Moments of Vision & Other Essays
Author | : Kenneth Clark |
Publisher | : HarperCollins Publishers |
Total Pages | : 210 |
Release | : 1981 |
Genre | : Art |
ISBN | : |
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Author | : Kenneth Clark |
Publisher | : HarperCollins Publishers |
Total Pages | : 210 |
Release | : 1981 |
Genre | : Art |
ISBN | : |
Author | : Martin Jay |
Publisher | : Univ of California Press |
Total Pages | : 652 |
Release | : 1993 |
Genre | : Philosophy |
ISBN | : 9780520088856 |
Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty. His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.
Author | : Virginia Woolf |
Publisher | : DigiCat |
Total Pages | : 131 |
Release | : 2023-12-24 |
Genre | : Literary Collections |
ISBN | : |
A selection of twenty-nine essays. "[Woolf's] essays...are lighter and easier than her fiction, and they exude information and pleasure.... Everything she writes about novelists, like everything she writes about women, is fascinating.... Her well-stocked, academic, masculine mind is the ideal flint for the steel of her uncanny intuitions to strike on" (Cyril Connolly, New Yorker). Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction."
Author | : Virginia Woolf |
Publisher | : |
Total Pages | : 258 |
Release | : 1948 |
Genre | : English essays |
ISBN | : |
Author | : George Orwell |
Publisher | : Renard Press Ltd |
Total Pages | : 15 |
Release | : 2021-01-01 |
Genre | : Literary Collections |
ISBN | : 1913724263 |
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author | : Claudia Olk |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 212 |
Release | : 2014-08-19 |
Genre | : Literary Criticism |
ISBN | : 3110340232 |
The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.
Author | : Birgit Neuhold |
Publisher | : Peter Lang |
Total Pages | : 228 |
Release | : 2009 |
Genre | : Epiphanies in literature |
ISBN | : 9783631596852 |
Originally presented as the author's thesis (doctoral)--Fernuniversiteat Hagen, 2008.
Author | : Graham Hough |
Publisher | : CUP Archive |
Total Pages | : 260 |
Release | : 1978-07-27 |
Genre | : Literary Collections |
ISBN | : 9780521219013 |
This volume of essays, written at various stages of Professor Hough's career, is a distinguished and wide-ranging collection of literary studies.
Author | : Emma Simone |
Publisher | : Edinburgh University Press |
Total Pages | : 264 |
Release | : 2017-04-19 |
Genre | : Literary Criticism |
ISBN | : 1474421695 |
Breaking fresh ground in Woolfian scholarship, this study presents a timely and compelling interpretation of Virginia Woolf's textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf's novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual's connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual's relationship to and with the world.
Author | : Harold Bloom |
Publisher | : Infobase Publishing |
Total Pages | : 309 |
Release | : 2006 |
Genre | : |
ISBN | : 0791081184 |
Ralph Waldo Emerson (1803-1882) was the most influential American writer of the nineteenth century. Poets such as Walt Whitman, Emily Dickinson, Robert Frost, and Wallace Stevens descend from Emerson, as do thinkers such as John Dewey and William James. This volume of critical interpretations focuses on Emerson's Essays: First Series (1841) and Essays: Second Series (1844), which encompass some of his most important works-"History," "Self-Reliance," "Circles," "The Poet," and "Experience" among others. These essays exemplify Emerson's distinctively rich prose and his radical affirmation of the strength of the individual. The analyses and appreciations collected here place Emerson's essays in the context of literary and intellectual history, grapple with the implications of his epigrams and tropes, and link his shifts of perspective and tone to the changes in Emerson's life. Together they illuminate the complexity and scope of the seminal works of America's most influential writer and thinker. Book jacket.