Museum of Modern Italian Art (London)
Author | : Museum of Modern Italian Art (London) |
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Author | : Museum of Modern Italian Art (London) |
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Total Pages | : 0 |
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Author | : Alexandra Noble |
Publisher | : Allemandi |
Total Pages | : 128 |
Release | : 1997 |
Genre | : Architecture |
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Eric and Salome Estorick started collectinf Italian works of art on their honeymoon in 1948. Within ten years they had put together an outstanding collection which was exhibited at major international museums throughout the 1950s. Today it is the finest
Author | : Arts Council of Great Britain |
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Total Pages | : 35 |
Release | : 1956 |
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Author | : International Exhibitions Foundation |
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Total Pages | : 88 |
Release | : 1969 |
Genre | : Art |
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Author | : Christopher Adams |
Publisher | : Gangemi Editore |
Total Pages | : 184 |
Release | : 2007 |
Genre | : Art |
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La collezione Estorick è stata aperta come museo nel 1998, a Londra. Lo scopo, a cui Mr Estorick dedicò tutta la sua attività di committente, è quello di promuovere nel Regno Unito l'arte italiana contemporanea, meno nota rispetto all'arte barocca e del Rinascimento. La collezione, ora passata nelle mani del figlio Michael, comprende opere di: Giacomo Balla, Umberto Boccioni, Massimo Campigli, Carlo Carrà, Giorgio de Chirico, Gerardo Dottori, Corrado Govoni, Emilio Greco, Renato Guttuso, Giacomo Manzù, Marino Marini, Amedeo Modigliani, Giorgio Morandi, Zoran Music, Ottone Rosai, Medardo Rosso, Luigi Russolo, Giuditta Scalini, Gino Severini, Mario Sironi, Ardengo Soffici e molti altri artisti.
Author | : Silvia Bottinelli |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 296 |
Release | : 2022-03-30 |
Genre | : Art |
ISBN | : 0228013739 |
Peeking into the home through the eyes of artists and image-makers, this book unveils the untold story of Italian domestic experiences from the 1940s to the 1970s. Torn between the trauma of World War II and the frenzied optimism of the postwar decades, and haunted by the echoes of fascism, the domestic realm embodied contrasting and often contradictory meanings: care and violence, oppression and emotional fulfillment, nourishment and privation. Silvia Bottinelli casts a fresh light on domestic experiences that are easily overlooked and taken for granted, finding new expressions of home - as an idea, an emotion, a space, and a set of habits - in a variety of cultural and artistic movements, including new realism, visual poetry, pop art, arte povera, and radical architecture, among others. Double-Edged Comforts finds nuance by viewing artistic interpretations of domestic life in dialogue with contemporaneous visual culture: the advertisements, commercials, illustrations, and popular magazines that influenced and informed art, even materially, and often triggered the critical reactions of artists. Bottinelli pays particular attention to women's perspectives, discussing artworks that have fallen through the cracks of established art historical narratives and giving specific consideration to women artists: Carla Accardi, Marisa Merz, Maria Lai, Ketty La Rocca, Lucia Marcucci, and others who were often marginalized by the Italian art system in this period. From sleeping and bathing, chores, and making and eating food to the arrival of television, Double-Edged Comforts provides a fresh account of modern domesticity relevant to anyone interested in understanding how we make sense of the places we live and what we do there, showing how art complicates the familiar comforts and meanings of home.
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Total Pages | : 0 |
Release | : 1956 |
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Author | : Dr Elizabeth Carroll Consavari |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 516 |
Release | : 2014-01-28 |
Genre | : Art |
ISBN | : 1472411366 |
Emphasizing on the one hand the reconstruction of the material culture of specific residences, and on the other, the way in which particular domestic objects reflect, shape, and mediate family values and relationships within the home, this volume offers a distinct contribution to research on the early modern Italian domestic interior. Though the essays mainly take an art historical approach, the book is interdisciplinary in that it considers the social implications of domestic objects for family members of different genders, age, and rank, as well as for visitors to the home. By adopting a broad chronological framework that encompasses both Renaissance and Baroque Italy, and by expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers genuinely new perspectives on the home in early modern Italy.
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Total Pages | : 129 |
Release | : 1972 |
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Author | : Giulio Carlo Argan |
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Release | : 1956 |
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