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Modern Art, 1851-1929

Modern Art, 1851-1929
Author: Richard R. Brettell
Publisher: Oxford University Press, USA
Total Pages: 276
Release: 1999
Genre: Art
ISBN: 9780192842206

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In a bold new look at the Modern Art era, Brettell explores the works of such artists as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, national and internationalism, and the rise of the museum. 140 illustrations, 75 in color.


After Modern Art 1945-2000

After Modern Art 1945-2000
Author: David Hopkins
Publisher: OUP Oxford
Total Pages: 351
Release: 2000-09-14
Genre: Art
ISBN: 0191037095

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Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2000, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and the art of the nineties.


Twentieth-Century American Art

Twentieth-Century American Art
Author: Erika Doss
Publisher: OUP Oxford
Total Pages: 288
Release: 2002-04-26
Genre: Art
ISBN: 0191587745

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Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.


After Modern Art

After Modern Art
Author: David Hopkins
Publisher: Oxford University Press
Total Pages: 349
Release: 2018
Genre: Art, American
ISBN: 0199218455

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"A ... new edition of [a] study of art since 1945, focusing mainly on the relationship between American and European art [and offering] an up-to-date introduction to the major artists and movements of recent years"--


The Great Exhibition of 1851

The Great Exhibition of 1851
Author: Louise Purbrick
Publisher: Manchester University Press
Total Pages: 236
Release: 2001
Genre: Architecture
ISBN: 9780719055928

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These essays expose how meaning has been produced around the Great Exhibition. It contains readings of the historical record of the exhibition, exploring the use of industrial knowledge & the contested definitions of nation & colony.


Concepts of Modern Art

Concepts of Modern Art
Author: Tony Richardson
Publisher:
Total Pages: 281
Release: 1974
Genre: Art, Modern
ISBN: 9780140217056

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Modern Architecture

Modern Architecture
Author: Alan Colquhoun
Publisher: OUP Oxford
Total Pages: 288
Release: 2002-04-25
Genre: Architecture
ISBN: 0191592641

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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement fron Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.


Primitivism, Cubism, Abstraction

Primitivism, Cubism, Abstraction
Author: Charles Harrison
Publisher: Yale University Press
Total Pages: 280
Release: 1993-01-01
Genre: Art
ISBN: 9780300055160

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On art in the early 20th century


Beauty and Art

Beauty and Art
Author: Elizabeth Prettejohn
Publisher: OUP Oxford
Total Pages: 225
Release: 2005-05-05
Genre: Art
ISBN: 0191516511

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What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingres to Rossetti, Cézanne to Jackson Pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century?


Modern in the Making

Modern in the Making
Author: Austin Porter
Publisher: Bloomsbury Publishing
Total Pages: 288
Release: 2020-10-29
Genre: Art
ISBN: 1350186368

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Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA's early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibition of a multidisciplinary idea of modern art. Between its founding in 1929 and its 20th anniversary in 1949, MoMA created the first museum departments of architecture and design, film, and photography in the country, marshaled modern art as a political tool, and brought consumer culture into a versatile yet institutional context. Encompassing 14 essays that investigate the diversity of modern art, this volume demonstrates how MoMA's programming shaped a version of modern art that was not elitist but fundamentally intertwined with all levels of cultural production.