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| Author | : Modern Art Museum of Fort Worth |
| Publisher | : Third Millennium Information Ltd |
| Total Pages | : 340 |
| Release | : 2002 |
| Genre | : Architecture |
| ISBN | : 1903942144 |
Together they present a broad range of styles and media, from oil, acrylic, and mixed-media paintings and drawings to photography, sculpture, installation art, and video and digital imagery.".
| Author | : Andrea Karnes |
| Publisher | : Thames & Hudson |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : ART |
| ISBN | : 9780929865362 |
Appropriating characters, images and effects from pop culture, the work of KAWS blurs the lines between high and low art, and between art and fashion. Effectively deploying film and television favorites for his toys, large-scale sculpture and bold, nearly abstract painting, KAWS recasts the familiar colours and forms of popular entertainment in cheeky and often poignantly human terms. Influenced by Andy Warhol and other Pop artists, hard-edge abstract painting and graffiti, KAWS' work deftly straddles consumer culture and artistic innovation, and his distinctive style is as much at home in his toys as in his monumental sculpture. KAWS: Where the End Starts explores the artist's prolific career in depth, featuring key paintings, sculptures, drawings, toys and fashion and advertising designs. This extensive monograph, including contributions from Andrea Karnes, Michael Auping, Dieter Buchhart and Pharrell Williams, reveals critical aspects of KAWS' formal and conceptual development over the past 20 years, as his career has shifted from graffiti to fine art and collaborations with designers and brands such as Comme des Garçons, SUPREME, Nigo (A Bathing Ape) and Nike.
| Author | : Lee Hallman |
| Publisher | : |
| Total Pages | : |
| Release | : 2019-11-15 |
| Genre | : |
| ISBN | : 9780929865386 |
| Author | : Connie H. Choi |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2015-02-20 |
| Genre | : Art |
| ISBN | : 3791354302 |
Filled with reproductions of Kehinde Wiley’s bold, colorful, and monumental work, this book encompasses the artist’s various series of paintings as well as his sculptural work—which boldly explore ideas about race, power, and tradition. Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists—such as Sanford Biggers, Yinka Shonibare, Mickalene Thomas, and Lynette Yiadom-Boakye—who are reworking art history and questioning its depictions of people of color. Co-published with the Brooklyn Museum of Art for the major touring retrospective, this volume surveys Wiley’s career from 2001 to the present. It includes early portraits of the men Wiley observed on Harlem’s streets, and which laid the foundation for his acclaimed reworkings of Old Master paintings by Titian, van Dyke, Manet, and others, in which he replaces historical subjects with young African American men in contemporary attire: puffy jackets, sneakers, hoodies, and baseball caps. Also included is a generous selection from Wiley’s ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist’s new series of stained glass windows. Accompanying the illustrations are essays that introduce readers to the arc of Wiley’s career, its critical reception, and ongoing evolution.
| Author | : Andrea Karnes |
| Publisher | : Delmonico Books |
| Total Pages | : 172 |
| Release | : 2022-05-10 |
| Genre | : Art |
| ISBN | : 9781636810355 |
Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women--their bodies, gestures and individuality--at the forefront. The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved. Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.
| Author | : Philip Jodidio |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Architects |
| ISBN | : 9780847830152 |
Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed in architecture. This book presents the illustrious career of the only architect ever to have won the discipline's four most prestigious prizes. 3-8228-2164-0$125.00 / Taschen America LLC
| Author | : Lucian Freud |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022 |
| Genre | : |
| ISBN | : 9781739206000 |
A short catalogue of the small but perfectly formed Freud exhibition at the Garden Museum. Drawings, oil sketches, paintings, of flowers, leaves, his Zimmerlinde, tatty buddleia-filled back gardens, etc. Excellent notes and illustrations; with conversational contributions by David Dawson and Annie Freud.
| Author | : Martin Gayford |
| Publisher | : Thames & Hudson |
| Total Pages | : 189 |
| Release | : 2013-09-09 |
| Genre | : Art |
| ISBN | : 0500770794 |
“An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” —ARTnews Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation at restaurants, in taxis, and in his studio. It takes one into the company of the painter for whom Picasso, Giacometti, and Francis Bacon were friends and contemporaries, as were writers such as George Orwell and W. H. Auden. The book is illustrated with many of Lucian Freud’s other works, telling photographs taken by David Dawson of Freud in his studio, and images by such great artists of the past as van Gogh and Titian who are discussed by Freud and Gayford. Full of wry observations, the book reveals the inside story of how it feels to pose for a remarkable artist and become a work of art.
| Author | : Modern Art Museum of Fort Worth |
| Publisher | : |
| Total Pages | : 34 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : |
| Author | : Michael Darling |
| Publisher | : Rizzoli Publications |
| Total Pages | : 288 |
| Release | : 2017-05-30 |
| Genre | : Art |
| ISBN | : 0847859118 |
The first major U.S. monograph in ten years on Murakami is the definitive survey of the paintings of one of today’s most influential artists. Takashi Murakami (b. 1962), one of contemporary art’s most widely recognized exponents, receives a long-awaited critical consideration in this important volume. Accompanying the first retrospective exhibition devoted solely to Murakami’s paintings, this book traces Murakami’s career from his earliest training to his current studio practice. Where other books address the commercial aspects of Murakami’s work, this is the first serious survey of his work as a painter. Through essays and illustrations— many previously unpublished—it explores the artist’s relationship to the tradition of Japanese painting and his facility in straddling high and low, ancient and modern, Eastern and Western, commercial and high art. New texts address Murakami’s output in the context of postwar Japan, situating the artist in relation to folklore, traditional Japanese painting, the Tokyo art scene in the 1980s and 1990s, and the threat of nuclear annihilation. This richly illustrated volume also includes a detailed biography and exhibition history. Takashi Murakami is a true essential for collectors and fans alike.
