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Music and the Aesthetic Unconscious

Music and the Aesthetic Unconscious
Author: Bethany Henning
Publisher:
Total Pages: 334
Release: 2018
Genre: Aesthetics
ISBN:

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John Dewey's "Art As Experience" represents an unprecedented aesthetic theory insofar as it provides the reader with a way to think of aesthetic experience, not as relegated to a specialized realm of activity that one might denote as "the art world," but as the primary mode through which human beings come to terms with the environment. This is one aspect of Dewey's "cultural naturalism," through which we can see how his philosophy intends a non-separation between the body, the mind, and the environment. This project aims to reveal the notion of the unconscious that is implicit within Dewey's later work, particularly his aesthetics and metaphysics. This is a uniquely American unconscious with properties and functions that differ from the unconscious that was articulated by the tradition of psychoanalysis in Europe. I also make the pragmatic argument that when we treat the aesthetic and the unconscious as essentially linked, we benefit from a stronger hermeneutic for diagnosing culture, and we are better prepared to restore our connection with sensuous, immediate experience. This dual rehabilitation of the aesthetic and the unconscious serves to strengthen our capacity for eros, which, I will argue, is the need to live a shared aesthetic reality.


The Aesthetic Unconscious

The Aesthetic Unconscious
Author: Jacques Rancière
Publisher: Polity
Total Pages: 103
Release: 2009
Genre: Philosophy
ISBN: 0745646433

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This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain idea of the power of that thought which does not think, and the power of that speech which remains silent. From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's 'aesthetic' analyses reveal instead a tension between the two forms of unconscious. In this concise and brilliant text Rancière brings out this tension and shows us what is at stake in this confrontation.


From 1989, Or European Music and the Modernist Unconscious

From 1989, Or European Music and the Modernist Unconscious
Author: Seth Brodsky
Publisher: Univ of California Press
Total Pages: 364
Release: 2017-01-24
Genre: History
ISBN: 0520279360

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"Roth Family Foundation music in America imprint."


The Philosophy & Aesthetics of Music

The Philosophy & Aesthetics of Music
Author: Edward A. Lippman
Publisher: U of Nebraska Press
Total Pages: 268
Release: 1999-01-01
Genre: Music
ISBN: 9780803279841

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Edward A. Lippman?s writings on musical aesthetics comprise a wide variety of areas and employ both systematic and historical approaches, reflecting throughout his unrivaled knowledge of the philosophical literature on music and his deep understanding of the musical repertory. These essays span a broad range of subjects, from the ancients? sense of what music encompasses to the experience of rhythm in Anton Webern?s work. ø Lippman surveys the physical and physiological factors that condition musical perception, and he explores the effect of sung text in vocal music. In the more purely philosophical realm, he argues persuasively that music speaks in its own terms, not in any formalistic sense but through the symbolic meanings it conveys. ø The historically focused essays include investigations of the aesthetic thinking of Wagner and Schumann, an endeavor that leads Lippman to probe the sources and drives behind musical creativity. Elsewhere he explores the development of particular musical styles. The Philosophy and Aesthetics of Music draws upon both philosophy and musicology in demonstrating how the interpretation of music extends far beyond the scope of conventional theory and analysis.


The Sound of the Unconscious

The Sound of the Unconscious
Author: Ludovica Grassi
Publisher: Routledge
Total Pages: 167
Release: 2021-05-31
Genre: Psychology
ISBN: 1000391612

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In this book, Ludovica Grassi explores the importance of music in psychoanalysis, arguing that music is a basic working tool for psyche, as words are composed of sound, rhythm and intonation more than lexical meaning. Starting from ethnomusicological, evolutionary, neurodevelopmental, psychological and psychoanalytical perspectives, the book explores music’s symbolic status, structure and way of operating compared to unconscious psychic functioning. Extraordinary similarities are revealed, especially in mechanisms such as repetition, imitation, variation (transformation), intimacy and the work of mourning, of the negative and of nostalgia. Moreover, silence and absence are essential components of music as well as of psychic and symbolic functioning. Time and temporality are specifically investigated in the book as key elements both in music and in symbolization and subjectivation processes. The role of the word’s phonic kernel and of the voice as fundamental links to emotions, the body, the sexual and the infantile has promising implications for psychoanalytic work. All these elements find an articulation in the natural as well as complex activity of listening, which conveys a tri-dimensional and polyphonic dimension of the world, so important both in music and in psychoanalysis. Illuminating the link between music and analysis in new and contemporary ways, The Sound of the Unconscious explores the resulting advances in theory and clinical practice and will be of great interest to practicing and training psychoanalysts and psychotherapists.


Music/ideology

Music/ideology
Author: Jean-François Lyotard
Publisher: Psychology Press
Total Pages: 336
Release: 1998
Genre: Art
ISBN: 9789057013218

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Music/Ideology is a response to the question: Must the practice of music analysis and music theory always reinscribe the ideology of aesthetic autonomy? And, if not, under what circumstances does it reinscribe that ideology? The responses to these questions should appeal not only to music and cultural theorists, but also to a larger audience engaged in critical theory. These essays serve as an introduction to the broad array of issues arising from approaches that represent the full spectrum, from music-theoretical to marxist and feminist issues. Such questions are of vital importance, and not only to those who are engaged in establishing a connection among music theory, music analysis, and aesthetic ideology. Music/Ideology presents today's most interesting critical thinkers in postmodern theory and music theory, introducing an interdisciplinary approach and covering a wide range of subjects - both by implication and explication.


Melodies of the Mind

Melodies of the Mind
Author: Julie Jaffee Nagel
Publisher: Routledge
Total Pages: 157
Release: 2013
Genre: Music
ISBN: 0415692784

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In this book, Nagel invites us to take a journey on an aural and oral road that explores music and emotion, and their links to the unconscious.


Music and Feeling

Music and Feeling
Author: Marina Korsakova-Kreyn (author)
Publisher:
Total Pages: 0
Release: 2021
Genre: Music
ISBN: 9781527569188

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Listening to the Unconscious

Listening to the Unconscious
Author: Kenneth Smith
Publisher: Bloomsbury Publishing USA
Total Pages: 281
Release: 2023-01-26
Genre: Music
ISBN: 1501368486

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What happens in our unconscious minds when we listen to, produce or perform popular music? The Unconscious – a much misunderstood concept from philosophy and psychology – works through human subjects as we produce music and can be traced through the music we engage with. Through a new collaboration between music theorist and philosopher, Smith and Overy present the long history of the unconscious and its related concepts, working systematically through philosophers such as Schopenhauer and Nietzsche, psychoanalysts such as Freud and Lacan, to theorists such as Deleuze and Kristeva. The theories offered are vital to follow the psychological complexity of popular music, demonstrated through close readings of individual songs, albums, artists, genres, and popular music practices. Among countless artists, Listening to the Unconscious draws from Prince to Sufjan Stevens, from Robyn to Xiu Xiu, from Joanna Newsom to Arcade Fire, from PJ Harvey to LCD Sound System, each of whom offer exciting inroads into the fascinating worlds of our unconscious musical minds. And in return, theories of the unconscious can perhaps takes us deeper into the heart of popular music.