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Modern Literature and the Death of God

Modern Literature and the Death of God
Author: Charles I. Glicksberg
Publisher: Springer
Total Pages: 195
Release: 2012-12-06
Genre: Literary Criticism
ISBN: 9401507708

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Culture and the Death of God

Culture and the Death of God
Author: Terry Eagleton
Publisher: Yale University Press
Total Pages: 245
Release: 2014-03-25
Genre: Religion
ISBN: 0300203993

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Offers new observations on the persistence of God in modern times, and considers how the war on terror and a post-9/11 society has impacted atheism.


The Absence of God in Modernist Literature

The Absence of God in Modernist Literature
Author: G. Erickson
Publisher: Springer
Total Pages: 236
Release: 2007-05-14
Genre: Literary Criticism
ISBN: 0230604269

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Uses recent thought in continental philosophy and postmodern theology to interpret hidden and contradictory 'god-ideas' in texts of modernism such as Henry James's The Golden Bowl , Marcel Proust's In Search of Lost Time , James Joyce's Portrait of the Artist As a Young Man , and Arnold Schoenberg's opera Moses und Aron .


David Strauss: The Confessor and the Writer

David Strauss: The Confessor and the Writer
Author: Friedrich Nietzsche
Publisher: Good Press
Total Pages: 72
Release: 2021-04-10
Genre: Philosophy
ISBN:

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"David Strauss: the Confessor and the Writer" attacks David Strauss's "The Old and the New Faith: A Confession," which Nietzsche holds up as an example of the German thought of the time. He paints Strauss's "New Faith"— a scientifically-determined universal mechanism based on the progression of history—as a vulgar reading of history in the service of a degenerate culture. Nietzsche polemically attacks not only the book but also Strauss as a Philistine of pseudo-culture.


The Death of the Gods

The Death of the Gods
Author: Dmitry Sergeyevich Merezhkovsky
Publisher:
Total Pages: 476
Release: 1901
Genre: Rome
ISBN:

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Exploring the theme of the 'two truths', those of Christianity and the Paganism, and developing Merezhkovsky's own religious theory of the Third Testament, it became the first in "The Christ and Antichrist" trilogy. The novel made Merezhkovsky a well-known author both in Russia and Western Europe although the initial response to it at home was lukewarm. The novel tells the story of Roman Emperor Julian who during his reign (331-363) was trying to restore the cult of Olympian gods in Rome, resisting the upcoming Christianity. Christianity "in its highest manifestations is presented in the novel as a cult of an absolute virtue, unattainable on Earth which is in denial of all things Earthly," according to scholar Z.G.Mints. Ascetic to the point of being inhuman, early Christians reject reality as such. As the mother of a Christian youth Juventine curses "those servants of the Crucified" who "tear children off their mothers," hate life itself and destroy "things that are great and saintly," the elder Didim replies: a worthy follower of Christ is to learn to "hate their mother and father, wife, children, brothers and sisters, and their very own life too.


Resurrecting the Death of God

Resurrecting the Death of God
Author: Daniel J. Peterson
Publisher: SUNY Press
Total Pages: 220
Release: 2014-05-01
Genre: Religion
ISBN: 1438450451

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Considers the legacy and future of radical theology. In 1966, an infamous Time magazine cover asked “Is God Dead?” and brought the ideas of theologians William Hamilton and Thomas J. J. Altizer to the wider public. In the years that followed, both men suffered professionally and there was no notable increase to the small number of thinkers considered death of God theologians. Meanwhile, Christian fundamentalism staged a striking comeback in the United States. Yet, death of God, or radical, theology has had an ongoing influence on contemporary theology and philosophy. Contributors to this book explore the origins, influence, and legacy of radical theology and go on to take it in new directions. In a time when fundamentalism is the greatest religious temptation, this volume makes the case for the necessity of resurrecting the death of God. “Resurrecting the Death of God shows why Altizer continues to ride the stream of contemporary conversations in academic theology and continental philosophy without ever losing his luster.” — Carl A. Raschke, author of Postmodernism and the Revolution in Religious Theory: Toward a Semiotics of the Event


Bible and Novel

Bible and Novel
Author: Norman Vance
Publisher: Oxford University Press
Total Pages: 246
Release: 2013-07-04
Genre: History
ISBN: 0199680574

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This study seeks to develop a new context for reading later Victorian fiction and for understanding the process of 'secularization'. Norman Vance explores how the novels of George Eliot, Thomas Hardy, Mary Ward, and Rider Haggard acquired greater cultural centrality, just as the authority of the scriptures and of traditional religious teaching seemed to be declining, and offered a new forum for the exploration of religious and moral themes.


