Music & Ritual
Author | : Jiménez Pasalodos Jiménez |
Publisher | : |
Total Pages | : 392 |
Release | : 2013 |
Genre | : Ethnomusicology |
ISBN | : 9783944415116 |
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Author | : Jiménez Pasalodos Jiménez |
Publisher | : |
Total Pages | : 392 |
Release | : 2013 |
Genre | : Ethnomusicology |
ISBN | : 9783944415116 |
Author | : Michaela Mross |
Publisher | : University of Hawaii Press |
Total Pages | : 393 |
Release | : 2022-05-31 |
Genre | : Religion |
ISBN | : 0824892879 |
Kōshiki (Buddhist ceremonials) belong to a shared ritual repertoire of Japanese Buddhism that began with Tendai Pure Land belief in the late tenth century and spread to all Buddhist schools, including Sōtō Zen in the thirteenth century. In Memory, Music, Manuscripts, Michaela Mross elegantly combines the study of premodern manuscripts and woodblock prints with ethnographic fieldwork to illuminate the historical development of the highly musical kōshiki rituals performed by Sōtō Zen clerics. She demonstrates how ritual change is often shaped by factors outside the ritual context per se—by, for example, institutional interests, evolving biographic images of eminent monks, or changes in the cultural memory of a particular lineage. Her close study of the fascinating world of kōshiki in Sōtō Zen sheds light on Buddhism as a lived religion and the interplay of ritual, doctrine, literature, collective memory, material culture, and music. Mross highlights in particular the sonic dimension in rituals. Scholars of Buddhist and ritual studies have largely overlooked the soundscapes of rituals despite the importance of music for many ritual specialists and the close connection between the acquisition of ritual expertise and learning to vocalize sacred texts or play musical instruments. Indeed, Sōtō clerics strive to perfect their vocal skills and view kōshiki and the singing of liturgical texts as vital Zen practices and an expression of buddhahood—similar to seated meditation. Innovative and groundbreaking, Memory, Music, Manuscripts is the first in-depth study of kōshiki in Zen Buddhism and the first monograph in English on this influential liturgical genre. A companion website featuring video recordings of selected kōshiki performances is available at https://searchworks.stanford.edu/view/dq109wp7548.
Author | : Keith Howard |
Publisher | : Semar Publishers Srl |
Total Pages | : 181 |
Release | : 2006 |
Genre | : Music |
ISBN | : 887778086X |
Cultural Writing. Published through Muske, whose purpose is to research, recover, document and conserve the world's ethnomusicological heritage and to disseminate it across a wide audience, the papers in MUSIC AND RITUAL "were first prepared for a panel...at the 2005 annual conference of the British Forum for Ethnomusicology....At the conference, it seemed timely to return to how performance informs, illustrates and interpenetrates ritual, without setting a clear, narrow, agenda in our call for papers...[These papers] explore questions raised by the performance of music and movement, and their interrelationships, in artistic practice beyond the European art and popular music canons"--from the Introduction by Keith Howard.
Author | : Gabriela Chiciudean |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 231 |
Release | : 2018-12-14 |
Genre | : Social Science |
ISBN | : 1527523438 |
Divided into two parts, this volume includes contributions focused on both myth and some of its contemporary reflections (Part I) and the connection between myth, music and ritual (Part II). The fifteen contributions gathered here are authored by academics and researchers from Brazil, France, Poland, Mexico, South Africa and Romania. They focus on a variety of subjects, including folklore, literature, classical and traditional music, science-fiction, philosophy, and religion, among others. The volume operates with an awareness of the capital role the study of the imaginary, with all its implications, is playing in the contemporary world.
Author | : Mark Pedelty |
Publisher | : University of Texas Press |
Total Pages | : 353 |
Release | : 2009-06-03 |
Genre | : Music |
ISBN | : 0292774184 |
On the Zócalo, the main square of Mexico City, Mexico's entire musical history is performed every day. "Mexica" percussionists drum and dance to the music of Aztec rituals on the open plaza. Inside the Metropolitan Cathedral, choristers sing colonial villancicos. Outside the National Palace, the Mexican army marching band plays the "Himno Nacional," a vestige of the nineteenth century. And all around the square, people listen to the contemporary sounds of pop, rock, and música grupera. In all, some seven centuries of music maintain a living presence in the modern city. This book offers an up-to-date, comprehensive history and ethnography of musical rituals in the world's largest city. Mark Pedelty details the dominant musical rites of the Aztec, colonial, national, revolutionary, modern, and contemporary eras, analyzing the role that musical ritual played in governance, resistance, and social change. His approach is twofold. Historical chapters describe the rituals and their functions, while ethnographic chapters explore how these musical forms continue to resonate in contemporary Mexican society. As a whole, the book provides a living record of cultural continuity, change, and vitality.
