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| Author | : Katharine Susan Donovan |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 1986 |
| Genre | : |
| ISBN | : |
| Author | : Julia Straub |
| Publisher | : |
| Total Pages | : 28 |
| Release | : 2019-03-27 |
| Genre | : |
| ISBN | : 9783668930520 |
Seminar paper from the year 2017 in the subject English Language and Literature Studies - Comparative Literature, grade: 2,7, University of Constance, course: British and American Studies, language: English, abstract: This work focuses on the question of identity in the novel "Wide Sargasso Sea". Antoinette, the female protagonist of Jean Rhys' novel "Wide Sargasso Sea", is struggling with those questions of her identity all her life. As a Creole girl, who lives in Jamaica during post-colonialism, she finds herself caught between two identities not knowing where she belongs. On the one hand, there is the black community which she knows and grows up with, on the other hand the white community which her mother tries to be a part of and forces Antoinette to fit into as well. This life between two contrasting cultures forces Antoinette into a situation of confusion and doubt which makes her question not only where she belongs but if she belongs at all. It drives her into a crisis which she is not able to escape. Jean Rhys published her novel in 1966. "Wide Sargasso Sea" tells the story of Antoinette Cosway who is also, known under the name of Bertha, a character of Charlotte Brontë's novel "Jane Eyre". In "Wide Sargasso Sea" Rhys is giving Bertha/ Antoinette a story and a reason why she became mad in the first place. The story starts in her childhood and moves on to the marriage to Mr. Rochester. The last part is set when she is already imprisoned by her husband and is setting the house on fire which accords with the story told in "Jane Eyre". For the background of the novel it is important to know that Rhys herself grew up in a situation like Antoinette's. She as well had troubles with identifying herself when she grew up. So Rhys shares part of Antoinette's history which is probably why she was that interested in telling her story which is completely uncared-for by Brontë.
| Author | : Malgorzata Swietlik |
| Publisher | : GRIN Verlag |
| Total Pages | : 37 |
| Release | : 2011-05 |
| Genre | : Feminist literary criticism |
| ISBN | : 3640896203 |
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,00, University of Koblenz-Landau (Anglistik), course: Colonial and Postcolonial Literatures, language: English, abstract: Wide Sargasso Sea is one of the best-known literary postcolonial replies to the writing of Charlotte Bronte and a brilliant deconstruction of what is known as the author's "worlding" in Jane Eyre. The novel written by Jean Rhys tells the story of Jane Eyre's protagonist, Edward Rochester. The plot takes place in West Indies where Rochester met his first wife, Bertha Antoinette Mason. Wide Sargasso Sea influences the common reading and understanding of the matrix novel, as it rewrites crucial parts of Jane Eyre. The heroine in Jean Rhys's Wide Sargasso Sea, Antoinette Cosway, is created out of demonic and bestialic Bertha Mason from Jane Eyre. Rhys's great achievement in her re-writing of the Bronte's text is her creation of a double to the madwoman from Jane Eyre. The heroine of Wide Sargasso Sea, the beautiful Antoinette Cosway, heiress of the post-emancipation fortune is created out of the demonc and bestialic Bertha Mason. The author transforms the first Mrs Rochester into an individual figure whose madness is caused by imperialistic and patriarchal oppression The vision of Bertha/Antoinette as an insane offspring from a family plagued by madness is no longer plausible to the reader. In this essay I would like to focus the factors which led to the madness of the protagonist. Although Bertha Mason and Jane Eyre seem to be enemies and contradictory characters in the Victorian novel, many critics find several similarities between the two heroines, their life and finally between Jane Eyre and Wide Sargasso Sea. Seeing Jane Eyre and Antoinette Cosway as sisters and doubles is very popular with some critics who dealt with the works of Charlotte Bronte and Jean Rhys. Nevertheless, I would like to focus in this essay on Gayatri Chakravort
| Author | : |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 1986 |
| Genre | : Arts |
| ISBN | : |
| Author | : Abigail Heiniger |
| Publisher | : Routledge |
