Music Literature Outlines Series 2
Author | : Harold Gleason |
Publisher | : |
Total Pages | : |
Release | : 1958 |
Genre | : |
ISBN | : |
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Author | : Harold Gleason |
Publisher | : |
Total Pages | : |
Release | : 1958 |
Genre | : |
ISBN | : |
Author | : Harold Gleason |
Publisher | : |
Total Pages | : |
Release | : 1980 |
Genre | : Music |
ISBN | : |
Author | : Harold Gleason |
Publisher | : |
Total Pages | : 0 |
Release | : 1949 |
Genre | : Music |
ISBN | : |
Author | : Phillip Crabtree |
Publisher | : Indiana University Press |
Total Pages | : 258 |
Release | : 1993 |
Genre | : Bibliographical literature |
ISBN | : 9780253213235 |
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Author | : Harold Gleason |
Publisher | : |
Total Pages | : 162 |
Release | : 1951 |
Genre | : Music |
ISBN | : |
Author | : Harold Gleason |
Publisher | : |
Total Pages | : |
Release | : 1947 |
Genre | : Music |
ISBN | : |
Author | : Robert Redfield |
Publisher | : |
Total Pages | : |
Release | : 1949 |
Genre | : |
ISBN | : |
Author | : Allen Scott |
Publisher | : Indiana University Press |
Total Pages | : 518 |
Release | : 2015-06-01 |
Genre | : Music |
ISBN | : 0253014565 |
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Author | : Harold Gleason |
Publisher | : |
Total Pages | : 124 |
Release | : 1949 |
Genre | : Music |
ISBN | : |
Author | : Rachel Cusk |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 256 |
Release | : 2015-01-13 |
Genre | : Fiction |
ISBN | : 0374712360 |
A luminous, powerful novel that establishes Rachel Cusk as one of the finest writers in the English language A man and a woman are seated next to each other on a plane. They get to talking—about their destination, their careers, their families. Grievances are aired, family tragedies discussed, marriages and divorces analyzed. An intimacy is established as two strangers contrast their own fictions about their lives. Rachel Cusk's Outline is a novel in ten conversations. Spare and stark, it follows a novelist teaching a course in creative writing during one oppressively hot summer in Athens. She leads her students in storytelling exercises. She meets other visiting writers for dinner and discourse. She goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves: their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face a great loss. Outline takes a hard look at the things that are hardest to speak about. It brilliantly captures conversations, investigates people's motivations for storytelling, and questions their ability to ever do so honestly or unselfishly. In doing so it bares the deepest impulses behind the craft of fiction writing. This is Rachel Cusk's finest work yet, and one of the most startling, brilliant, original novels of recent years. A Finalist for the Folio Prize, the Goldsmiths Prize, the Scotiabank Giller Prize, and the Baileys Women’s Prize for Fiction One of The New York Times' Top Ten Books of the Year Named a A New York Times Book Review Notable Book and a Best Book of the Year by The New Yorker, Vogue, NPR, The Guardian, The Independent, Glamour, and The Globe and Mail