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Monumentality and the Roman Empire

Monumentality and the Roman Empire
Author: Edmund Thomas
Publisher: OUP Oxford
Total Pages: 406
Release: 2007-11-16
Genre: Architecture
ISBN: 0191558435

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The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.


Monumentality and the Roman Empire

Monumentality and the Roman Empire
Author: Edmund Thomas
Publisher: Oxford University Press
Total Pages: 405
Release: 2007-11-15
Genre: Architecture
ISBN: 0199288631

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'Monumentality and the Roman Age' presents a study of the concept of monumentality in classical antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities.


Monumentality in Etruscan and Early Roman Architecture

Monumentality in Etruscan and Early Roman Architecture
Author: Michael L. Thomas
Publisher: University of Texas Press
Total Pages: 201
Release: 2012-11-01
Genre: Social Science
ISBN: 0292749821

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Every society builds, and many, if not all, utilize architectural structures as markers to define place, patron, or experience. Often we consider these architectural markers as “monuments” or “monumental” buildings. Ancient Rome, in particular, is a society recognized for the monumentality of its buildings. While few would deny that the term “monumental” is appropriate for ancient Roman architecture, the nature of this characterization and its development in pre-Roman Italy is rarely considered carefully. What is “monumental” about Etruscan and early Roman architecture? Delving into the crucial period before the zenith of Imperial Roman building, Monumentality in Etruscan and Early Roman Architecture addresses such questions as, “What factors drove the emergence of scale as a defining element of ancient Italian architecture?” and “How did monumentality arise as a key feature of Roman architecture?” Contributors Elizabeth Colantoni, Anthony Tuck, Nancy A. Winter, P. Gregory Warden, John N. Hopkins, Penelope J. E. Davies, and Ingrid Edlund-Berry reflect on the ways in which ancient Etruscans and Romans utilized the concepts of commemoration, durability, and visibility to achieve monumentality. The editors’ preface and introduction underscore the notion of architectural evolution toward monumentality as being connected to the changing social and political strategies of the ruling elites. By also considering technical components, this collection emphasizes the development and the ideological significance of Etruscan and early Roman monumentality from a variety of viewpoints and disciplines. The result is a broad range of interpretations celebrating both ancient and modern perspectives.


A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 2 Volume Set

A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 2 Volume Set
Author: Georgia L. Irby
Publisher: John Wiley & Sons
Total Pages: 1111
Release: 2019-12-05
Genre: History
ISBN: 1119100704

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A Companion to Science, Technology, and Medicine in Ancient Greece and Rome brings a fresh perspective to the study of these disciplines in the ancient world, with 60 chapters examining these topics from a variety of critical and technical perspectives. Brings a fresh perspective to the study of science, technology, and medicine in the ancient world, with 60 chapters examining these topics from a variety of critical and technical perspectives Begins coverage in 600 BCE and includes sections on the later Roman Empire and beyond, featuring discussion of the transmission and reception of these ideas into the Renaissance Investigates key disciplines, concepts, and movements in ancient science, technology, and medicine within the historical, cultural, and philosophical contexts of Greek and Roman society Organizes its content in two halves: the first focuses on mathematical and natural sciences; the second focuses on cultural applications and interdisciplinary themes 2 Volumes


Roman Imperialism and Civic Patronage

Roman Imperialism and Civic Patronage
Author: Brenda Longfellow
Publisher: Cambridge University Press
Total Pages: 293
Release: 2011
Genre: Architecture
ISBN: 0521194938

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In this book, Brenda Longfellow examines one of the features of Roman Imperial cities, the monumental civic fountain. Built in cities throughout the Roman Empire during the first through third centuries AD, these fountains were imposing in size, frequently adorned with grand sculptures, and often placed in highly trafficked areas. Over twenty-five of these urban complexes can be associated with emperors. Dr. Longfellow situates each of these examples within its urban environment and investigates the edifice as a product of an individual patron and a particular historical and geographical context. She also considers the role of civic patronage in fostering a dialogue between imperial and provincial elites with the local urban environment. Tracing the development of the genre across the empire, she illuminates the motives and ideologies of imperial and local benefactors in Rome and the provinces and explores the complex interplay of imperial power, patronage, and the local urban environment.


