696 |
If you are a musician who wants to discover how to connect with any crowd, win them over, and make them love you and your music, then this book will teach you the exact methods used by the most successful musicians on the planet.Have you ever been on stage, performing your music, only to discover that the crowd is just not that into you?Does the audience sometimes seem unimpressed with your show?Even though your music is good, are there times when you just can't seem to "grab" the crowd and you don't know what to say or do to draw them in and win them over?If you answered yes to any of these questions, you are certainly not alone. As musicians, we have probably all had that experience. And it's a really awful feeling, isn't it? You want the crowd to love you, and when they don't, it's embarrassing... and really hard to take.But the good news is that it's very likely that the problem is not that you lack talent or passion for your music. It's much more likely that the problem is in the WAY you present your music (and yourself) to the audience. You are just not connecting with the crowd.Here's what I'm talking about... as musicians, we put our hearts and souls into our music and we just want to share it with the rest of the world, but in the real world, it's just not that easy.WHEN YOU ARE ON STAGE, IT WOULD BE MUCH EASIER IF THE AUDIENCE WOULD JUDGE YOU ONLY ON THE MUSIC YOU PERFORM, but the truth is... THEY WON'T.They will also judge you on...** What you say to them between songs.** How confident you appear to be.** What your attitude is toward them.** Whether you smile and appear friendly.** How you handle mistakes on stage.** How you make them feel.** Whether you touch them emotionally.** How much energy you project on stage.** Plus a whole lot more that is beyond just the physical act of making good music.You know, when you think about it... success in the music business is really about making the audience happy. THAT'S how you get lots of fans and lots of gigs. And if you want to get paid for what you do, then it's important to remember that in the music business the money is in the pockets of the fans. So if you want to be successful, PUT THE AUDIENCE FIRST IN ALL THAT YOU DO... not yourself... not even your music. ALWAYS make them your highest priority and they will love you for it.Understand that the audience comes to your live show for one reason only... THEY WANT TO BE ENTERTAINED AND HAVE A GOOD TIME. It takes more than just good music to have a great live show. AND THAT'S WHERE MOST PERFORMERS FAIL. They don't know how to engage the audience and make that important connection. And the truth is... IF THEY DON'T LIKE YOU AS A PERSON then it won't really matter how good of a musician you are.So let me ask you this... wouldn't it feel great to have the audience in the palm of your hand, knowing that they love what you do? How would it feel to perform for hundreds or maybe even thousands of raving fans and finally get the recognition you deserve? How would it feel to experience the pure, adrenalin pumping excitement that happens when you really kill it on stage.Don't waste all the months and years of hard work you've put into developing your musical talent just because you don't know how to present your music to the audience in the best way possible. You owe it to yourself (and your music) to discover how to really grab the crowd and make them love what you do.Now, forgive me for sounding a little overly dramatic here, but... think of what it may cost you in the future if you don't have this knowledge. What will your show look like a year from now? Will it be any better than it is now? Will you have more fans than you have now? Will you be making more money with your music than you are now? Or will you still be struggling along... trying to figure out why people aren't crazy about you and your music?Is your musical success worth $29.95? ORDER TODAY.
| Author | : Shirlee Emmons |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 1998-08-20 |
| Genre | : Music |
| ISBN | : 0195112245 |
To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luck. On the contrary, the best performances result from a combination of mental attitude, concrete performing skills, and excellent technical skills in that order. Yet most singers have never had the opportunity to acquire the essential skills that make for a successful career.Written as a self-help manual for singers at all levels of expertise, Power Performance for Singers is designed to teach performing artists, and especially singers, how to experience elite performance at their level. The skills outlined in this book will help singers use what they have, to enjoy their voices during performance, and to perform consistently to the best of their present ability.
| Author | : David Cashman |
| Publisher | : Routledge |
| Total Pages | : 154 |
| Release | : 2019-11-21 |
| Genre | : Art |
| ISBN | : 0429012667 |
This book explores the fundamentals of popular music performance for students in contemporary music institutions. Drawing on the insights of performance practice research, it discusses the unwritten rules of performances in popular music, what it takes to create a memorable performance, and live popular music as a creative industry. The authors offer a practical overview of topics ranging from rehearsals to stagecraft, and what to do when things go wrong. Chapters on promotion, recordings, and the music industry place performance in the context of building a career. Performing Popular Music introduces aspiring musicians to the elements of crafting compelling performances and succeeding in the world of today’s popular music.
| Author | : Gary McPherson |
| Publisher | : Oxford University Press |
| Total Pages | : 737 |
| Release | : 2022-01-18 |
| Genre | : Education |
| ISBN | : 0190056282 |
The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
| Author | : Barbara Kerr |
| Publisher | : SAGE Publications |
| Total Pages | : 1994 |
| Release | : 2009-06-15 |
| Genre | : Psychology |
| ISBN | : 150633279X |
Library Journal Best Reference 2009 Educators have begun to recognize that identifying and accommodating students who are slower to learn may leave behind those who learn rapidly and think creatively. The nature of intelligence, the sources of innovation, and the ways to nurture special abilities are now topics of great interest to scholars in a wide variety of disciplines and to the general public. Policymakers, ranging from school board members to leaders of nations, must also make practical decisions about how communities and societies will treat their brightest, most promising students. With more than 400 entries, these two volumes review research findings on giftedness, talent, and creativity and their effect on education, training, science and the arts, government policy, and everyday life. The Encyclopedia of Giftedness, Creativity, and Talent provides a balanced, objective assessment of the various perspectives on the nature of intelligence, innovation, and optimal states. This state-of-the-art resource covers all major facets of the field, including achievement motivation, artistic ability, creative personality, emotional intelligence, gender differences, genius, intelligence testing, learning styles, minority underrepresentation, multiple intelligences, musical ability, prodigies, scientists, self actualization, thinking skills, and more. Key Themes Assessment and Identification Creativity Studies Cultural Issues Education Eminent People Exceptionalities Intelligence Neuroscience and Genetics Populations Programs and Interventions Psychological Issues Talent Domains Theories and Models Key Features Provides a balanced and critical discussion of the controversies that have animated research and theory making Clarifies which grouping and instructional strategies promote the best outcomes in achievement and social/emotional development of gifted children Helps educators make informed decisions about the identification strategies and the curriculum models that best meet their students′ needs Contains thousands of pertinent facts from the fields of education, psychology, sociology, and the arts Evaluates policies that have hindered gifted children and makes a persuasive case for appropriately challenging and differentiated education Examines how giftedness, creativity, and talent were defined in the past and how current meanings have emerged.
| Author | : Jacqueline Beatrix de Jong |
| Publisher | : Amsterdam University Press |
| Total Pages | : 216 |
| Release | : 2006 |
| Genre | : Psychology |
| ISBN | : 9056294423 |
Annotation. Improvised music performance offers remarkable and dramatic examples of the talented ways in which group members can interact and inspire each other. Such musical sessions can serve as examples of improvised performance of groups in general. This thesis reports on ways of initiating and supporting talented group improvisation. It addresses the question which interface is needed to generate collectives with collective talent. Inspired by Pask's Conversation Theory, the author has developed a theory for supporting collective talent. The approach and results are not restricted to music, but should yield interest to fields as management & organization and ICT. This title can be previewed in Google Books - http://books.google.com/books?vid=ISBN9789056294427.
