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| Author | : Nicolas Bell |
| Publisher | : University of Toronto Press |
| Total Pages | : 70 |
| Release | : 2001-01-01 |
| Genre | : Music |
| ISBN | : 9780802084323 |
"The history of music writing is covered from the earliest times until the fifteenth century, and the beautiful and often entertaining pictures of musicians in manuscripts show how music was performed."--BOOK JACKET.
| Author | : Randall Rosenfeld |
| Publisher | : Routledge |
| Total Pages | : 473 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351557688 |
The interdisciplinary approach of Music and Medieval Manuscripts is modeled on the work of the scholar to whom the book is dedicated. Professor Andrew Hughes is recognized internationally for his work on medieval manuscripts, combining the areas of paleography, performance, liturgy and music. All these areas of research are represented in this collection with an emphasis on the continuity between the physical characteristics of medieval manuscripts and their different uses. Albert Derolez provides a landmark and controversial essay on the origins of pre-humanistic script, while Margaret Bent proposes a new interpretation of a famous passage from a fifteenth-century poem by Martin Le Franc. Timothy McGee contributes an innovative essay on late-medieval music, text and rhetoric. David Hiley discusses musical changes and variation in the offices of a major saint‘s feast, and Craig Wright presents an original study of Guillaume Dufay. Jan Ziolkowski treats the topic of neumed classics, an under-explored aspect of the history of medieval pedagogy and the transmission of texts. The essays that comprise this volume offer a unique focus on medieval manuscripts from a wide range of perspectives, and will appeal to musicologists and medievalists alike.
| Author | : Helen Deeming |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2015-05-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1107062632 |
This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.
| Author | : Barbara Drake Boehm |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 66 |
| Release | : 2008 |
| Genre | : Choral music |
| ISBN | : 1588393054 |
This delightful book describes and illustrates the Metropolitan Museum's collection of nearly 40 illuminations from Italian choral manuscripts. Representing the work of Gothic and Renaissance masters both celebrated and anonymous, these precious paintings in miniature---with their compelling narrative, brilliant color, and shining gold---bear witness to exceptional aesthetic accomplishment. The choir books they illuminate are a rich source of information about the development of chant, whose unexpected transcendent tonalities have abiding appeal today. They also serve as primary sources for the study of the lives of religious communities and of the philosophy and faith that infused medieval Europe, offering a glimpse of Italy at the dawn of the Renaissance.
| Author | : Jeremy Yudkin |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Music |
| ISBN | : 9780190206123 |
Combines a complete history and score anthology for students of medieval music, Music in Medieval Europe combines a cultural history of the Middle Ages and in-depth scholarship on the music and leading composers active during the period. The text includes an integrated anthology of key works with approachable and enlightening explanations, making it easily accessible to both beginning and advanced students. Its chronological organization, broad scope, and detailed music analyses makes Music in Medieval Europe an ideal introductory text. Features, Covers the major composers, musical styles, and works of the medieval period, An in-text anthology features all of the major works, eliminating the need for a separate purchase, A wide variety of source materials, all translated by Jeremy Yudkin, offers fresh interpretations of classic works, Illustrations of source manuscripts and artwork provide added context Book jacket.
| Author | : Michael Johnston |
| Publisher | : Cambridge University Press |
| Total Pages | : 319 |
| Release | : 2015-08-10 |
| Genre | : History |
| ISBN | : 1107066190 |
This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.
| Author | : Helen Deeming |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2015-05-28 |
| Genre | : Music |
| ISBN | : 1316240460 |
The manuscript sources of medieval song rarely fit the description of 'songbook' easily. Instead, they are very often mixed compilations that place songs alongside other diverse contents, and the songs themselves may be inscribed as texts alone or as verbal and musical notation. This book looks afresh at these manuscripts through ten case studies, representing key sources in Latin, French, German, and English from across Europe during the Middle Ages. Each chapter is authored by a leading expert and treats a case study in detail, including a listing of the manuscript's overall contents, a summary of its treatment in scholarship, and up-to-date bibliographical references. Drawing on recent scholarly methodologies, the contributors uncover what these books and the songs within them meant to their medieval audience and reveal a wealth of new information about the original contexts of songs both in performance and as committed to parchment.
| Author | : Carl Parrish |
| Publisher | : Pendragon Press |
| Total Pages | : 318 |
| Release | : 1978 |
| Genre | : Music |
| ISBN | : 9780918728081 |
| Author | : Andrew Hughes |
| Publisher | : University of Toronto Press |
| Total Pages | : 514 |
| Release | : 1995-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780802076694 |
Many books discuss the theology and doctrine of the medieval liturgy: there is no dearth of information on the history of the liturgy, the structure and development of individual services, and there is much discussion of specific texts, chants, and services. No book, at least in English, has struggled with the difficulties of finding texts, chants, or other material in the liturgical manuscripts themselves, until the publication of Medieval Manuscripts for Mass and Office in 1982. Encompassing a period of several centuries, ca 1200-1500, this book provides solutions for such endeavours. Although by this period the basic order and content of liturgical books were more or less standardized, there existed hundreds of different methods of dealing with the internal organisation and the actual writing of the texts and chants on the page. Generalization becomes problematic; the use of any single source as a typical example for more than local detail is impossible. Taking for granted the user's ability to read medieval scripts, and some codicological knowledge, Hughes begins with the elementary material without which the user could not proceed. He describes the liturgical year, season, day, service, and the form of individual items such as responsory or lesson, and mentions the many variants in terminology that are to be found in the sources. The presentation of individual text and chant is discussed, with an emphasis on the organisation of the individual column, line, and letter. Hughes examines the hitherto unexplored means by which a hierarchy of initial and capital letters and their colours are used by the scribes and how this hierarchy can provide a means by which the modern researcher can navigate through the manuscripts. Also described in great detail are the structure and contents of Breviaries, Missals, and the corresponding books with music. This new edition updates the bibliography and the new preface by Hughes presents his recent thoughts about terminology and methods of liturgical abbreviation.
| Author | : Elizabeth Eva Leach |
| Publisher | : Boydell & Brewer |
| Total Pages | : 287 |
| Release | : 2022 |
| Genre | : History |
| ISBN | : 1783276525 |
Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation. The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouvères, including several female poet-musicians, are found in its margins, names which would be unknown today without this evidence. However, the manuscript has received relatively little scholarly attention, partly because the songs' musical staves remained empty for reasons now unknown, and partly because of where it was copied. This collection of essays is the first to consider C on its own terms and from a range of disciplinary perspectives, including philology, art history, literary studies, and musicology. The contributors explore the process of creating the complex object that is a music manuscript, examining the work of the scribes and artists who worked on C, and questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine flavour of the repertoire and authors is also discussed, with contributors showing that C frames the tradition of Old French song from a unique perspective. As a whole, the volume demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and scribes interacted with the courtly song tradition in fascinating and unusual ways.