Monumental Transformations

Monumental Transformations
Author: Guendalina Ajello Mahler
Publisher: Harvey Miller
Total Pages: 350
Release: 2016-11-30
Genre: Architecture
ISBN: 9781909400542

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This book is an exploration of the layers of Rome: the accumulations of centuries of habitation that make the city a fascinating and sometimes confounding palimpsest. This architectural coexistence is perhaps most nakedly on display at the sites of the ancient theaters of Marcellus and Pompey. Here ancient, medieval, early modern and contemporary elements are interwoven in a way that produced some of the strangest buildings in Rome. Drawing on archival sources, pictorial records and physical evidence, this book untangles the rich history and fabric of these buildings. It starts to trace their evolution from the fall of the Roman empire, when the city's public monuments were taken over by private owners and the theaters were first used as simple shelters. It follows the theaters as they were taken over by powerful Roman families in the middle ages, and transformed into fortresses which dominated the urban landscape. And it examines the structures' continued evolution, as defensive needs were replaced by the desire for more elaborate living spaces, and eventually the requirements of the formal aristocratic palace. This last transformation posed the greatest challenge for the buildings and the families that inhabited them. The Tuscan palace was a highly desirable model but in many ways was incompatible with the massive, radial theater remains. The choices made by the owners in response to this problem are in many ways surprising, and shed light on overlooked aspects of patronage and palace-building. Eschewing badly needed formal improvements, the families focused primarily on enhencing the experiential aspects of their palaces. Their approach shared by some of their contemporaries, pointing to a plurality of practices in the conception of the palace. This book offers an alternative perspective on Rome's ancient remains: a material history which enriches our understanding of Rome and its antiquities, and illuminates aspects of baronial patronage, social identity, and even the palace itself.


Historic and Monumental Rome

Historic and Monumental Rome
Author: Charles Isidore Hemans
Publisher: London ; Edinburgh : Williams and Norgate
Total Pages: 740
Release: 1874
Genre: Rome
ISBN:

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Great Waterworks in Roman Greece

Great Waterworks in Roman Greece
Author: Georgia A. Aristodemou
Publisher: Archaeopress Publishing Ltd
Total Pages: 264
Release: 2018-02-28
Genre: History
ISBN: 1784917656

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This volume is the first presentation of large scale waterworks in the Greek provinces of the Roman Empire. As a collective work, it brings together a wide body of experts from the newly emerged and expanding field of water technology and water archaeology in Roman Greece, and it fills an essential gap in archaeological research.


The Cambridge Companion to the Age of Nero

The Cambridge Companion to the Age of Nero
Author: Shadi Bartsch
Publisher: Cambridge University Press
Total Pages: 423
Release: 2017-11-09
Genre: Art
ISBN: 1107052203

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A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.


The Roman Pantheon

The Roman Pantheon
Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
Total Pages: 52
Release: 2015-07-16
Genre:
ISBN: 9781515095415

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*Includes pictures *Includes historic descriptions of the Pantheon over the last two millennia *Profiles theories regarding the construction and purpose of the Pantheon *Includes online resources, footnotes, and a bibliography for further reading *Includes a table of contents "Of the whole mighty fabric of his productions, more lasting than himself, whereby man establishes the identity of his species in all ages, there is none more principal stone than the Pantheon of Rome." - R.H. Busk, 19th century Pantheon scholar From as early as the 3rd century BCE, the Romans were prodigious monument builders, so much so that the memory of the great Roman Republic and the Roman Empire continues to exist within a cityscape of stone. Rome's public spaces were filled with statues, arches, temples, and many other varieties of monumental images, and each of these structures had its own civic or religious function. At the same time, most were embedded with stories, messages, and symbolism so that they also tended to function as propaganda. These monuments allowed the leading citizens of Rome, especially its emperors, to sculpt their own self-image and embed themselves and their most memorable deeds into the very structure of the Roman city. As the most completely preserved building of the Imperial Roman capital, the Pantheon represents the peak of Imperial monument building at Rome. It is no coincidence that the Pantheon was built during the zenith of the Roman empire's power and wealth; as with most civilizations, this period of exceptional commercial and political activity was symbolized by large-scale building. In this respect, the Pantheon is a visual symbol of the greatness of the Roman Empire, and as such, it captivates all who have been privileged enough to behold it. Michelangelo declared the building to be of "angelic and not human design," while Goethe claimed to be "overwhelmed with admiration" for the structure. While the sublime nature of the Pantheon's design has always been readily apparent, no one has ever been able to figure out exactly what the structure was supposed to mean or even how it was built. Stepping into the Pantheon's soaring, curved interior is itself enough to make anyone feel insignificant by comparison, and this feeling is only reinforced by the elusiveness of its meaning and design. In a sense, however, the fact that the Pantheon seems doomed to be forever shrouded in mystery only serves to enhance its captivating beauty. The Roman Pantheon: The History and Legacy of Rome's Famous Landmark chronicles the construction of the Pantheon and its long history as one of Rome's best preserved sites. Along with pictures of important people, places, and events, you will learn about the Pantheon like never before, in no time at all.