Modulor 2 1955
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Total Pages | : 336 |
Release | : 1968 |
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Total Pages | : 336 |
Release | : 1968 |
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Author | : Le Corbusier |
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Total Pages | : 336 |
Release | : 1966 |
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Author | : Le Corbusier (pseud. van Charles Édouard Jeanneret-Gris) |
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Total Pages | : 336 |
Release | : 1978 |
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Author | : Le Corbusier |
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Total Pages | : 0 |
Release | : 1958 |
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Author | : Le Corbusier |
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Release | : 1958 |
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Author | : Le Corbusier |
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Total Pages | : 336 |
Release | : 1958 |
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Author | : La Corbusier (in reality Charles Edouard Jeanneret-Cris.) |
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Total Pages | : 0 |
Release | : 1958 |
Genre | : Architecture |
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Author | : Le Corbusier |
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Total Pages | : 0 |
Release | : 1958 |
Genre | : Architecture |
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Author | : Fondation Le Corbusier |
Publisher | : Birkhäuser |
Total Pages | : 580 |
Release | : 2015-04-24 |
Genre | : Architecture |
ISBN | : 3035604096 |
In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as “Modulor”. Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, “Modulor” is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.
Author | : Chris L. Smith |
Publisher | : Bloomsbury Publishing |
Total Pages | : 249 |
Release | : 2023-05-04 |
Genre | : Philosophy |
ISBN | : 1350168513 |
This study illuminates the complex interplay between Deleuze and Guattari's philosophy and architecture. Presenting their wide-ranging impact on late 20th- and 21st-century architecture, each chapter focuses on a core Deleuzian/Guattarian philosophical concept and one key work of architecture which evokes, contorts, or extends it. Challenging the idea that a concept or theory defines and then produces the physical work and not vice versa, Chris L. Smith positions the relationship between Deleuze and Guattari's philosophy and the field of architecture as one that is mutually substantiating and constitutive. In this framework, modes of architectural production and experimentation become inextricable from the conceptual territories defined by these two key thinkers, producing a rigorous discussion of theoretical, practical, and experimental engagements with their ideas.