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| Author | : Adam Gussow |
| Publisher | : U of Minnesota Press |
| Total Pages | : 430 |
| Release | : |
| Genre | : Music |
| ISBN | : 1452915059 |
Adam Gussow is a writer and blues harmonica player. He is associate professor of English and southern studies at the University of Mississippi in Oxford.
| Author | : Adam Gussow |
| Publisher | : UNC Press Books |
| Total Pages | : 417 |
| Release | : 2017-09-05 |
| Genre | : Music |
| ISBN | : 1469633671 |
The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.
| Author | : Adam Gussow |
| Publisher | : UNC Press Books |
| Total Pages | : 333 |
| Release | : 2020-09-28 |
| Genre | : Music |
| ISBN | : 1469660377 |
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
| Author | : Adam Gussow |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 216 |
| Release | : 2007 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781572335691 |
Journeyman's Road offers a bold new vision of where the blues have been in the course of the twentieth century and what they have become at the dawn of the new millennium: a world music rippling with postmodern contradictions. Author Adam Gussow brings a unique perspective to this exploration. Not just an award-winning scholar and memoirist, he is an accomplished blues harmonica player, a Handy award nominee, and veteran of the international club and festival circuit. With this unusual depth of experience, Gussow skillfully places blues literature in dialogue with the music that provokes it, vibrantly articulating a vital American tradition. At the heart of Gussow's story is his own unlikely yet remarkable streetside partnership with Harlem bluesman Sterling Mr. Satan Magee, a musical collaboration marked not just by a series of polarities--black and white, Mississippi and Princeton, hard-won mastery and youthful apprenticeship--but by creative energies that pushed beyond apparent differences to forge new dialogues and new sounds. Undercutting familiar myths about the down-home sources of blues authenticity, Gussow celebrates New York's mongrel blues scene: the artists, the jam sessions, the venues, the street performers, and the eccentrics. At once elegiac and forward-looking, Journeyman's Road offers a collective portrait of the New York subculture struggling with the legacy of 9/11 and healing itself with the blues.
| Author | : Adam Gussow |
| Publisher | : University of Chicago Press |
| Total Pages | : 356 |
| Release | : 2010-03-15 |
| Genre | : Social Science |
| ISBN | : 0226311007 |
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
| Author | : Mark Winborn |
| Publisher | : Fisher King Press |
| Total Pages | : 140 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 1926715527 |
Deep Blues explores the archetypal journey of the human psyche through an examination of the blues as a musical genre. The genesis, history, and thematic patterns of the blues are examined from an archetypal perspective and various analytic theories. Mythological and shamanistic parallels are used to provide a deeper understanding of the role of the bluesman, the blues performance, and the innate healing potential of the blues. Universal aspects of human experience and transcendence are revealed through the creative medium of the blues. The atmosphere of Deep Blues is enhanced by the black and white photographs of Tom Smith which capture striking blues performances in the Maxwell Street section of Chicago. Jungian analysts, therapists and psychoanalytic practitioners with an interest in the interaction between creative expression and human experience should find Deep Blues satisfying. Deep Blues should also appeal to enthusiasts of music, ethnomusicology, and the blues.
| Author | : Stephen Vincent Benet |
| Publisher | : Dramatists Play Service Inc |
| Total Pages | : 44 |
| Release | : 1943-10 |
| Genre | : Fiction |
| ISBN | : 9780822203032 |
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
| Author | : |
| Publisher | : princeton alumni weekly |
| Total Pages | : 610 |
| Release | : 1998 |
| Genre | : |
| ISBN | : |
| Author | : Phil Wiggins |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 283 |
| Release | : 2020-02-28 |
| Genre | : Music |
| ISBN | : 1496826930 |
Sweet Bitter Blues: Washington, DC’s Homemade Blues depicts the life and times of harmonica player Phil Wiggins and the unique, vibrant music scene around him, as described by music journalist Frank Matheis. Featuring Wiggins’s story, but including information on many musicians, the volume presents an incomparable documentary of the African American blues scene in Washington, DC, from 1975 to the present. At its core, the DC-area acoustic “down home” blues scene was and is rooted in the African American community. A dedicated group of musicians saw it as their mission to carry on their respective Piedmont musical traditions: Mother Scott, Flora Molton, Chief Ellis, Archie Edwards, John Jackson, John Cephas, and foremost Phil Wiggins. Because of their love for the music and willingness to teach, these creators fostered a harmonious environment, mostly centered on Archie Edwards’s famous barbershop where Edwards opened his doors every Saturday afternoon for jam sessions. Sweet Bitter Blues features biographies and supporting essays based on Wiggins’s recollections and supplemented by Matheis’s research, along with a foreword by noted blues scholar Elijah Wald, historic interviews by Dr. Barry Lee Pearson with John Cephas and Archie Edwards, and previously unpublished and rare photographs. This is the story of an acoustic blues scene that was and is a living tradition.
| Author | : Adam Gussow |
| Publisher | : Modern Blues Harmonica |
| Total Pages | : 0 |
| Release | : 2015-10-15 |
| Genre | : Fiction |
| ISBN | : 9780996712408 |
From award-winning blues scholar and musician Adam Gussow, a taut, sexy first novel about the summer busking scene in Europe and a pair of wild-hearted young men who make a pitch for fame and glory, finding a girl or two along the way. Busker's Holiday is the story of McKay Chernoff, a Columbia University grad student with a harmonica in his pocket and a blues band in his background. Desolate and despairing after a disastrous romantic breakup, McKay decides to fly off to Paris and reinvent himself as a street performer. What follows is an epic summer voyage into the busking life, propelled by the mad exploits of Billy Lee Grant, a fearless young guitar shredder whose Memphis-to-Mississippi pedigree and Dylanesque surrealism make him, when he explodes into view, precisely the partner McKay has been yearning for. Burning like a latter-day Dean Moriarty, Bill goads McKay into a sun-drenched, all-night bender, stoked by wine, women, mushrooms, and trains, that careens down out of Avignon and across the French Riviera. What happens next--in Florence, Solingen, Amsterdam, Paris--is a story of purgatory, redemption, and love regained. Hope, in a word, as a modern troubadour returns from his wanderings, reborn.
