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| Author | : Kenneth J. Bindas |
| Publisher | : Culture America (Hardcover) |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 9780700624003 |
Modernity and the Great Depression explores how the worst economic, social, and political crisis in the last century created the space for a national conversation about the ideals of modernity--order, planning, and reason.
| Author | : Benjamin Balthaser |
| Publisher | : University of Michigan Press |
| Total Pages | : 320 |
| Release | : 2021-03-11 |
| Genre | : Literary Criticism |
| ISBN | : 0472902555 |
Anti-Imperialist Modernism excavates how U.S. cross-border, multi-ethnic anti-imperialist movements at mid-century shaped what we understand as cultural modernism and the historical period of the Great Depression. The book demonstrates how U.S. multiethnic cultural movements, located in political parties, small journals, labor unions, and struggles for racial liberation, helped construct a common sense of international solidarity that critiqued ideas of nationalism and essentialized racial identity. The book thus moves beyond accounts that have tended to view the pre-war “Popular Front” through tropes of national belonging or an abandonment of the cosmopolitanism of previous decades. Impressive archival research brings to light the ways in which a transnational vision of modernism and modernity was fashioned through anti-colonial networks of North/South solidarity. Chapters examine farmworker photographers in California’s central valley, a Nez Perce intellectual traveling to the Soviet Union, imaginations of the Haitian Revolution, the memory of the U.S.–Mexico War, and U.S. radical writers traveling to Cuba. The last chapter examines how the Cold War foreclosed these movements within a nationalist framework, when activists and intellectuals had to suppress the transnational nature of their movements, often rewriting the cultural past to conform to a patriotic narrative of national belonging.
| Author | : Jani Scandura |
| Publisher | : Duke University Press |
| Total Pages | : 348 |
| Release | : 2008-05-07 |
| Genre | : Business & Economics |
| ISBN | : 9780822336662 |
DIVA cultural studies account of America during the 1930s as seen through Key West, Harlem, Hollywood, and Reno./div
| Author | : Ted Atkinson |
| Publisher | : University of Georgia Press |
| Total Pages | : 288 |
| Release | : 2006-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 082033085X |
“Remarkably,” writes Ted Atkinson, “during a period roughly corresponding to the Great Depression, Faulkner wrote the novels and stories most often read, taught, and examined by scholars.” This is the first comprehensive study to consider his most acclaimed works in the context of those hard times. Atkinson sees Faulkner’s Depression-era novels and stories as an ideological battleground--in much the same way that 1930s America was. With their contrapuntal narratives that present alternative accounts of the same events, these works order multiple perspectives under the design of narrative unity. Thus, Faulkner’s ongoing engagement with cultural politics gives aesthetic expression to a fundamental ideological challenge of Depression-era America: how to shape what FDR called a “new order of things” out of such conflicting voices as the radical left, the Popular Front, and the Southern Agrarians. Focusing on aesthetic decadence in Mosquitoes and dispossession in The Sound and the Fury, Atkinson shows how Faulkner anticipated and mediated emergent sociocultural forces of the late 1920s and early 1930s. In Sanctuary; Light in August; Absalom, Absalom!; and “Dry September,” Faulkner explores social upheaval (in the form of lynching and mob violence), fascism, and the appeal of strong leadership during troubled times. As I Lay Dying, The Hamlet, “Barn Burning,” and “The Tall Men” reveal his “ambivalent agrarianism”--his sympathy for, yet anxiety about, the legions of poor and landless farmers and sharecroppers. In The Unvanquished, Faulkner views Depression concerns through the historical lens of the Civil War, highlighting the forces of destruction and reconstruction common to both events. Faulkner is no proletarian writer, says Atkinson. However, the dearth of overt references to the Depression in his work is not a sign that Faulkner was out of touch with the times or consumed with aesthetics to the point of ignoring social reality. Through his comprehensive social vision and his connections to the rural South, Hollywood, and New York, Faulkner offers readers remarkable new insight into Depression concerns.
| Author | : Jeff Allred |
| Publisher | : Oxford University Press |
| Total Pages | : 284 |
| Release | : 2009-12-08 |
| Genre | : Literary Criticism |
| ISBN | : 0199714762 |
Photos filled with the forlorn faces of hungry and impoverished Americans that came to characterize the desolation of the Great Depression are among the best known artworks of the twentieth century. Captured by the camera's eye, these stark depictions of suffering became iconic markers of a formative period in U.S. history. Although there has been an ample amount of critical inquiry on Depression-era photographs, the bulk of scholarship treats them as isolated art objects. And yet they were often joined together with evocative writing in a genre that flourished amid the period, the documentary book. American Modernism and Depression Documentary looks at the tradition of the hybrid, verbal-visual texts that flourished during a time when U.S. citizens were becoming increasingly conscious of the life of a larger nation. Jeff Allred draws on a range of seminal works to illustrate the convergence of modernism and documentary, two forms often regarded as unrelated. Whereas critics routinely look to James Agee and Walker Evans' Let Us Now Praise Famous Men as the sole instance of the modernist documentary book, Allred turns to such works as Richard Wright's scathing 12 Million Black Voices, and the oft-neglected You Have Seen Their Faces by Erskine Caldwell and Margaret Bourke-White to open up the critical playing field. And rather than focusing on the ethos of Progressivism and/or the politics and aesthetics of the New Deal, Allred emphasizes the centrality of Life magazine to the consolidation of a novel cultural form.
