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Mozart -- First Book for Pianists

Mozart -- First Book for Pianists
Author: Willard A. Palmer
Publisher: Alfred Music Publishing
Total Pages: 28
Release: 2001-10
Genre: Music
ISBN: 9780739022368

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This useful series, edited by Willard A. Palmer and others, features the easiest works of Mozart. All selections are presented in their original, un-simplified form and are organized in progressive order of difficulty. It allows students to begin playing this music from authoritative editions at an early stage in their studies. Pianist Scott Price has beautifully recorded all the pieces in the book, included on Compact Disc. He is the chair of the Piano Department at the University of South Carolina and holds a doctorate in piano performance from the University of Oklahoma. He has given master classes and recitals throughout the United States and Southeast Asia. His recordings are featured in Alfred's Premier Piano Course.


First Book for Pianists

First Book for Pianists
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
Total Pages: 28
Release:
Genre: Music
ISBN: 9781457440380

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Thoroughly researched from original sources, this volume contains 12 works in dance and other traditional keyboard forms. Mozart's easiest works from the early- and mid-compositional periods are included, together with Dr. palmer's discussion of ornamentation, staccato and legato in the composer's music. Editorial suggestions appear in the score in gray print. This is an excellent collection that introduces intermediate pianists to the mature Classical style typified in Mozart's works.


A Natural History of the Piano

A Natural History of the Piano
Author: Stuart Isacoff
Publisher: Vintage
Total Pages: 384
Release: 2011-11-15
Genre: Music
ISBN: 0307701425

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A beautifully illustrated, totally engrossing celebration of the piano, and the composers and performers who have made it their own. With honed sensitivity and unquestioned expertise, Stuart Isacoff—pianist, critic, teacher, and author of Temperament: How Music Became a Battleground for the Great Minds of Western Civilization—unfolds the ongoing history and evolution of the piano and all its myriad wonders: how its very sound provides the basis for emotional expression and individual style, and why it has so powerfully entertained generation upon generation of listeners. He illuminates the groundbreaking music of Mozart, Beethoven, Liszt, Schumann, and Debussy. He analyzes the breathtaking techniques of Glenn Gould, Oscar Peterson, Vladimir Ashkenazy, Arthur Rubinstein, and Van Cliburn, and he gives musicians including Alfred Brendel, Murray Perahia, Menahem Pressler, and Vladimir Horowitz the opportunity to discuss their approaches. Isacoff delineates how classical music and jazz influenced each other as the uniquely American art form progressed from ragtime, novelty, stride, boogie, bebop, and beyond, through Scott Joplin, Fats Waller, Duke Ellington, Bill Evans, Thelonious Monk, Chick Corea, Herbie Hancock, Cecil Taylor, and Bill Charlap. A Natural History of the Piano distills a lifetime of research and passion into one brilliant narrative. We witness Mozart unveiling his monumental concertos in Vienna’s coffeehouses, using a special piano with one keyboard for the hands and another for the feet; European virtuoso Henri Herz entertaining rowdy miners during the California gold rush; Beethoven at his piano, conjuring healing angels to console a grieving mother who had lost her child; Liszt fainting in the arms of a page turner to spark an entire hall into hysterics. Here is the instrument in all its complexity and beauty. We learn of the incredible craftsmanship of a modern Steinway, the peculiarity of specialty pianos built for the Victorian household, the continuing innovation in keyboards including electronic ones. And most of all, we hear the music of the masters, from centuries ago and in our own age, brilliantly evoked and as marvelous as its most recent performance. With this wide-ranging volume, Isacoff gives us a must-have for music lovers, pianists, and the armchair musician.


A First Book of Ragtime

A First Book of Ragtime
Author: David Dutkanicz
Publisher: Courier Corporation
Total Pages: 50
Release: 2012-10-16
Genre: Music
ISBN: 0486171671

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These rollicking, easy-to-play ragtime favorites include "Maple Leaf Rag," "The Entertainer," "Tiger Rag," and other melodies by such favorites as Scott Joplin, James Scott, Joseph Lamb, and Eubie Blake. All songs available as downloadable MP3s.


Chopin -- First Book for Pianists

Chopin -- First Book for Pianists
Author: Willard A. Palmer
Publisher: Alfred Music Publishing
Total Pages: 28
Release: 2001-10
Genre: Music
ISBN: 9780739021743

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The 10 pieces in this book are arranged in approximate order of difficulty and include "Album Leaf," the easiest mazurkas, preludes and more. Each are in their original form and retain the sensitive, expressive character that earned Chopin the title "Poet of the Piano." Derived from "Chopin-An Introduction to His Piano Works," this edition is intended for students in the early grades. Willard Palmer has provided notes on ornamentation, pedaling and fingering. Valery Lloyd-Watts has beautifully recorded all the pieces in the book, included on Compact Disc. Valery Lloyd-Watts studied at the Conservatory of Music in Toronto and the Royal College of Music in London. She earned a Master of Music degree from the University of Wisconsin, where she studied with Paul Badura-Skoda. She co-authored the text Studying Suzuki Piano: More than Music, which was endorsed by Dr. Suzuki.


An Introduction to His Keyboard Works

An Introduction to His Keyboard Works
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
Total Pages: 68
Release:
Genre: Music
ISBN: 9781457444104

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The pieces in this book are arranged roughly in chronological order. They include the best of Mozart's childhood compositions through late works such as the famous "Sonata in C Major," K. 545. Unique features of this volume include an excellent discussion of pianos in Mozart's day, as well as directives on how to improvise ornaments in Classic keyboard music.


Interpreting Mozart

Interpreting Mozart
Author: Eva Badura-Skoda
Publisher: Routledge
Total Pages: 579
Release: 2018-12-07
Genre: Music
ISBN: 1135868506

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Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.


A First Book of Bach

A First Book of Bach
Author: David Dutkanicz
Publisher: Courier Corporation
Total Pages: 50
Release: 2013-01-31
Genre: Music
ISBN: 0486171531

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Students of all ages will delight in these 26 simple piano arrangements of familiar melodies such as Jesu, Joy of Man's Desiring and Wachet Auf, plus other fun-to-play pieces.


A First Book of Blues

A First Book of Blues
Author: David Dutkanicz
Publisher: Courier Corporation
Total Pages: 50
Release: 2011-03-17
Genre: Music
ISBN: 0486481298

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Simplified piano arrangements featuring some of the best-loved blues music of all time.


Mozart's Piano Concertos

Mozart's Piano Concertos
Author: John Irving
Publisher: Routledge
Total Pages: 297
Release: 2017-07-05
Genre: Music
ISBN: 1351557890

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Mozart's piano concertos stand alongside his operas and symphonies as his most frequently performed and best loved music. They have attracted the attention of generations of musicologists who have explored their manifold meanings from a variety of viewpoints. In this study, John Irving brings together the various strands of scholarship surrounding Mozart's concertos including analytical approaches, aspects of performance practice and issues of compositional genesis based on investigation of manuscript and early printed editions. Treating the concertos collectively as a repertoire, rather than as individual works, the first section of the book tackles broad thematic issues such as the role of the piano concerto in Mozart's quasi-freelance life in late eighteenth-century Vienna, the origin of his concertos in earlier traditions of concerto writing; eighteenth-century theoretical frameworks for the understanding of movement forms, subsequent historical shifts in the perception of the concerto's form, listening strategies and performance practices. This is followed by a 'documentary register' which proceeds through all 23 original works, drawing together information on the source materials. Accounts of the concertos' compositional genesis, early performance history and reception are also included here, drawing extensively on the Mozart family correspondence and other contemporary reports. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.