Modernism After the Death of God

Modernism After the Death of God
Author: Stephen Kern
Publisher: Routledge
Total Pages: 0
Release: 2017
Genre: Christianity and literature
ISBN: 9781138094369

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Modernism After the Death of God: Christianity, Fragmentation, and Unification explores the writing and philosophies of some of the most popular modernist figures studied today. This ground-breaking work, is an interpretation of the life and work of Friedrich Nietzsche, James Joyce, Sigmund Freud, D.H. Lawrence, Andrâe Gide, Martin Heidegger and Virginia Woolf that shows how each related to and drifted from religion in large part because they believed that Christian sexual morality had damaged or threatened to damage their love life.


Dialogues between Faith and Reason

Dialogues between Faith and Reason
Author: John H. Smith
Publisher: Cornell University Press
Total Pages: 325
Release: 2011-10-15
Genre: Religion
ISBN: 0801463270

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The contemporary theologian Hans Küng has asked if the "death of God," proclaimed by Nietzsche as the event of modernity, was inevitable. Did the empowering of new forms of rationality in Western culture beginning around 1500 lead necessarily to the reduction or privatization of faith? In Dialogues between Faith and Reason, John H. Smith traces a major line in the history of theology and the philosophy of religion down the "slippery slope" of secularization—from Luther and Erasmus, through Idealism, to Nietzsche, Heidegger, and contemporary theory such as that of Derrida, Habermas, Vattimo, and Asad. At the same time, Smith points to the persistence of a tradition that grew out of the Reformation and continues in the mostly Protestant philosophical reflection on whether and how faith can be justified by reason. In this accessible and vigorously argued book, Smith posits that faith and reason have long been locked in mutual engagement in which they productively challenge each other as partners in an ongoing "dialogue." Smith is struck by the fact that although in the secularized West the death of God is said to be fundamental to the modern condition, our current post-modernity is often characterized as a "postsecular" time. For Smith, this means not only that we are experiencing a broad-based "return of religion" but also, and more important for his argument, that we are now able to recognize the role of religion within the history of modernity. Emphasizing that, thanks to the logos located "in the beginning," the death of God is part of the inner logic of the Christian tradition, he argues that this same strand of reasoning also ensures that God will always "return" (often in new forms). In Smith's view, rational reflection on God has both undermined and justified faith, while faith has rejected and relied on rational argument. Neither a defense of atheism nor a call to belief, his book explores the long history of their interaction in modern religious and philosophical thought.


The Death of God

The Death of God
Author: Gabriel Vahanian
Publisher: Pickle Partners Publishing
Total Pages: 326
Release: 2019-01-13
Genre: Religion
ISBN: 1789123402

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“The most exciting theological book I have read in many years. In some ways, it is a parallel to Karl Barth’s Römerbrief.”—RUDOLF BULTMANN “An unhesitating, unflinching analysis of an age which, Vahanian believes, has no concerns even to deny God...a cultural analysis of the religious, political, artistic, literary and societal movements of our era.”—PAUL RAMSEY “In his preface to The Death of God, Paul Ramsey, Professor of Religion at Princeton university, explains that we are now in the second phase of the period post-mortem Dei—the first phase was anti-Christian, ours is post-Christian...Vahanian’s message has to do with the ‘dishabilitation’ of the Christian tradition, with its replacement by bourgeois religiosity and a theology of ‘immanentism,’ with the desperate effort of Western culture to shake off the ‘crippling shackles’ of a superannuated piety. “The quality of mind which enters into this book is unique and fascinating...Vahanian is a fierce but eloquent prophet of the Lord.”—ROBERT E. FITCH, New York Times Book Review