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| Author | : Charles Harrison |
| Publisher | : Tate Gallery Publishing Limited |
| Total Pages | : 84 |
| Release | : 1997 |
| Genre | : Art, Modern |
| ISBN | : |
Modernism is used generally to convey a faith in progress and a healthy scepticism for received ideas and traditional values. Harrison looks at modernism in order to consider what the defining characteristics of this art form are.
| Author | : David McCarthy |
| Publisher | : Tate |
| Total Pages | : 0 |
| Release | : 2006-01-18 |
| Genre | : Art |
| ISBN | : 9781854373045 |
Examines the development of pop art from its roots to its rise in popularity, and discusses how it was once considered outside the limits of art but is now celebrated in the Western world.
| Author | : James Malpas |
| Publisher | : Tate Gallery Publishing Limited |
| Total Pages | : 92 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : |
A study of the typical chracteristics of twentieth-century realism.
| Author | : Sam Phillips |
| Publisher | : Rizzoli Publications |
| Total Pages | : 162 |
| Release | : 2013-03-19 |
| Genre | : Art |
| ISBN | : 0789324687 |
An engaging and informative guide to all the significant "isms"—schools and movements—that have shaped modern and contemporary art from Impressionism to the present. Following on the heels of the bestselling Isms: Understanding Modern Art comes this handy small-format guide to the history and development of modern art since the Impressionist era. Loaded with reproductions of key artworks and rounded out with a glossary and index of names, this guide is the best single-volume concise introduction to modern art for beginners, as well as an engaging new way of conceptualizing modern art for aficionados and collectors. ...isms: Understanding Modern Art sorts art into a chronological sequence of more than 55 movements and schools, or "isms." Beginning with Impressionism, Neo-Impressionism, and Symbolism, it progresses through all the major and minor art movements of the twentieth century (Fauvism, German Expressionism, Futurism, Dadaism, and Social Realism among others) through the postwar era up to the present. Featuring 110 beautiful full-color reproductions of key artworks illustrating the important concepts of each artistic movement, ...isms: Understanding Modern Art is like a virtual gallery of the finest modern masters. Included are a glossary, a list of principal names (artists, collectors, patrons), a gazetteer, and a chronology, making this the best single-volume guide to modern art for beginners while also offering cognoscenti an intriguing new way of conceptualizing the visual arts of the modern era.
| Author | : Eleanor Heartney |
| Publisher | : Cambridge University Press |
| Total Pages | : 96 |
| Release | : 2001-01-15 |
| Genre | : Art |
| ISBN | : 9780521802956 |
This volume is an introduction to the intellectual movement known as Postmodernism and its impact on the visual arts. In clear, jargon-free language, Eleanor Heartney situates Postmodernism historically, showing how it developed both in reaction to and as a result of some of the fundamental beliefs underlying Modernism, especially its positivist, universalizing aspects. She then analyzes paradigmatic Postmodern works of art by artists such as Cindy Sherman, Sherrie Levine, Jeff Koons and Robert Mapplethorpe. Postmodernism provides a concise and articulate overview of the Postmodern phenomenon. Eleanor Heartney is a contributing editor for Art in America, New Art Examiner, and Art Press. In 1991, she was the recipient of the Frank Jewett Mather Award for Distinction in Art Criticism. Heartney is a board member of the American section of the AICA. She is also the author of Critical Condition: American Culture at the Crossroads (Cambridge, 1997). She lives in New York.
| Author | : Shulamith Behr |
| Publisher | : |
| Total Pages | : 80 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780521782999 |
An accessible introduction to the history of Expressionism.
| Author | : Robert Lumley |
| Publisher | : Tate |
| Total Pages | : 88 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : |
The term Arte Povera was coined in 1967 by the critic Germano Celant to describe a group of Italian artists making work that used the simplest means to create poetic statements based on events of everyday life. Seen as a reaction against the commercialism of the art market and the dominance of American Minimalist and Pop art, the work demonstrated a keen hunger to explore new materials. In this fully illustrated survey, Robert Lumley provides a concise and highly readable interpretation of Arte Povera informed by extensive interviews with the artists themselves.
| Author | : H.H. Arnason |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1982 |
| Genre | : |
| ISBN | : |
| Author | : Brad Finger |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2013-11-25 |
| Genre | : Art |
| ISBN | : 3791348434 |
This accessible book on the Surrealist movement features paintings, drawings, sculptures, photography, film stills, and architecture, displaying the enormous breadth and variety of Surrealism. The Surrealist movement that developed in Europe following the devastation of World War I swept energetically through all kinds of media as artists found expression in an imaginative pictorial language. This introduction to Surrealism shows 50 unique artworks that have lost nothing of their irresistible attraction to this day. Each work is featured on a beautifully illustrated spread. An informative text highlights each work’s classic characteristics, its unusual aspects, and its significance in the Surrealist movement. Including brief biographies of the artists, this book is a beautifully illustrated primer to Surrealism.
| Author | : Hal Foster |
| Publisher | : Verso Books |
| Total Pages | : 239 |
| Release | : 2015-09-29 |
| Genre | : Art |
| ISBN | : 1784781460 |
One of the world’s leading art theorists dissects a quarter century of artistic practice Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror. Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it. Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”
