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Monsters and Monstrosity in Media: Reflections on Vulnerability

Monsters and Monstrosity in Media: Reflections on Vulnerability
Author: Yeojin Kim
Publisher: Vernon Press
Total Pages: 217
Release: 2024-04-16
Genre: Social Science
ISBN: 1648898629

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As monstrous bodies on-screen signal a wide range of subversive destabilization of the notions of identity and community, this anthology asks what meanings monsters and monstrosity convey in relation to our recent circumstances shaped by neoliberalism and the pandemic that have led to the intensified tightening of border controls by nation-states, the intensive categorization of (un)identifiable bodies, and subsequent forms of isolations and detachments imposed by social distancing and the rapid transition of sociality from reality to virtual reality. Presenting various thinkings along the lines of the body and its representations as cultural text, together with popular or recent media productions showing various bodies deemed to be monstrous as they either cross conventionally held borders or stay in liminal spaces such as between human-animal, human-machine, virtual bodies-corporeal flesh, living-death, and other permeable borders, this volume looks into the on-screen constructions of the monster and monstrosity not only as they represent notions of difference, perceived (non)belongings, and disruptions of traditional identity markers, but also as they either conceal various vulnerabilities or implicitly endorse violence towards the labeled Other.


All Around Monstrous: Monster Media in Their Historical Contexts

All Around Monstrous: Monster Media in Their Historical Contexts
Author: Verena Bernardi
Publisher: Vernon Press
Total Pages: 298
Release: 2019-10-31
Genre: Social Science
ISBN: 1622737946

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We know all kinds of monsters. Vampires who suck human blood, werewolves who harass tourists in London or Paris, zombies who long to feast on our brains, or Godzilla, who is famous in and outside of Japan for destroying whole cities at once. Regardless of their monstrosity, all of these creatures are figments of the human mind and as real as they may seem, monsters are and always have been constructed by human beings. In other words, they are imagined. How they are imagined, however, depends on many different aspects and changes throughout history. The present volume provides an insight into the construction of monstrosity in different kinds of media, including literature, film, and TV series. It will show how and by whom monsters are really created, how time changes the perception of monsters and what characterizes specific monstrosities in their specific historical contexts. The book will provide valuable insights for scholars in different fields, whose interest focuses on either media studies or history.


Monsters, Monstrosities, and the Monstrous in Culture and Society

Monsters, Monstrosities, and the Monstrous in Culture and Society
Author: Diego Compagna
Publisher: Vernon Press
Total Pages: 426
Release: 2020-01-28
Genre: Social Science
ISBN: 1622738934

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Existing research on monsters acknowledges the deep impact monsters have especially on Politics, Gender, Life Sciences, Aesthetics and Philosophy. From Sigmund Freud’s essay ‘The Uncanny’ to Scott Poole’s ‘Monsters in America’, previous studies offer detailed insights about uncanny and immoral monsters. However, our anthology wants to overcome these restrictions by bringing together multidisciplinary authors with very different approaches to monsters and setting up variety and increasing diversification of thought as ‘guiding patterns’. Existing research hints that monsters are embedded in social and scientific exclusionary relationships but very seldom copes with them in detail. Erving Goffman’s doesn’t explicitly talk about monsters in his book ‘Stigma’, but his study is an exceptional case which shows that monsters are stigmatized by society because of their deviations from norms, but they can form groups with fellow monsters and develop techniques for handling their stigma. Our book is to be understood as a complement and a ‘further development’ of previous studies: The essays of our anthology pay attention to mechanisms of inequality and exclusion concerning specific historical and present monsters, based on their research materials within their specific frameworks, in order to ‘create’ engaging, constructive, critical and diverse approaches to monsters, even utopian visions of a future of societies shared by monsters. Our book proposes the usual view, that humans look in a horrified way at monsters, but adds that monsters can look in a critical and even likewise frightened way at the very societies which stigmatize them.


Monster theory [electronic resource]

Monster theory [electronic resource]
Author: Jeffrey Jerome Cohen
Publisher: U of Minnesota Press
Total Pages: 331
Release: 1996-11-15
Genre: Literary Criticism
ISBN: 1452900558

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The contributors to Monster Theory consider beasts, demons, freaks and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition.


