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More Blues Singers

More Blues Singers
Author: David Dicaire
Publisher: McFarland
Total Pages: 297
Release: 2015-11-05
Genre: Music
ISBN: 0786462426

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The first book by David Dicaire, Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century, (McFarland, 1999), included pioneers, innovators, superstars, and cult heroes of blues music born before 1940. This second work covers those born after 1940 who have continued the tradition. This work has five sections, each with its own introduction. The first, Modern Acoustic Blues, covers artists that are major players on the acoustic blues scene of recent time, such as John Hammond, Jr. The second, Contemporary Chicago Blues, features artists of amplified, citified, gritty blues (Paul Butterfield and Melvin Taylor, among others). Section three, Modern American Electric Blues, includes some Texas blues singers such as Stevie Ray Vaughan and Jimmie Vaughan and examines how the blues have spread throughout the United States. Contemporary Blues Women are in section four. Section five, Blues Around the World, covers artists from four different continents and twelve different countries. Each entry provides biographical and critical information on the artist, and a complete discography. A bibliography and supplemental discographies are also provided.


The Blues Singers: Ten Who Rocked the World

The Blues Singers: Ten Who Rocked the World
Author: Julius Lester
Publisher: Jump At The Sun
Total Pages: 56
Release: 2001-05
Genre: Biography & Autobiography
ISBN:

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Highlights the careers of Bessie Smith, Robert Johnson, Mahalia Jackson, Muddy Waters, Billie Holiday, B.B. King, Ray Charles, Little Richard, James Brown, and Aretha Franklin.


I Ain't Studdin' Ya

I Ain't Studdin' Ya
Author: Bobby Rush
Publisher: Hachette UK
Total Pages: 327
Release: 2021-06-22
Genre: Biography & Autobiography
ISBN: 0306874792

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Experience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including "Sue" and "I Ain't Studdin' Ya." And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title "King of the Chitlin' Circuit," from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.


The Blues is a Feeling

The Blues is a Feeling
Author: James Fraher
Publisher: Bogfire Inc.
Total Pages: 168
Release: 1998
Genre: Biography & Autobiography
ISBN:

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This tribute to the blues combines photographs and interviews to show the very heart and soul of the people who make the music. Buddy Guy, John Lee Hooker, Koko Taylor, Jimmy Dawkins, and Sunnyland Slim are among the artists who share their feelings about the music they make and offer insight into the evolution of the blues artist. From the hard-earned wrinkles of their faces and their broad, easy smiles to the poetry of their words, The Blues is a Feeling captures the richness of these artists' lives.


The Blues: A Very Short Introduction

The Blues: A Very Short Introduction
Author: Elijah Wald
Publisher: Oxford University Press
Total Pages: 154
Release: 2010-08-03
Genre: Music
ISBN: 0199752877

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Praised as "suave, soulful, ebullient" (Tom Waits) and "a meticulous researcher, a graceful writer, and a committed contrarian" (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.


Whose Blues?

Whose Blues?
Author: Adam Gussow
Publisher: UNC Press Books
Total Pages: 333
Release: 2020-09-28
Genre: Music
ISBN: 1469660377

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Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.


Escaping the Delta

Escaping the Delta
Author: Elijah Wald
Publisher: Harper Collins
Total Pages: 510
Release: 2012-04-24
Genre: Biography & Autobiography
ISBN: 0062018442

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The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America's deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history. Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside -- not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today's loyal blues fans.


The Original Blues

The Original Blues
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
Total Pages: 866
Release: 2017-02-27
Genre: Music
ISBN: 1496810031

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Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.


Children of the Blues

Children of the Blues
Author: Art Tipaldi
Publisher: Hal Leonard Corporation
Total Pages: 342
Release: 2002-01-01
Genre: Music
ISBN: 9781617749933

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(Book). This book offers first-person recollections from a new generation of artists who applied the musical and life lessons of the fathers of the blues, stoking the 1960s blues revival that continues today. It focuses on 49 current musicians who preserve traditional blues forms while infusing them with fresh voices and lessons. Artists covered include: Rory Block * Taj Mahal * Robert Cray * Junior Watson * Charlie Musselwhite * Stevie Ray Vaughan * Marcia Ball * Duke Robillard * Bob Margolin * Tommy Shannon * Keb' Mo' * and many more.


Ma Rainey and the Classic Blues Singers

Ma Rainey and the Classic Blues Singers
Author: Derrick Stewart-Baxter
Publisher:
Total Pages: 120
Release: 1970
Genre: Biography & Autobiography
ISBN:

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