Author | : Becky A. Bailey |
Publisher | : Harper Collins |
Total Pages | : 226 |
Release | : 2009-10-13 |
Genre | : Family & Relationships |
ISBN | : 0061857475 |
I Love You Rituals offers more than seventy delightful rhymes and games that send the message of unconditional love and enhance children's social, emotional, and school success.Winner of a 1999 Parent's Guide Children's Media Award, these positive nursery rhymes, interactive finger plays, soothing games, and physically active can be played with children from infancy through age eight. In only minutes a day, these powerful rituals: Prime a child's brain for learning Help children cope with change Enhance attention, cooperation, and self-esteem Help busy families stay close Affirm the parent-child bond that insulates children from violence, peer pressure, and drugs, and much more. Easy to learn and especially effective in stressful situations, I Love You Rituals gives parents, grandparents, caregivers, and teachers inspiring tools to help children thrive.
Author | : Judith Marie Kubicki |
Publisher | : Peeters Publishers |
Total Pages | : 228 |
Release | : 1999 |
Genre | : Music |
ISBN | : 9789042907409 |
In this book, Sister Kubicki uses Jacques Berthier's Taize music to explore the nature of liturgical music as ritual symbol. She carries out a hermeneutical analysis of Berthier's chants and examines biographical and historical data related to the creator's of Taize music and the founding of the Taize community. The author draws on five areas of study to interpret the Taize chants as ritual symbol - symbol theory, semiotics, theologies of symbol, ritual theory, and perfomative language theory. The final chapter explores potential ecclesial meanings which may be mediated in the Taize liturgy and the role of Berthier's chants in mediating that meaning. The study concludes that it is music's symbolic property that enables it to be both ministerial and integral to the liturgy. As symbolic activity, music-making evokes participation, negotiates relationships, and enables the assembly to orient themselves and to find their identity and place within their world. Furthermore, music-making provides the illocutionary force to "do something" in the act of singing. Thus it is that as part of a complexus of ritual symbols, music interacts with other symbols, in mediating the liturgy's meaning.
Author | : Kay Kaufman Shelemay |
Publisher | : |
Total Pages | : 0 |
Release | : 1986 |
Genre | : Jews, Ethiopian |
ISBN | : |
Author | : Stephen Jones |
Publisher | : Routledge |
Total Pages | : 151 |
Release | : 2016-12-05 |
Genre | : Music |
ISBN | : 1351902989 |
The rich local traditions of musical life in rural China are still little known. Music-making in village society is largely ceremonial, and shawm bands account for a significant part of such music. This is the first major ethnographic study of Chinese shawm bands in their ceremonial and social context. Based in a poor county in Shanxi province in northwestern China, Stephen Jones describes the painful maintenance of ceremonial and its music there under Maoism, its revival with the market reforms of the 1980s and its modification under the assault of pop music since the 1990s. Part One of the text explains the social and historical background by outlining the lives of shawm band musicians in modern times. Part Two looks at the main performing contexts of funerals and temple fairs, whilst Part Three discusses musical features such as instruments, scales, and repertories. The downloadable resources consist of a 47-minute film in two parts, showing excerpts from funerals and temple fairs (complementing Part Two of the text), while a separate section contains a magnificent 1992 funerary performance of a complete shawm-band suite. As a package, the book and downloadable resources illuminate the whole ceremonial context of music-making in rural China, illustrating the ritual-music experience of villagers, with lay Daoist priests, opera troupes, and beggars also making cameo appearances. While the modern stage repertories of urban professionals remain our main exposure to Chinese music, this publication is all the more valuable in showing the daily musical experiences of the majority of people in China. It will appeal to ethnomusicologists, anthropologists and all those interested in modern Chinese history and society.
Author | : Helen Phelan |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2017 |
Genre | : Music |
ISBN | : 0190672226 |
Two decades of ethnographic, pedagogical and musical experience in Ireland inform Helen Phelan's investigation of the singing voice in ritual performance. She examines diverse ritual practices including community-based festivals, children's carnivals, women's choirs, university-based ritual laboratories, rituals of the established Irish Catholic churches, as well as those of new religious communities against the backdrop of economic, social, religious, and cultural changes in twenty-first century Ireland.