Movies For The Masses PDF Download
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Author | : Denise J. Youngblood |
Publisher | : Cambridge University Press |
Total Pages | : 300 |
Release | : 1992 |
Genre | : History |
ISBN | : 9780521466325 |
Download Movies for the Masses Book in PDF, ePub and Kindle
This book is a pathbreaking study of the 'unknown' Soviet cinema: the popular movies which were central to Soviet film production in the 1920s. Professor Youngblood discusses acting genres, the cinema stars, audiences, and the influences of foreign films and examines three leading filmmakers - Iakov Protazanov, Boris Barnet, and Fridikh Ermler. She also looks at the governmental and industrial circumstances underlying filmmaking practices of the era, and provides an invaluable survey of the contemporary debates concerning official policy on entertainment cinema. Professor Youngblood demonstrates that the film culture of the 1920s was predominantly and aggressively 'bourgeois' and enjoyed patronage that cut across class lines and political allegiance. Thus, she argues, the extent to which Western and pre-revolutionary influences, boureois directors and middle-class tastes dominated the film world is as important as the tradition of revolutionary utopianism in understanding the transformation of Soviet culture in the Stalin revolution.
Author | : Siegfried Kracauer |
Publisher | : Princeton University Press |
Total Pages | : 432 |
Release | : 2019-04-02 |
Genre | : Performing Arts |
ISBN | : 0691191344 |
Download From Caligari to Hitler Book in PDF, ePub and Kindle
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
Author | : Michael Tratner |
Publisher | : |
Total Pages | : 184 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : |
Download Crowd Scenes Book in PDF, ePub and Kindle
The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses-the crowd scenes-in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions
Author | : John Belton |
Publisher | : Rutgers University Press |
Total Pages | : 300 |
Release | : 1996 |
Genre | : Performing Arts |
ISBN | : 9780813522289 |
Download Movies and Mass Culture Book in PDF, ePub and Kindle
On how American identity is shaped by motion pictures
Author | : Michael Tratner |
Publisher | : |
Total Pages | : 161 |
Release | : 2008 |
Genre | : Crowds in motion pictures |
ISBN | : 9780823280780 |
Download Crowd Scenes Book in PDF, ePub and Kindle
The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions.
Author | : Birgit Beumers |
Publisher | : John Wiley & Sons |
Total Pages | : 676 |
Release | : 2016-05-17 |
Genre | : Performing Arts |
ISBN | : 1118424735 |
Download A Companion to Russian Cinema Book in PDF, ePub and Kindle
A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected
Author | : |
Publisher | : |
Total Pages | : 398 |
Release | : 1927 |
Genre | : Communism |
ISBN | : |
Download New Masses Book in PDF, ePub and Kindle
Author | : Peter Kenez |
Publisher | : |
Total Pages | : 252 |
Release | : |
Genre | : Electronic books |
ISBN | : 9780755604616 |
Download Cinema and Soviet Society from the Revolution to the Death of Stalin Book in PDF, ePub and Kindle
In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.
Author | : Louise McReynolds |
Publisher | : Duke University Press |
Total Pages | : 358 |
Release | : 2002-03-29 |
Genre | : Drama |
ISBN | : 9780822327905 |
Download Imitations of Life Book in PDF, ePub and Kindle
DIVUses the under-studied genre of melodrama as a critical prism for understanding Russian/Soviet history, politics and culture--in particular, the uses to which popular culture was put in the Soviet period./div
Author | : Alisha Nangia |
Publisher | : GRIN Verlag |
Total Pages | : 15 |
Release | : 2014-11-18 |
Genre | : Foreign Language Study |
ISBN | : 3656841381 |
Download Who Are the Masses? A Changing Representation of the Masses in Movies Book in PDF, ePub and Kindle
Essay from the year 2011 in the subject Didactics for the subject English - Discussion and Essays, Jawaharlal Nehru University , course: M.A., language: English, abstract: Masses formed a perpetual threat to culture. Mass thinking/ prejudice/ suggestion would threaten to swamp individual thinking and feeling. Mass democracy was seen as majority rule of the mob or mob-rule which was harmful for a society or government. We think masses denote the working classes - therefore the problem with the masses are not the lowness and gullibility but the power to alter society and to change the capitalist economy - and this is why masses are abhorred by rulers and the makers of law and society. The leaders of the capitalist economy will do everything to prevent a Revolution and the working classes do not want their conscience to be awakened but most importantly nobody wants to acknowledge that true power does lie with the people