Mondo 2000
Author | : R. U. Sirius |
Publisher | : Harper Perennial |
Total Pages | : 324 |
Release | : 1992 |
Genre | : Computers |
ISBN | : |
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Annotated selections from past issues of MONDO 2000.
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Author | : R. U. Sirius |
Publisher | : Harper Perennial |
Total Pages | : 324 |
Release | : 1992 |
Genre | : Computers |
ISBN | : |
Annotated selections from past issues of MONDO 2000.
Author | : |
Publisher | : |
Total Pages | : 260 |
Release | : 1997 |
Genre | : Cybernetics |
ISBN | : |
Author | : Kathy Kennedy Tapp |
Publisher | : Mondo Publishing |
Total Pages | : 68 |
Release | : 2000 |
Genre | : Juvenile Fiction |
ISBN | : 9781572557741 |
When his mother has car trouble, Zach is afraid that he will be stranded at his grandfather's new apartment with his younger brother, instead of going to his friend's sleepover birthday party.
Author | : Takayuki Tatsumi |
Publisher | : MDPI |
Total Pages | : 122 |
Release | : 2019-08-20 |
Genre | : Social Science |
ISBN | : 3039214217 |
Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film Blade Runner (1982) that preceded Gibson’s Neuromancer (1984) keeps revolutionizing the art of visuality, even in the age of the Anthropocene. If you read Lunning’s essay along with Lidia Meras’s “European Cyberpunk Cinema,” which closely analyzes major European cyberpunkish dystopian films Renaissance (2006) and Metropia (2009) and Elana Gomel’s “Recycled Dystopias: Cyberpunk and the End of History,” your understanding of the cinematic and post-utopian possibility of cyberpunk will become more comprehensive. For a cutting-edge critique of cyberpunk manga, let me recommend Martin de la Iglesia’s “Has Akira Always Been a Cyberpunk Comic?” which radically redefines the status of Akira (1982–1993) as trans-generic, paying attention to the genre consciousness of the contemporary readers of its Euro-American editions. Next, Denis Taillandier’s “New Spaces for Old Motifs? The Virtual Worlds of Japanese Cyberpunk” interprets the significance of Japanese hardcore cyberpunk novels such as Goro Masaki’s Venus City (1995) and Hirotaka Tobi’s Grandes Vacances (2002; translated as The Thousand Year Beach, 2018) and Ragged Girl (2006), paying special attention to how the authors created their virtual landscape in a Japanese way. For a full discussion of William Gibson’s works, please read Janine Tobek and Donald Jellerson’s “Caring About the Past, Present, and Future in William Gibson’s Pattern Recognition and Guerilla Games’ Horizon: Zero Dawn” along with my own “Transpacific Cyberpunk: Transgeneric Interactions between Prose, Cinema, and Manga”. The former reconsiders the first novel of Gibson’s new trilogy in the 21st century not as realistic but as participatory, whereas the latter relocates Gibson’s essence not in cyberspace but in a junkyard, making the most of his post-Dada/Surrealistic aesthetics and “Lo-Tek” way of life, as is clear in the 1990s “Bridge” trilogy.
Author | : Jonathan Jones |
Publisher | : |
Total Pages | : 117 |
Release | : 2018-11-26 |
Genre | : |
ISBN | : 9781980719403 |
A thousand years ago, mankind thought the greatest thing technology would ever achieve would be crafting a stronger sword or a larger building. Flying? Mind reading? Virtual universes? These things were reserved for Gods and Heavens. But now, with the 'singularity' only twenty years away, it has become clear that technology has no limits. And with science fiction becoming science fact and the miraculous becoming the mundane, perhaps the time has come to apply a new, scientific interpretation to events that we have always thought of as 'supernatural'. Even the possibility of our afterlife itself.Which is why this book dares to ask the taboo question, "What if the light at the end of that tunnel... is a technologically advanced future?"'Technological Resurrection: A Thought Experiment' explores these questions and more as it gives us all a glimpse into our wild, new future, with insight, humor, and a dash of hope. Written by Jonathan A. Jones, author of 'Gods of the Singularity' and 'DoomsdAI'
Author | : Patrick McCabe |
Publisher | : Harper Collins |
Total Pages | : 260 |
Release | : 2010-11-16 |
Genre | : Fiction |
ISBN | : 0062029266 |
