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Modernism in Kyiv

Modernism in Kyiv
Author: Irena Makaryk
Publisher: University of Toronto Press
Total Pages: 673
Release: 2010-05-22
Genre: Literary Criticism
ISBN: 1442698802

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The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles. Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here restored to its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.


Modernism in Kyiv

Modernism in Kyiv
Author: Irene Rima Makaryk
Publisher: University of Toronto Press
Total Pages: 673
Release: 2010-01-01
Genre: Social Science
ISBN: 1442640987

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`Modernism in Kyiv restores the multicultural city of Kyiv to its rightful position as a major player in the dialogue and cross-pollination of ideas occurring between important modernist figures in centres such as Paris, New York, London, and Vienna. Engaging and highly readable, this collection is impressive in its scope, depth, and breadth.' The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles. Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here revealed in its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.


In the Eye of the Storm

In the Eye of the Storm
Author: Konstantin Akinsha
Publisher: Thames and Hudson
Total Pages: 0
Release: 2023-02-07
Genre: Art
ISBN: 9780500297155

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This groundbreaking study of avant-garde art produced in Ukraine between 1900 and the 1930s accompanies a major international exhibition opening at the Thyssen-Bornemisza National Museum in Madrid before traveling to other venues in Europe. In the Eye of the Storm: Modernism in Ukraine, 1900–1930s presents the groundbreaking art produced in Ukraine in the early 20th century. The book accompanies an exhibition that traces Ukrainian artistic developments between 1900 and the 1930s in three key cultural centers— Kharkiv, Kyiv, and Odesa—against a complicated socio-political backdrop of collapsing empires, World War I, the Revolution of 1917, and the creation of Soviet Ukraine. Showcasing avant-garde art and the Ukrainian artists who made it, while acknowledging the complex geopolitical structures and identities within which it functioned, In the Eye of the Storm features works in various media, from traditional oil paintings and drawings to collages, graphic and theater designs, and cinema. Exploring the distinctive voice of Ukrainian artists in the early 20th century, this is a relevant and important publication that reveals Ukraine’s significant contribution to modern art.


Bridging East and West

Bridging East and West
Author: Yuliya V. Ladygina
Publisher:
Total Pages: 296
Release: 2019
Genre: Electronic books
ISBN: 9781442630765

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"Bridging East and West explores the literary evolution of one of Ukraine's foremost modernist writers, Ol'ha Kobylianska, who was a major contributor in the intellectual debates of her time. Investigating themes of feminism, populism, Nietzscheanism, nationalism, and fascism in her works, this study presents an alternative intellectual genealogy in turn-of-the-century European arts and letters whose implications reach far beyond the field of Ukrainian studies. Rather than repeating various narratives about modernism as a radical response to nineteenth-century bourgeois culture or an aesthetic of fragmentation, this study highlights the fissures and fusions inherent to turn-of-the-century thought. For feminist scholars, Bridging East and West makes accessible a thorough account of a central, yet overlooked, woman writer who served as a model and a contributor within a major cultural tradition. For those working in Victorian studies or comparative fascism and for those interested in Nietzsche and his influence on European intellectuals, Kobylians'ka emerges in this study as an unlikely, but no less active, trailblazer in the social and aesthetic theories that would define European debates about culture, science, and politics in the first half of the twentieth century. For those interested in questions of transnationalism and intersectionality, this study's discussion of Kobylians'ka's hybrid cultural identity and philosophical program exemplifies cultural interchange and irreducible complexities of cultural identity."--


La Nijinska

La Nijinska
Author:
Publisher: Oxford University Press
Total Pages: 729
Release: 2022-04-06
Genre: SPORTS & RECREATION
ISBN: 0197603904

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La Nijinska is the first biography of twentieth-century ballet's premier female choreographer, shedding new light on the modern history of ballet, and recuperating the memory of lost works and forgotten artists, all while revealing the sexism that still confronts women choreographers in the ballet world.


Imperial Urbanism in the Borderlands

Imperial Urbanism in the Borderlands
Author: Serhiy Bilenky
Publisher: University of Toronto Press
Total Pages: 512
Release: 2018-04-13
Genre: History
ISBN: 1487513836

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In the nineteenth and early twentieth century Kyiv was an important city in the European part of the Russian empire, rivaling Warsaw in economic and strategic significance. It also held the unrivaled spiritual and ideological position as Russia’s own Jerusalem. In Imperial Urbanism in the Borderlands, Serhiy Bilenky examines issues of space, urban planning, socio-spatial form, and the perceptions of change in imperial Kyiv. Combining cultural and social history with urban studies, Bilenky unearths a wide range of unpublished archival materials and argues that the changes experienced by the city prior to the revolution of 1917 were no less dramatic and traumatic than those of the Communist and post-Communist era. In fact, much of Kyiv’s contemporary urban form, architecture, and natural setting were shaped by imperial modernizers during the long nineteenth century. The author also explores a general culture of imperial urbanism in Eastern Europe. Imperial Urbanism in the Borderlands is the first work to approach the history of Kyiv from an interdisciplinary perspective and showcases Kyiv’s rightful place as a city worthy of attention from historians, urbanists, and literary scholars.


2015

2015
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 661
Release: 2015-07-01
Genre: Literary Criticism
ISBN: 3110422921

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The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?