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Morozov, Shchukin

Morozov, Shchukin
Author:
Publisher: Bild-Kunst
Total Pages: 478
Release: 1993
Genre: Art
ISBN:

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Icons of Modern Art

Icons of Modern Art
Author: Anne Baldassari
Publisher: Editions Gallimard
Total Pages: 456
Release: 2022-01-11
Genre: Modernism (Art)
ISBN: 9782072760778

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* An exceptional exhibition catalog, a dive into the 19th and 20th century painting* Gathers 130 masterpieces togetherThe Fondation Louis Vuitton's unprecedented 2016 exhibition brought together 130 masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le Déjeuner sur l'herbe (1866) by Claude Monet, the Mardi gras (1888-90) by Paul Cézanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908), the magnificence of Shchukin's collection is exhibited here. Extended by a group of some 30 major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through 19th- and 20th-century creation. The presentation of these exceptional works, where our collective gaze comes together, constitutes an exemplary "painting lesson."


Information Bulletin

Information Bulletin
Author: Soviet Union. Posolʹstvo (U.S.)
Publisher:
Total Pages: 696
Release: 1947
Genre: World War, 1939-1945
ISBN:

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Russian and Soviet Views of Modern Western Art

Russian and Soviet Views of Modern Western Art
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
Total Pages: 364
Release: 2009
Genre: Art
ISBN: 0520221036

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From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.