Patrick McCabe has long been recognized as a writer of rare talent and unique voice, whose vision of the world is so distinctive that "McCabesque" has become an adjective with multiple meanings, including "exquisitely, beautifully, mad in the head!" He was a Booker Prize finalist for The Butcher Boy, which won the Irish Times Aer Lingus/Irish Literature Prize for Fiction and was made into a motion picture directed by Neil Jordan and cowritten by McCabe and Jordan. He was again a Booker Prize finalist for Breakfast on Pluto, which won the Spirit of Life Arts/Sunday Independent Irish Literature Award and was a number one international bestseller. McCabe has been described as "the lodestone of new Irish fiction" (Wall Street Journal), "a dark. genius of incongruity and the grotesque" (Sunday Observer) and "one of Ireland's finest living writers" (New York Times Book Review). The Minneapolis Star-Tribune commented on McCabe's "remarkable...ability to induce compassion for the unlikeliest people," and in Mondo Desperado: A Serial Novel, that ability and the full range of his "grotesque genius" (Marie Claire) combine to produce a brilliant, macabre' dementedly funny and surreally imagined fiction of intertwined narratives set in a small Irish town. McCabe himself has described Mondo Desperado as being "like Sherwood Anderson's Winesburg, Ohio -- on drugs." In his mondo tales of the insular town of Barntrosna, McCabe assembles a distinctly Irish crew of odd and unusual inhabitants who live on and regularly cross, often unconsciously, the border between fantasy and reality. In "Hot Nights at the Go-Go Lounge," Larry Bunyan is certain his demure wife is secretly out at night with deadbeat swingers, shooting drugs and having wild sex, while in "I Ordained the Devil," the Bishop of Barntrosna confesses that his ordination of Father Packie Cooley was really an ordination of His Satanic Majesty. Another Barntrosna resident, Dr. John Joe Parkes, discovers "The Valley of the Flying Jennets," the secret place in the mountains created by his Dr. Frankenstein -- type medical ancestor where his horrible, mutated genetic failures live. In the concluding "Forbidden Love of Noreen Tiernan," Noreen escapes Barntrosna, goes to London for nursing school, finds a lesbian lover, and teams up with her to rob and terrorize London until her mother, boyfriend and parish priest bring Noreen back home. With sly wit, characteristic, brilliant blending of sadness and humor and macabre genius, Mondo Desperado is a wonderfully imagined work of fiction -- McCabe's most dazzling yet -- rom a truly original literary talent.
Author | : John Fousek |
Publisher | : Univ of North Carolina Press |
Total Pages | : 274 |
Release | : 2003-06-20 |
Genre | : Political Science |
ISBN | : 0807860670 |
In this cultural history of the origins of the Cold War, John Fousek argues boldly that American nationalism provided the ideological glue for the broad public consensus that supported U.S. foreign policy in the Cold War era. From the late 1940s through the late 1980s, the United States waged cold war against the Soviet Union not primarily in the name of capitalism or Western civilization--neither of which would have united the American people behind the cause--but in the name of America. Through close readings of sources that range from presidential speeches and popular magazines to labor union debates and the African American press, Fousek shows how traditional nationalist ideas about national greatness, providential mission, and manifest destiny influenced postwar public culture and shaped U.S. foreign policy discourse during the crucial period from the end of World War II to the beginning of the Korean War. Ultimately, he says, in the atmosphere created by apparently unceasing international crises, Americans rallied around the flag, eventually coming to equate national loyalty with global anticommunism and an interventionist foreign policy.
Author | : Mark Dery |
Publisher | : Duke University Press |
Total Pages | : 360 |
Release | : 1994 |
Genre | : Computers |
ISBN | : 9780822315407 |
Essays on electronic communication, cyberpunk culture, and rants and flames in cyberspace consider subjects such as the magazine Mondo 2000, the typewriter, virtual reality, feminism, comics, and erotica for cybernauts. Includes blurry b&w photos and illustrations, and an interviews with science fictions writers Samuel R. Delaney, Greg Tate, and Tricia Rose. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR.
Author | : Pete Tombs |
Publisher | : Macmillan |
Total Pages | : 203 |
Release | : 1998-04-15 |
Genre | : Biography & Autobiography |
ISBN | : 0312187483 |
The author of "Immoral Tales" now brings readers into the exotic, erotic, and eccentric international film scene. Fully illustrated, this book includes an Indian song-and-dance version of "Dracula"; Turkish version of "Star Trek" and "Superman"; China's "hopping vampire" films, and much more. 332 illustrations. of color photos.
Author | : Douglas Rushkoff |
Publisher | : Penguin |
Total Pages | : 306 |
Release | : 2014-02-25 |
Genre | : Technology & Engineering |
ISBN | : 1617230103 |
People spent the twentieth century obsessed with the future. We created technologies that would help connect us faster, gather news, map the planet, and compile knowledge. We strove for an instantaneous network where time and space could be compressed. Well, the future's arrived. We live in a continuous now enabled by Twitter, email, and a so-called real-time technological shift. Yet this "now" is an elusive goal that we can never quite reach. And the dissonance between our digital selves and our analog bodies has thrown us into a new state of anxiety: present shock.