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| Author | : Sunil Sharma |
| Publisher | : Harvard University Press |
| Total Pages | : 281 |
| Release | : 2017-11-27 |
| Genre | : History |
| ISBN | : 0674975855 |
Introduction: Lingua Persica -- Mughal Persian literary culture -- The Mughal discovery of India -- Celebrating imperial cities -- Mughal Arcadia -- Conclusion: Paradise lost
| Author | : Sunil Sharma |
| Publisher | : Harvard University Press |
| Total Pages | : 281 |
| Release | : 2017-11-27 |
| Genre | : Literary Criticism |
| ISBN | : 0674981251 |
At its height in the sixteenth and seventeenth centuries, the Mughal Empire was one of the largest empires in Eurasia, with territory extending over most of the Indian subcontinent and much of present-day Afghanistan. As part of the Persianate world that spanned from the Bosphorus to the Bay of Bengal, Mughal rulers were legendary connoisseurs of the arts. Their patronage attracted poets, artists, and scholars from all parts of the eastern Islamic world. Persian was the language of the court, and poets from Safavid Iran played a significant role in the cultural life of the nobility. Mughal Arcadia explores the rise and decline of Persian court poetry in India and the invention of an enduring idea—found in poetry, prose, paintings, and architecture—of a literary paradise, a Persian garden located outside Iran, which was perfectly exemplified by the valley of Kashmir. Poets and artists from Iran moved freely throughout the Mughal empire and encountered a variety of cultures and landscapes that inspired aesthetic experiments which continue to inspire the visual arts, poetry, films, and music in contemporary South Asia. Sunil Sharma takes readers on a dazzling literary journey over a vast geographic terrain and across two centuries, from the accession of the first emperor, Babur, to the throne of Hindustan to the reign of the sixth great Mughal, Aurangzeb, in order to illuminate the life of Persian poetry in India. Along the way, we are offered a rare glimpse into the social and cultural life of the Mughals.
| Author | : Sunil Sharma |
| Publisher | : |
| Total Pages | : 266 |
| Release | : 2017 |
| Genre | : LITERARY CRITICISM |
| ISBN | : 9780674981249 |
Cover -- Title Page -- Copyright -- Dedication -- Contents -- List of Illustrations -- Introduction: Lingua Persica -- 1. Mughal Persian Literary Culture -- 2. The Mughal Discovery of India -- 3. Celebrating Imperial Cities -- 4. Mughal Arcadia -- Conclusion: Paradise Lost -- Notes -- Glossary of Persian Literary Terms -- Bibliography -- Acknowledgments -- Illustration Credits
| Author | : Rajeev Kinra |
| Publisher | : Univ of California Press |
| Total Pages | : 394 |
| Release | : 2015-09-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0520286464 |
A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Writing Self, Writing Empire examines the life, career, and writings of the Mughal state secretary, or munshi, Chandar Bhan “Brahman” (d. c.1670), one of the great Indo-Persian poets and prose stylists of early modern South Asia. Chandar Bhan’s life spanned the reigns of four different emperors, Akbar (1556-1605), Jahangir (1605-1627), Shah Jahan (1628-1658), and Aurangzeb ‘Alamgir (1658-1707), the last of the “Great Mughals” whose courts dominated the culture and politics of the subcontinent at the height of the empire’s power, territorial reach, and global influence. As a high-caste Hindu who worked for a series of Muslim monarchs and other officials, forming powerful friendships along the way, Chandar Bhan’s experience bears vivid testimony to the pluralistic atmosphere of the Mughal court, particularly during the reign of Shah Jahan, the celebrated builder of the Taj Mahal. But his widely circulated and emulated works also touch on a range of topics central to our understanding of the court’s literary, mystical, administrative, and ethical cultures, while his letters and autobiographical writings provide tantalizing examples of early modern Indo-Persian modes of self-fashioning. Chandar Bhan’s oeuvre is a valuable window onto a crucial, though surprisingly neglected, period of Mughal cultural and political history.
| Author | : Kevin McGrath |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Friendship |
| ISBN | : 9780674073333 |
Heroic Kṛṣṇa depicts a pre-Hindu superhuman hero who became the divinity Krsna. Drawn from the epic Mahābhārata, Kevin McGrath's account of the warrior-charioteer and his friendship with Arjuna explores cultural continuities from the Bronze Age Vedic world and illustrates the pre-divine life of one of the most popular Indian deities of today.