| Author | : Kristina Wilson |
| Publisher | : Yc British Art |
| Total Pages | : 154 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780300104752 |
"During the years of the Great Depression in America, modernist designers developed products and lifestyle concepts intended for middle-class, not elite, consumers. In this fascinating book, [the author] coins the term 'livable modernism' to describe this school of design. Livable modernism combined international style functional efficiency and sophistication with a respect for American consumers' desires for physical and psychological comfort, paving the way for the work of Charles and Ray Eames and other post-World War II designers. [The author] offers a new view of modernist furnishings marketed for middle-class living rooms, dining rooms, and bedrooms of the 1930s, and provides groundbreaking analyses of many of the most popular items, including George Sakier's stemware for the Fostoria Glass Company, Russel Wrights' American modern furniture for Macy's, and Gilbert Rohde's clocks for the Herman Miller Clock Company. As the first study of the marketing of modern design during the Depression years, [this book] features an extensive array of vintage advertisements from such magazines as 'Better Homes and Gardens', 'House Beautiful', 'Ladies' Home Journal', and the 'Saturday Evening Post'. [The author] discusses the relation of modernism to the cultural and economic climate of the Depression and examines the sophisticated marketing strategies of the movement that coincided with a period of tremendous growth for print magazines and the advertising industry. Filled with fresh insights into a fascinating period in American modern design, this book provides an important new look at these designers' and design companies' philosophies, innovations, and influence that until now have been under-appreciated"--Bookjacket.
| Author | : Kenneth J. Bindas |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9780813030487 |
This collection of more than 600 oral histories recalls the Great Depression and provides a rich personal chronicle of the 1930s. The Depression altered the basic structure of American society and changed the way government, business, and the American people interacted. Capturing this historical era and its meaning, the stories in Remembering the Great Depression in the Rural South reflect the general despair of the people, but they also reveal the hope many found through the New Deal.
| Author | : Jeff Allred |
| Publisher | : Oxford University Press |
| Total Pages | : 283 |
| Release | : 2012-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 019932400X |
Photos filled with the forlorn faces of hungry and impoverished Americans that came to characterize the desolation of the Great Depression are among the best known artworks of the twentieth century. Captured by the camera's eye, these stark depictions of suffering became iconic markers of a formative period in U.S. history. Although there has been an ample amount of critical inquiry on Depression-era photographs, the bulk of scholarship treats them as isolated art objects. And yet they were often joined together with evocative writing in a genre that flourished amid the period, the documentary book. American Modernism and Depression Documentary looks at the tradition of the hybrid, verbal-visual texts that flourished during a time when U.S. citizens were becoming increasingly conscious of the life of a larger nation. Jeff Allred draws on a range of seminal works to illustrate the convergence of modernism and documentary, two forms often regarded as unrelated. Whereas critics routinely look to James Agee and Walker Evans' Let Us Now Praise Famous Men as the sole instance of the modernist documentary book, Allred turns to such works as Richard Wright's scathing 12 Million Black Voices, and the oft-neglected You Have Seen Their Faces by Erskine Caldwell and Margaret Bourke-White to open up the critical playing field. And rather than focusing on the ethos of Progressivism and/or the politics and aesthetics of the New Deal, Allred emphasizes the centrality of Life magazine to the consolidation of a novel cultural form.
| Author | : Derek Gladwin |
| Publisher | : Liverpool University Press |
| Total Pages | : 288 |
| Release | : 2019-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 1942954697 |
Gastro-Modernism ultimately shows how global literary modernisms engage with the food culture to express anxieties about modernity as much as to celebrate the excesses modern lifestyles produce.
| Author | : Edmund O. Stillman |
| Publisher | : New Word City |
| Total Pages | : 107 |
| Release | : 2015-09-03 |
| Genre | : History |
| ISBN | : 1612309038 |
The event that defined the 1930s in the United States came before it started. On October 29, "Black Tuesday," stock-market investors lost more than $30 billion in the Great Crash. The ten-year Great Depression that followed was not the product of a single day or week. Nonetheless, it came as a shock to the American people and to the man they looked to for relief: President Herbert Hoover. Soon, as banks failed, mortgages were foreclosed, and unemployment soared, bread lines formed throughout the country in grim testimony to the state of the economy. The policies of Hoover and then Franklin Delano Roosevelt's New Deal started a long road to relief, recovery, and reform. Here, from the respected historian Edmund O. Stillman, are the stories of The Great Depression, the 1930s, and an American people defined by their resilience in the face of debilitating despair.
