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Music and Culture in the Middle Ages and Beyond

Music and Culture in the Middle Ages and Beyond
Author: Benjamin David Brand
Publisher:
Total Pages:
Release: 2016
Genre: Music
ISBN: 9781316799765

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It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.


The Cultural Context of Medieval Music

The Cultural Context of Medieval Music
Author: Nancy Van Deusen
Publisher: Bloomsbury Publishing USA
Total Pages: 218
Release: 2011-11-02
Genre: Music
ISBN: 1573569968

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An urgently needed guide to understanding medieval music to be used as a text for the university undergraduate, graduate students in music and interdisciplinary medieval studies, and for the professional musicologist and medievalist. This book will also be appreciated by everyone interested in early music. Nancy van Deusen's The Cultural Context of Medieval Music addresses the mental landscape surrounding music that, especially, was sung and experienced in the Middle Ages. Largely anonymous in its composition, and apparently lacking the motivation of fame and commerce, music within a well thought-out system of education served a purpose that goes far beyond casual entertainment or personal professional advancement. Offering experience through performance, music exemplified the basic principles not only of the material and possible measurements of the visible world—such as of objects, relationships, and movement—but also of the invisible materials of sound and time, making it an ideal medium for working with unseen substances such as concepts, imaginations, and ideas. St. Augustine in the late fourth century reinforced the importance of music for the process of learning when he wrote that nothing could be truly understood without music. This book shows how this, in fact, is the case—a message of great relevance today.


Music and Culture in the Middle Ages and Beyond

Music and Culture in the Middle Ages and Beyond
Author: Benjamin Brand
Publisher: Cambridge University Press
Total Pages: 379
Release: 2016-10-27
Genre: Music
ISBN: 131679895X

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It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.


The Cultural Context of Medieval Music

The Cultural Context of Medieval Music
Author: Nancy Elizabeth Van Deusen
Publisher:
Total Pages: 0
Release: 2011
Genre: Europe
ISBN:

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Music was crucial to the learning process itself in the Middle Ages-and beyond. One learned basic concepts by doing them, and learned them well because music was "delicious" to the taste-a medieval insight that should be reclaimed


Music, Myth and Story in Medieval and Early Modern Culture

Music, Myth and Story in Medieval and Early Modern Culture
Author: Katherine Butler
Publisher: Boydell & Brewer
Total Pages: 344
Release: 2019
Genre: Music
ISBN: 1783273712

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The complex relationship between myths and music is here investigated.


Discarding Images

Discarding Images
Author: Christopher Page
Publisher: Oxford University Press, USA
Total Pages: 264
Release: 1993
Genre: History
ISBN:

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For many centuries, the Western imagination has pictured the medieval period as a kind of odyssey: a journey that took humankind to a strange country and ended in the Renaissance with its homecoming and the restoration of its inheritance. In this stimulating and provocative book, Christopher Page, Director of the acclaimed early music vocal group Gothic Voices, explores the kinds of generalizations that we habitually make about "the Middle Ages" and which, whether we know it or not, sustain the false image of a medieval odyssey. In chapters that proceed chronologically from the thirteenth to the fifteenth century, he examines what we suppose to be the serenity of medieval reflection on such matters as the "numerical" explanation of musical beauty, and he questions the modern tendency to regard Ars antiqua motets as music for "an intellectual elite." Turning to the Ars Nova and beyond, he discusses the relation between fourteenth century innovations and contemporary science. A final chapter explores the powerful influence of Johan Huizinga's classic The Waning of the Middle Ages upon musicology. Page's lively prose is full of provocative ideas, and is enriched by an uncommonly deep experience of medieval music.


Music, Body, and Desire in Medieval Culture

Music, Body, and Desire in Medieval Culture
Author: Bruce W. Holsinger
Publisher: Stanford University Press
Total Pages: 500
Release: 2001
Genre: Music
ISBN: 9780804740586

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Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.


Companion to Medieval and Renaissance Music

Companion to Medieval and Renaissance Music
Author: Tess Knighton
Publisher: Univ of California Press
Total Pages: 448
Release: 1997
Genre: Art
ISBN: 0520210816

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With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.


Music as Concept and Practice in the Late Middle Ages

Music as Concept and Practice in the Late Middle Ages
Author: Reinhard Strohm
Publisher:
Total Pages: 522
Release: 2001
Genre: Music
ISBN: 9780198162056

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This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.


Music and Performance in the Later Middle Ages

Music and Performance in the Later Middle Ages
Author: E. Upton
Publisher: Springer
Total Pages: 249
Release: 2012-12-28
Genre: Performing Arts
ISBN: 1137310073

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This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.