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Multiple Authorship and the Myth of Solitary Genius

Multiple Authorship and the Myth of Solitary Genius
Author: Jack Stillinger
Publisher: Oxford University Press
Total Pages: 270
Release: 1991-08-15
Genre: Literary Criticism
ISBN: 0195361687

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This is a study of the collaborative creation behind literary works that are usually considered to be written by a single author. Although most theories of interpretation and editing depend on a concept of single authorship, many works are actually developed by more than one author. Stillinger examines case histories from Keats, Wordsworth, Coleridge, Mill, and T.S. Eliot, as well as from American fiction, plays, and films, demonstrating that multiple authorship is a widespread phenomenon. He shows that the reality of how an author produces a work is often more complex than is expressed in the romantic notion of the author as solitary genius. The cumulative evidence revealed in this engaging study indicates that collaboration deserves to be included in any account of authorial achievement.


British Women Writers and the Profession of Literary Criticism, 1789-1832

British Women Writers and the Profession of Literary Criticism, 1789-1832
Author: M. Waters
Publisher: Springer
Total Pages: 232
Release: 2004-08-04
Genre: Fiction
ISBN: 0230514510

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This book examines professional literary criticism by Romantic-era British women to reveal that, while developing a conscious professionalism, women literary critics helped to shape the aesthetic models that defined Romantic-era literary values and made the British literary heritage a source of national pride. Women critics understood the contested nature of aesthetics and the public implications of aesthetic values on questions such as morality, both public and private, the nation's cultural heritage, even the essential qualities of Britishness itself.


Authorship in the Long Eighteenth Century

Authorship in the Long Eighteenth Century
Author: Dustin Griffin
Publisher: Rowman & Littlefield
Total Pages: 219
Release: 2013-12-11
Genre: Literary Criticism
ISBN: 1611494710

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This book deals with changing conditions and conceptions of authorship in the long eighteenth century, a period said to have witnessed the birth of the modern author. Challenging claims about the public sphere and the professional writer, it engages with recent work on print culture and the history of the book and takes up such under-treated topics as the forms of literary careers and the persistence of the Renaissance “republic of letters” into the “age of authors.”


Authorship Contested

Authorship Contested
Author: Amy E. Robillard
Publisher: Routledge
Total Pages: 224
Release: 2015-06-12
Genre: Language Arts & Disciplines
ISBN: 131743319X

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This volume explores a dimension of authorship not given its due in the critical discourse to this point—authorship contested. Much of the existing critical literature begins with a text and the proposition that the text has an author. The debates move from here to questions about who the author is, whether or not the author’s identity is even relevant, and what relationship she or he does and does not have to the text. The authors contributing to this collection, however, ask about circumstances surrounding efforts to prevent authors from even being allowed to have these questions asked of them, from even being identified as authors. They ask about the political, cultural, economic and social circumstances that motivate a prospective audience to resist an author’s efforts to have a text published, read, and discussed. Particularly noteworthy is the range of everyday rhetorical situations in which contesting authorship occurs—from the production of a corporate document to the publication of fan fiction. Each chapter also focuses on particular instances in which authorship has been contested, demonstrating how theories about various forms of contested authorship play out in a range of events, from the complex issues surrounding peer review to authorship in the age of intelligent machines.


Poems, in Two Volumes

Poems, in Two Volumes
Author: William Wordsworth
Publisher: Broadview Press
Total Pages: 306
Release: 2015-12-09
Genre: Poetry
ISBN: 1770485376

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Published seven years after William Wordsworth and Samuel Taylor Coleridge’s popular collection Lyrical Ballads, Wordsworth’s Poems, in Two Volumes shocked readers and drew scornful reviews. Poems was a revolutionary challenge to literary taste in revolution-weary times. The poems were perceived as inappropriately personal and egotistical in the attention that the poet pays to “moods of [his own] mind.” The collection is now seen as containing some of the most enduring works of British Romantic poetry, and Wordsworth’s achievement in opening up new worlds of subject matter, emotion, and poetic expression is widely recognized. Richard Matlak places the initial reaction to Poems in its historical context and explains the sea change in critical and popular opinion about these poems. The extensive historical documents place the poems in the context of Wordsworth’s life, contemporary politics, and the literary world of the early nineteenth century.


The Broadview Reader in Book History

The Broadview Reader in Book History
Author: Michelle Levy
Publisher: Broadview Press
Total Pages: 650
Release: 2014-10-23
Genre: Language Arts & Disciplines
ISBN: 1554810884

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Book History has emerged as one of the most exciting new interdisciplinary fields of study in the humanities. By focusing on the production, circulation and reception of the book in all its forms, it has transformed the study of history, literature and culture. The Broadview Book History Reader is the most complete and up-to-date introduction available to this area of study. The reader reprints 33 key essays in the field, grouped conceptually and provided with headnotes, explanatory footnotes, an introduction, a chronology, and a glossary of terms.


30 Great Myths about the Romantics

30 Great Myths about the Romantics
Author: Duncan Wu
Publisher: John Wiley & Sons
Total Pages: 342
Release: 2015-03-09
Genre: Literary Criticism
ISBN: 1118843185

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Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture – from Blake’s Jerusalem and Keats’s Ode on a Grecian Urn to the literary genre of the vampire Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work


The Writer on Film

The Writer on Film
Author: J. Buchanan
Publisher: Springer
Total Pages: 284
Release: 2013-06-03
Genre: Performing Arts
ISBN: 113731723X

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Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew – through acts of explicit configuration not adaptation.


A Community of One

A Community of One
Author: Martin A. Danahay
Publisher: State University of New York Press
Total Pages: 252
Release: 1993-08-24
Genre: Biography & Autobiography
ISBN: 1438400438

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Complementing recent feminist studies of female self-representation, this book examines the dynamics of masculine self-representation in nineteenth-century British literature. Arguing that the category "autobiography" was a product of nineteenth-century individualism, the author analyzes the dependence of the nineteenth-century masculine subject on autonomy or self-naming as the prerequisite for the composition of a life history. The masculine autobiographer achieves this autonomy by using a feminized other as a metaphorical mirror for the self. The feminized other in these texts represents the social cost of masculine autobiography. Authors from Wordsworth to Arnold, including Samuel Taylor Coleridge, Thomas De Quincey, John Ruskin, Alfred Tennyson, Robert Louis Stevenson, John Stuart Mill, and Edmund Gosse, use female lovers and family members as symbols for the community with which they feel they have lost contact. In the theoretical introduction, the author argues that these texts actually privilege the autonomous self over the images of community they ostensibly value, creating in the process a self-enclosed and self-referential "community of one."