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Author | : Mark DeBellis |
Publisher | : Cambridge University Press |
Total Pages | : 182 |
Release | : 1995-10-27 |
Genre | : Music |
ISBN | : 0521403316 |
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This book is a philosophical study of the relations between hearing and thinking about music. The central problem it addresses is as follows: how is it possible to talk about what a listener perceives in terms that the listener does not recognize? By applying the concepts and techniques of analytic philosophy the author explores the ways in which musical hearing may be described as nonconceptual, and how such mental representation contrasts with conceptual thought.
Author | : Mark Andrew DeBellis |
Publisher | : |
Total Pages | : 0 |
Release | : 1995 |
Genre | : Music |
ISBN | : |
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Author | : Lawrence M. Zbikowski |
Publisher | : Oxford University Press |
Total Pages | : 376 |
Release | : 2002-11-14 |
Genre | : Music |
ISBN | : 0199881588 |
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This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Author | : Lawrence Michael Zbikowski |
Publisher | : Oxford University Press on Demand |
Total Pages | : 377 |
Release | : 2002 |
Genre | : Music |
ISBN | : 0195140230 |
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The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it."--Jacket.
Author | : Lawrence M. Zbikowski |
Publisher | : Oxford University Press |
Total Pages | : 376 |
Release | : 2002-11-14 |
Genre | : Music |
ISBN | : 019803217X |
Download Conceptualizing Music Book in PDF, ePub and Kindle
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Author | : Gerard Assayag |
Publisher | : Springer Science & Business Media |
Total Pages | : 310 |
Release | : 2002-07-10 |
Genre | : Mathematics |
ISBN | : 9783540437277 |
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In Western Civilization Mathematics and Music have a long and interesting history in common, with several interactions, traditionally associated with the name of Pythagoras but also with a significant number of other mathematicians, like Leibniz, for instance. Mathematical models can be found for almost all levels of musical activities from composition to sound production by traditional instruments or by digital means. Modern music theory has been incorporating more and more mathematical content during the last decades. This book offers a journey into recent work relating music and mathematics. It contains a large variety of articles, covering the historical aspects, the influence of logic and mathematical thought in composition, perception and understanding of music and the computational aspects of musical sound processing. The authors illustrate the rich and deep interactions that exist between Mathematics and Music.
Author | : Phillip Stambovsky |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 240 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9780838640265 |
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"In sum, this original inquiry uniquely respects the cognitional diversity that distinguishes the revelatory poetic spirit from the discursively speculative spirit, even as it demonstrates their deep affinities and mutual implications in the life of the imaginative intelligence."--BOOK JACKET.
Author | : Michael Spitzer |
Publisher | : University of Chicago Press |
Total Pages | : 392 |
Release | : 2004 |
Genre | : Music |
ISBN | : 0226769720 |
Download Metaphor and Musical Thought Book in PDF, ePub and Kindle
"The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.
Author | : Zvonimir Nagy |
Publisher | : Taylor & Francis |
Total Pages | : 228 |
Release | : 2016-11-03 |
Genre | : Music |
ISBN | : 1315469006 |
Download Embodiment of Musical Creativity Book in PDF, ePub and Kindle
Embodiment of Musical Creativity offers an innovative look at the interdisciplinary nature of creativity in musical composition. Using examples from empirical and theoretical research in creativity studies, music theory and cognition, psychology and philosophy, performance and education studies, and the author’s own creative practice, the book examines how the reciprocity of cognition and performativity contributes to our understanding of musical creativity in composition. From the composer’s perspective the book investigates the psychological attributes of creative cognition whose associations become the foundation for an understanding of embodied creativity in musical composition. The book defines the embodiment of musical creativity as a cognitive and performative causality: a relationship between the cause and effect of our experience when composing music. Considering the theoretical, practical, contextual, and pedagogical implications of embodied creative experience, the book redefines aspects of musical composition to reflect the changing ways that musical creativity is understood and evaluated. Embodiment of Musical Creativity provides a comparative study of musical composition, in turn articulating a new perspective on musical creativity.
Author | : Iwona Kraska-Szlenk |
Publisher | : John Benjamins Publishing Company |
Total Pages | : 321 |
Release | : 2020-03-23 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027261660 |
Download Body Part Terms in Conceptualization and Language Usage Book in PDF, ePub and Kindle
The volume focuses on body part terms as the vehicle of embodied cognition and conceptualization. It explores the relationship between universal embodiment, language-specific cultural models and linguistic usage practices. The chapters of the volume add to the previous research in a novel way. The presentation of original data from previously undescribed languages spoken by small communities in Africa and South America allows to discover unknown aspects of embodiment and to propose new interpretations. Well-known languages are analyzed from a new perspective relying on the benefits of linguistic corpora. Contrastive and theoretically oriented studies help to pinpoint similarities and differences among languages, as well as tendencies in conceptualization patterns and semantic development of the lexis of body part terms. The volume contributes to the field of linguistics, but also to cognitive science, anthropology and cultural studies.