| Author | : Bonnie C. Wade |
| Publisher | : University of Chicago Press |
| Total Pages | : 534 |
| Release | : 1998-07-20 |
| Genre | : Art |
| ISBN | : 9780226868400 |
The rulers of the Mughal Empire of India, who reigned from 1526 to 1858, spared no expense as patrons of the arts, particularly painting and music. They left as their legacy an extraordinarily rich body of commissioned artistic projects including illustrated manuscripts and miniature paintings that represent musical instruments, portraits of musicians, and the compositions of ensembles. These images from the basis of Bonnie C. Wade's study of how musicians of Hindustan encountered and Indianized music from the Persian cultural sphere. Combining ethnomusicological and art historical methods with history and lore, Wade has written a truly interdisciplinary study of cultural life on the Indian subcontinent. Wade focuses first on Akbar, showing how political and cultural agendas intertwined in the portrayal of Mughal court life. She then follows the depictions of music-making through paintings of Akbar's successors, Jahangir and Shah Jahan, to trace the gradual synthesis of Persian and Indian culture. Because music of the period was not notated but was transmitted orally, Wade relies on this wealth of visual evidence to reconstruct the musical life of the Mughals and its relation to the Mughal political agenda. As a major untapped resource, these images suggest new interpretations of the history of the Mughal Empire -- including original ideas about the role of patrons in the production of the arts and, importantly, the role of women in Mughal court life -- that are confirmed and complemented by the written sources of the period. Imaging Sound is a contribution to many fields in its unique combination of sources and methods: it is the study of musical change; of image-making in the pastand the methodological use of images as "texts" in the present; of the role of patronage in the Mughal Empire; and of the development of South Asian culture. In her synthesis of music, literature, art, and culture, Wade deepens our knowledge of the manner in which the orally transmitted tradition of Hindustani music came to be what it is today. The book is beautifully illustrated with more than 180 reproductions of Mughal paintings and manuscripts. These rare images are the basis for a study that is fully immersed both in current intellectual debates and in three centuries of Mughal cultural life.
| Author | : Vidyākara |
| Publisher | : Harvard University Press |
| Total Pages | : 372 |
| Release | : 1968 |
| Genre | : Education |
| ISBN | : 9780674788657 |
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature, and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interested in this multifaceted and elegant tradition.
| Author | : Muzaffar Alam |
| Publisher | : State University of New York Press |
| Total Pages | : 458 |
| Release | : 2021-08-01 |
| Genre | : History |
| ISBN | : 1438484909 |
Based on a critical study of a large number of contemporary Persian texts, court chronicles, epistolary collections, and biographies of sufi mystics, The Mughals and the Sufis examines the complexities in the relationship between Mughal political culture and the two dominant strains of Islam's Sufi traditions in South Asia: one centered around orthodoxy, the other focusing on a more accommodating and mystical spirituality. Muzaffar Alam analyses the interplay of these elements, their negotiation and struggle for resolution via conflict and coordination, and their longer-term outcomes as the empire followed its own political and cultural trajectory as it shifted from the more liberal outlook of Emperor Akbar "The Great" (r. 1556–1605) to the more rigid attitudes of his great-grandson, Aurangzeb 'Alamgir (r. 1658–1701). Alam brings to light many new and underutilized sources relevant to the religious and cultural history of the Mughals and reinterprets well-known sources from a new perspective to provide one of the most detailed and nuanced portraits of Indian Islam under the Mughal Empire available today.
| Author | : Katherine Butler Schofield |
| Publisher | : Cambridge University Press |
| Total Pages | : 345 |
| Release | : 2023-11-23 |
| Genre | : Music |
| ISBN | : 1316517853 |
This is the first history of Indian music and musicians during the transition from Mughal to British rule, c.1748-1858.
| Author | : Ānandavardhana |
| Publisher | : Harvard University Press |
| Total Pages | : 854 |
| Release | : 1990 |
| Genre | : History |
| ISBN | : 9780674202788 |
For nearly a thousand years the brilliant analysis of aesthetic experience set forth in the Locana of Abhinavagupta, India's founding literary critic, has dominated traditional Indian theory on poetics and aesthetics. The Locana, presented here in English translation for the first time, is a commentary on the ninth-century Dhvanyaloka of Anandavardhana, which is itself the pivotal work in the history of Indian poetics. The Dhvanyaloka revolutionized Sanskrit literary theory by proposing that the main goal of good poetry is the evocation of a mood or "flavor" (rasa) and that this process can be explained only by recognizing a semantic power beyond denotation and metaphor, namely, the power of suggestion. On the basis of this analysis the Locana develops a theory of the psychology of aesthetic response. This edition is the first to make the two most influential works of traditional Sanskrit literary and aesthetic theory fully accessible to readers who want to know more about Sanskrit literature. The editorial annotations furnish the most complete exposition available of the history and content of these works. In addition, the verses presented as examples by both authors (offered here in verse translation) form an anthology of some of the finest Sanskrit and Prakrit poetry.