Monsters and the Monstrous

Monsters and the Monstrous
Author: Niall Scott
Publisher: Rodopi
Total Pages: 238
Release: 2007
Genre: Art
ISBN: 9042022531

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Emerging from depths comes a series of papers dealing with one of the most significant creations that reflects on and critiques human existence. Both a warning and a demonstration, the monster as myth and metaphor provides an articulation of human imagination that toys with the permissible and impermissible. Monsters from zombies to cuddly cartoon characters, emerging from sewers, from pages of literature, propaganda posters, movies and heavy metal, all are covered in this challenging, scholarly collection. This volume the third in the series presents a marvellous collection of studies on the metaphor of the monster in literature, cinema, music, culture, philosophy, history and politics. Both historical reflection and concerns of our time are addressed with clarity and written in an accessible manner providing appeal for the scholar and lay reader alike. This eclectic collection will be of interest to academics and students working in a range of disciplines, such as cultural studies, film studies, political theory, philosophy and literature studies.


Monsters and Monstrosity in Augustan Poetry

Monsters and Monstrosity in Augustan Poetry
Author: Dunstan Lowe
Publisher: University of Michigan Press
Total Pages: 285
Release: 2015-04-10
Genre: Literary Criticism
ISBN: 0472119516

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An important contribution to the growing interdisciplinary field of monster studies


Monsters and Monstrosity in 21st-Century Film and Television

Monsters and Monstrosity in 21st-Century Film and Television
Author: Cristina Artenie
Publisher:
Total Pages: 240
Release: 2017-02
Genre: Performing Arts
ISBN: 9780995029187

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Discussions and dissections of monsters across multiple media and geographical origins. Contributors tackle resurrections of previous series and the rebirth of some of the older monsters like the vampire and the zombie, which have recently been reinterpreted and reinvented for modern audiences.


Monstrous Youth

Monstrous Youth
Author: Sara Austin
Publisher:
Total Pages: 194
Release: 2022-05-12
Genre:
ISBN: 9780814258347

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Traces depictions of monstrosity in children's media from the 1950s to the present to show its evolving role in shaping discourses of identity and difference in popular culture.


Monstrous Women in Comics

Monstrous Women in Comics
Author: Samantha Langsdale
Publisher: Univ. Press of Mississippi
Total Pages: 286
Release: 2020-04-20
Genre: Literary Criticism
ISBN: 1496827643

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Contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang Monsters seem to be everywhere these days, in popular shows on television, in award-winning novels, and again and again in Hollywood blockbusters. They are figures that lurk in the margins and so, by contrast, help to illuminate the center—the embodiment of abnormality that summons the definition of normalcy by virtue of everything they are not. Samantha Langsdale and Elizabeth Rae Coody’s edited volume explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. To analyze monstrous women is not only to examine comics, but also to witness how those constructions correspond to women’s real material experiences. Each section takes a critical look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. Featured are essays on such comics as Faith, Monstress, Bitch Planet, and Batgirl and such characters as Harley Quinn and Wonder Woman. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.


Monstrosity

Monstrosity
Author: Alexa Wright
Publisher: Bloomsbury Publishing
Total Pages: 124
Release: 2013-06-30
Genre: Art
ISBN: 0857733354

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From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisation of 'real', human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and represent what is monstrous? This book investigates the appearance of the human monster in Western culture, both historically and in our contemporary society. It argues that images of real (rather than fictional) human monsters help us both to identify and to interrogate what constitutes normality; we construct what is acceptable in humanity by depicting what is not quite acceptable. By exploring theories and examples of abnormality, freakishness, madness, otherness and identification, Alexa Wright demonstrates how monstrosity and the monster are social and cultural constructs. However, it soon becomes clear that the social function of the monster – however altered a form it takes – remains constant; it is societal self-defence allowing us to keep perceived monstrosity at a distance. Through engaging with the work of Michel Foucault, Julia Kristeva and Canguilhem (to name but a few) Wright scrutinises and critiques the history of a mode of thinking. She reassesses and explodes conventional concepts of identity, obscuring the boundaries between what is 'normal' and what is not.