| Total Pages | : 185 |
| Release | : 2016-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1317111303 |
Exploring the literary microcosm inspired by Brontë's debut novel, Jane Eyre's Fairytale Legacy at Home and Abroad focuses on the nationalistic stakes of the mythic and fairytale paradigms that were incorporated into the heroic female bildungsroman tradition. Jane Eyre, Abigail Heiniger argues, is a heroic changeling indebted to the regional, pre-Victorian fairy lore Charlotte Brontë heard and read in Haworth, an influence that Brontë repudiates in her last novel, Villette. While this heroic figure inspired a range of female writers on both sides of the Atlantic, Heiniger suggests that the regional aspects of the changeling were especially attractive to North American writers such as Susan Warner and L.M. Montgomery who responded to Jane Eyre as part of the Cinderella tradition. Heiniger contrasts the reactions of these white women writers with that of Hannah Crafts, whose Jane Eyre-influenced The Bondwoman's Narrative rejects the Cinderella model. Instead, Heiniger shows, Crafts creates a heroic female bildungsroman that critiques fairytale narratives from the viewpoint of the obscure, oppressed workers who remain forever outside the tales of wonder produced for middle-class consumption. Heiniger concludes by demonstrating how Brontë's middle-class American readers projected the self-rise ethic onto Jane Eyre, miring the novel in nineteenth-century narratives of American identity formation.
| Author | : Jean Rhys |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1966 |
| Genre | : British |
| ISBN | : |
The story of the first Mrs Rochester, the mad wife in Charlotte Brontë's Jane Eyre.
| Author | : Jean Rhys |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 196 |
| Release | : 1992 |
| Genre | : Fiction |
| ISBN | : 9780393308808 |
"A considerable tour de force by any standard." ?New York Times Book Review"
| Author | : Dionne Brand |
| Publisher | : University of Alberta |
| Total Pages | : 73 |
| Release | : 2020-01-28 |
| Genre | : Literary Criticism |
| ISBN | : 1772125156 |
The geopolitics of empire had already prepared me for this...coloniality constructs outsides and insides—worlds to be chosen, disturbed, interpreted, and navigated—in order to live something like a real self. Internationally acclaimed poet and novelist Dionne Brand reflects on her early reading of colonial literature and how it makes Black being inanimate. She explores her encounters with colonial, imperialist, and racist tropes; the ways that practices of reading and writing are shaped by those narrative structures; and the challenges of writing a narrative of Black life that attends to its own expression and its own consciousness.
| Author | : Maryse Condé |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1999 |
| Genre | : Caribbean Area |
| ISBN | : 9781569471616 |
A tale of revenge set in the Caribbean, in which the hero gets back at a rich man who stole his love by impregnating her after she becomes the man's wife. The result is tragedy, the woman dying in childbirth. By the author of Black Witch of Salem.
| Author | : Rosario Ferré |
| Publisher | : Open Road Media |
| Total Pages | : 487 |
| Release | : 2014-04-29 |
| Genre | : Fiction |
| ISBN | : 1480481742 |
Finalist for the National Book Award: “A family saga in the manner of Gabriel García Márquez,” set in Puerto Rico, from an extraordinary storyteller (The New York Times Book Review). This riveting, multigenerational epic tells the story of two families and the history of Puerto Rico through the eyes of Isabel Monfort and her husband, Quintín Mendizabal. Isabel attempts to immortalize their now-united families—and, by extension, their homeland—in a book. The tale that unfolds in her writing has layers upon layers, exploring the nature of love, marriage, family, and Puerto Rico itself. Weaving the intimate with the expansive on a teeming stage, Ferré crafts a revealing self-portrait of a man and a woman, two fiercely independent people searching for meaning and identity. As Isabel declares: “Nothing is true, nothing is false, everything is the color of the glass you’re looking through.” A book about freeing oneself from societal and cultural constraints, The House on the Lagoon also grapples with bigger issues of life, death, poverty, and racism. Mythological in its breadth and scope, this is a masterwork from an extraordinary storyteller.
