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| Author | : Vincent B. Sherry |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 1107079322 |
This volume explores the idea of decadence through readings of major modernist writers such as Ezra Pound and T. S. Eliot.
| Author | : Vincent B. Sherry |
| Publisher | : |
| Total Pages | : 330 |
| Release | : 2014 |
| Genre | : Decadence in literature |
| ISBN | : 9781139941570 |
"In this major new book, Vincent Sherry reveals a fresh continuity in literary history. He traces the idea of decadence back to key events from the failures of the French Revolution to the cataclysm of the Great War. This powerful work of literary criticism and literary history encompasses a rich trajectory that begins with an exposition of the English Romantic poets and ends with a re-evaluation of modernists as varied as W.B. Yeats, Henry James, Joseph Conrad, Rebecca West, Djuna Barnes, Samuel Beckett and, centrally, Ezra Pound and T.S. Eliot. Sherry's hugely ambitious study will be essential reading for anyone working in modernist studies and twentieth-century literature more generally"--
| Author | : Kate Hext |
| Publisher | : Johns Hopkins University Press |
| Total Pages | : 300 |
| Release | : 2019-07-16 |
| Genre | : Literary Criticism |
| ISBN | : 142142942X |
Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry
| Author | : Martin Lockerd |
| Publisher | : |
| Total Pages | : 600 |
| Release | : 2016 |
| Genre | : |
| ISBN | : |
This dissertation intervenes at the meeting point of two current but largely separate critical discourses on (1) the role of fin-de-siècle Decadence in the development of literary Modernism and (2) the relationship between Modernism and Christianity. Two decades after Ellis Hanson’s Decadence and Catholicism (1997), which proved definitively and at length the interdependence of decadent art and the theology, rituals, and symbolism of the Catholic Church, scholars continue to either leave religion out of the discussion of Decadence and Modernism altogether or pay it only glancing attention. Recent years have witnessed a surge of critical interest in the relationship between British Decadence and early-twentieth-century Anglophone literature with the publication of two important books: Vincent Sherry’s Modernism and the Reinvention of Decadence (2015) and Kristin Mahoney’s Literature and the Politics of Post-Victorian Decadence (2015). However, these recent contributions manage to avoid any extended discussion of Catholicism. Similarly, those arguing for a greater recognition of the modernist engagement with Christianity – Pericles Lewis, Religious Experience and the Modernist Novel (2010) and Erik Tonning, Modernism and Christianity (2014) – tend to overlook or downplay decadent artists such as Lionel Johnson and Ernest Dowson. We have yet to fully appreciate the extent to which “high” and “peripheral” modernists such as T. S. Eliot and Evelyn Waugh looked to decadent artists such as Oscar Wilde and Aubrey Beardsley for models of what religious art might look like in an age trending toward secularization. The following pages tell a previously untold history. In this history, decadent Catholicism represents much more than a literary trope developed at the fin de siècle and sporadically adopted in the early twentieth century. Through my research, I demonstrate that the very development of modernist literature depended in part on diverse acts of engagement with decadent Catholicism
| Author | : Jane Desmarais |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2019-08-22 |
| Genre | : Literary Criticism |
| ISBN | : 1108592406 |
Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties.
| Author | : Jonathan Stone |
| Publisher | : Springer Nature |
| Total Pages | : 228 |
| Release | : 2019-12-12 |
| Genre | : Literary Criticism |
| ISBN | : 3030344525 |
Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the 1890s rewrites the story of early modernist literature and culture by drawing out the tensions underlying its simultaneous engagement with Decadence and Symbolism, the unsustainable combination of this world and the other. With a broadly framed literary and cultural approach, Jonathan Stone examines a shift in perspective that explodes the notion of reality and showcases the uneasy relationship between the tangible and intangible aspects of the surrounding world. Modernism quenches a growing fascination with the ephemeral and that which cannot be seen while also doubling down on the significance of the material world and finding profound meaning in the physical and the corporeal. Decadence and Symbolism complement the broader historical trajectory of the fin de siècle by affirming the novelty of a modernist mindset and offering an alternative to the empirical and positivistic atmosphere of the nineteenth century. Stone seeks to recreate a significant historical and cultural moment in the development of modernity, a moment that embraces the concept of Decadence while repurposing its aesthetic and social import to help navigate the fundamental changes that accompanied the dawn of the twentieth century.
| Author | : Kostas Boyiopoulos |
| Publisher | : Routledge |
| Total Pages | : 226 |
| Release | : 2016-04-08 |
| Genre | : Literary Criticism |
| ISBN | : 1317154126 |
For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses the diverse and creative reactions of Decadent authors to Romanticism between 1780 and 1914, while also remaining alert to the prescience of the Romantic imagination to envisage its own distorted, darker, perverted, other self. Creative pairings include William Blake and his Decadent critics, the recurring figure of the sphinx in the work of Thomas De Quincey and Decadent writers, and Percy Shelley with both Mathilde Blind and Swinburne. Not surprisingly, John Keats’s works are a particular focus, in essays that explore Keats’s literary and visual legacies and his resonance for writers who considered him an icon of art for art’s sake. Crucial to this critical reassessment are the shared obsessions of Romanticism and Decadence with subjectivity, isolation, addiction, fragmentation, representation, romance, and voyeurism, as well as a poetics of desire and anxieties over the purpose of aestheticism.
| Author | : Martin Lockerd |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 335 |
| Release | : 2020-06-25 |
| Genre | : Literary Criticism |
| ISBN | : 1350137677 |
Tracing the movement of literary decadence from the writers of the fin de siècle - Oscar Wilde, Aubrey Beardsley, Ernest Dowson, and Lionel Johnson - to the modernist writers of the following generation, this book charts the legacy of decadent Catholicism in the fiction and poetry of British and Irish modernists. Linking the later writers with their literary predecessors, Martin Lockerd examines the shifts in representation of Catholic decadence in the works of W. B. Yeats through Ezra Pound to T.S. Eliot; the adoption and transformation of anti-Catholicism in Irish writers George Moore and James Joyce; the Catholic literary revival as portrayed in Evelyn Waugh's Brideshead Revisited; and the attraction to decadent Catholicism still felt by postmodernist writers D.B.C. Pierre and Alan Hollinghurst. Drawing on new archival research, this study revisits some of the central works of modernist literature and undermines existing myths of modernist newness and secularism to supplant them with a record of spiritual turmoil, metaphysical uncertainty, and a project of cultural subversion that paradoxically relied upon the institutional bulwark of European Christianity. Lockerd explores the aesthetic, sexual, and political implications of the relationship between decadent art and Catholicism as it found a new voice in the works of iconoclastic modernist writers.
| Author | : Cassandra Laity |
| Publisher | : Cambridge University Press |
| Total Pages | : 240 |
| Release | : 1996-10-28 |
| Genre | : Literary Criticism |
| ISBN | : 9780521554145 |
H.D. and the Victorian Fin de Siècle argues that the twentieth-century American woman poet H.D. shaped an alternative poetic modernism of female desire from the "feminine" personae, images and forms of Decadent Romanticism that male modernists such as T.S. Eliot, Ezra Pound, and W.B. Yeats denounced as "effeminate." The book is the first examination of female modernism to demonstrate extensively the impact of the Decadents and their fluid poetics of androgyny, homoeroticism and role reversal on a modernist woman writer.
| Author | : |
| Publisher | : CUP Archive |
| Total Pages | : 72 |
| Release | : 1982 |
| Genre | : Degeneration |
| ISBN | : |
