Music And Mythmaking In Film PDF Download

Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Music And Mythmaking In Film PDF full book. Access full book title Music And Mythmaking In Film.

Music and Mythmaking in Film

Music and Mythmaking in Film
Author: Timothy E. Scheurer
Publisher: McFarland
Total Pages: 275
Release: 2007-12-05
Genre: Performing Arts
ISBN: 0786431903

Download Music and Mythmaking in Film Book in PDF, ePub and Kindle

This work studies the conventions of music scoring in major film genres (e.g., science fiction, hardboiled detective, horror, historical romance, western), focusing on the artistic and technical methods that modern composers employ to underscore and accompany the visual events. Each chapter begins with an analysis of the major narrative and scoring conventions of a particular genre and concludes with an in-depth analysis of two film examples from different time periods. Several photographic stills and sheet music excerpts are included throughout the work, along with a select bibliography and discography.


Cinematic Mythmaking

Cinematic Mythmaking
Author: Irving Singer
Publisher: MIT Press
Total Pages: 257
Release: 2010-09-24
Genre: Performing Arts
ISBN: 0262264846

Download Cinematic Mythmaking Book in PDF, ePub and Kindle

Mythic themes and philosophical probing in film as an art form, as seen in works of Preston Sturges, Jean Cocteau, Stanley Kubrick, and various other filmmakers. Film is the supreme medium for mythmaking. The gods and heroes of mythology are both larger than life and deeply human; they teach us about the world, and they tell us a good story. Similarly, our experience of film is both distant and intimate. Cinematic techniques—panning, tracking, zooming, and the other tools in the filmmaker's toolbox—create a world that is unlike reality and yet realistic at the same time. We are passive spectators, but we also have a personal relationship with the images we are seeing. In Cinematic Mythmaking, Irving Singer explores the hidden and overt use of myth in various films and, in general, the philosophical elements of a film's meaning. Mythological themes, Singer writes, perform a crucial role in cinematic art and even philosophy itself. Singer incisively disentangles the strands of different myths in the films he discusses. He finds in Preston Sturges's The Lady Eve that Barbara Stanwyck's character is not just the biblical Eve but a liberated woman of our times; Eliza Doolittle in the filmed versions of Shaw's Pygmalion is not just a statue brought to life but instead a heroic woman who must survive her own dark night of the soul. The protagonist of William Wyler's The Heiress and Anieszka Holland's Washington Square is both suffering Dido and an awakened Amazon. Singer reads Cocteau's films—including La Belle et la Bête, Orphée, and The Testament of Orpheus—as uniquely mythological cinematic poetry. He compares Kubrickean and Homeric epics and analyzes in depth the self-referential mythmaking of Federico Fellini in many of his movies, including 8½. The aesthetic and probing inventiveness in film, Singer shows us, restores and revives for audiences in the twenty-first century myths of creation, of the questing hero, and of ideals—both secular and religious—that have had enormous significance throughout the human search for love and meaning in life.


The Invisible Art of Film Music

The Invisible Art of Film Music
Author: Laurence E. MacDonald
Publisher: Ardsley House
Total Pages: 456
Release: 1998
Genre: Music
ISBN:

Download The Invisible Art of Film Music Book in PDF, ePub and Kindle

A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves.


Beyond the Soundtrack

Beyond the Soundtrack
Author: Daniel Ira Goldmark
Publisher: Univ of California Press
Total Pages: 333
Release: 2007-06-08
Genre: Performing Arts
ISBN: 0520940555

Download Beyond the Soundtrack Book in PDF, ePub and Kindle

This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.


The Cambridge Companion to Film Music

The Cambridge Companion to Film Music
Author: Mervyn Cooke
Publisher: Cambridge University Press
Total Pages: 439
Release: 2016-12-08
Genre: Music
ISBN: 1107094518

Download The Cambridge Companion to Film Music Book in PDF, ePub and Kindle

A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.


The Technique of Film Music

The Technique of Film Music
Author: Roger Manvell
Publisher: London, Focal
Total Pages: 310
Release: 1957
Genre: Motion picture music
ISBN:

Download The Technique of Film Music Book in PDF, ePub and Kindle

The history of film music is traced from the early piano accompaniment for the silent films, to the specially-composed orchestral score. How composers have dealt with the restrictions inherent in film music, as well as its many opportunities, is illustrated by many reference to particular scores.Other types of film, such as documentary, experimental and cartoon films, and these have also been appraised.


When Music Takes Over in Film

When Music Takes Over in Film
Author: Anna K. Windisch
Publisher: Springer Nature
Total Pages: 265
Release: 2023-05-02
Genre: Performing Arts
ISBN: 3030891550

Download When Music Takes Over in Film Book in PDF, ePub and Kindle

This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research.


Film Music

Film Music
Author: Mark Russell
Publisher: Focal Press
Total Pages: 216
Release: 2000
Genre: Music
ISBN: 9780240804415

Download Film Music Book in PDF, ePub and Kindle

In Film Music, fourteen of the world's best known film composers discuss their craft, revealing the creative process that led to the familiar sound of the most memorable films of our time. Like all titles in the Screencraft Series, Film Music is beautifully produced and lavishly illustrated with drawings, scripts, storyboards, models and stills from classic films. A companion CD features a composition from each of the fourteen contributors. Musicians, composers, filmmakers and film enthusiasts will find much to learn and much to enjoy in this unique volume. Includes CD featuring a piece of music from each contributor Part of the Screencraft series, the first books to explore the crafts of filmmaking by tracing the entire creative process


Representing Religion in World Cinema

Representing Religion in World Cinema
Author: S. Plate
Publisher: Springer
Total Pages: 273
Release: 2016-04-30
Genre: Social Science
ISBN: 1137100346

Download Representing Religion in World Cinema Book in PDF, ePub and Kindle

Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism.


Film Music: A Very Short Introduction

Film Music: A Very Short Introduction
Author: Kathryn Kalinak
Publisher: Oxford University Press
Total Pages: 162
Release: 2010-03-11
Genre: Performing Arts
ISBN: 0199707979

Download Film Music: A Very Short Introduction Book in PDF, ePub and Kindle

Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.