Mining Photographs And Other Pictures 1948 1968 PDF Download
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| Author | : Don Macgillivray |
| Publisher | : Halifax, N.S. : Press of the Nova Scotia College of Art and Design and the University College of Cape Breton Press |
| Total Pages | : 320 |
| Release | : 1983 |
| Genre | : Photography |
| ISBN | : |
Download Mining Photographs and Other Pictures, 1948-1968 Book in PDF, ePub and Kindle
A presentation of the archive of Leslie Sheddon which intends to function as a critical investigation of the conditions of cultural production at a very specific moment: their historical intersection between colonization and marginalization, its social and political implications, and its cultural consquences.
| Author | : Michelle Henning |
| Publisher | : Taylor & Francis |
| Total Pages | : 165 |
| Release | : 2023-01-06 |
| Genre | : Social Science |
| ISBN | : 1000887790 |
Download Photography Book in PDF, ePub and Kindle
We live in a time in which photographs have become extraordinarily mobile. They can be exchanged and circulated at the swipe of a finger across a screen. The digital photographic image appears and disappears with a mere gesture of the hand. Yet, this book argues that this mobility of the image was merely accelerated by digital media and telecommunications. Photographs, from the moment of their invention, set images loose by making them portable, reproducible, projectable, reduced in size and multiplied. The fact that we do not associate analogue photography with such mobility has much to do with the limitations of existing histories and theories of photography, which have tended to view photographic mobility as either an incidental characteristic or a fault. Photography : The Unfettered Image traces the emergence of these ways of understanding photography, but also presents a differently nuanced and materialist history in which photography is understood as part of a larger development of media technologies. It is situated in much broader cultural contexts: caught up in the European colonial ambition to "grasp the world" and in the development of a new, artificial "second nature" dependent on the large-scale processing of animal and mineral materials. Focussing primarily on Victorian and 1920s–30s practices and theories, it demonstrates how photography was never simply a technology for fixing a fleeting reality.
| Author | : Jessica Evans |
| Publisher | : SAGE |
| Total Pages | : 512 |
| Release | : 1999-08-09 |
| Genre | : Business & Economics |
| ISBN | : 9780761962472 |
Download Visual Culture Book in PDF, ePub and Kindle
" This collection of classic essays in the study of visual culture fills a major gap in this new and expanding intellectual field. Its major strength is its insistence on the importance of three central aspects of the study of visual culture: the sign, the institution and the viewing subject. It will provide readers, teachers and students with an essential text in visual and cultural studies." - "Janet Wolff, University of Rochester""" Visual Culture: The Reader provides an invaluable resource of over 30 key statements from a wide range of disciplines. Although underpinned by a focus on contemporary cultural theory, this reader puts issues of visual culture and the rhetoric of the image at centre stage. Divided into three parts, The Culture of the Visual, Regulating Photographic Meaning, Looking and Subjectivity, this reader enables students to make hitherto unmade connections across art, film and photography history and theory, semiotics, history, semiotics and communications, media studies, and cultural theory. The key statements are from the work of: Visual Culture: The Reader sets the agenda for the study of Visual Culture and will be an essential sourcebook for researchers and students alike.This is the reader for the module "The Image and Visual Culture" (D850) - part of The Open University Masters in Social Sciences Programme.
| Author | : Lynne Warren |
| Publisher | : Routledge |
| Total Pages | : 1823 |
| Release | : 2005-11-15 |
| Genre | : Photography |
| ISBN | : 1135205361 |
Download Encyclopedia of Twentieth-Century Photography, 3-Volume Set Book in PDF, ePub and Kindle
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
| Author | : Elizabeth Edwards |
| Publisher | : Routledge |
| Total Pages | : 251 |
| Release | : 2004-06 |
| Genre | : Art |
| ISBN | : 1134523572 |
Download Photographs Objects Histories Book in PDF, ePub and Kindle
This innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their 'objectness' central to how we should understand them. The book's contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies from a range of countries such as the Netherlands, North America, Australia, Japan, Romania and Tibet. Each shows the methodological strategies they have developed in order to fully exploit the idea of the materiality of photographic images.
| Author | : Chris Balaschak |
| Publisher | : Routledge |
| Total Pages | : 275 |
| Release | : 2021-03-03 |
| Genre | : Art |
| ISBN | : 1000349276 |
Download The Image of Environmental Harm in American Social Documentary Photography Book in PDF, ePub and Kindle
With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.
| Author | : Andy Grundberg |
| Publisher | : Yale University Press |
| Total Pages | : 554 |
| Release | : 2021-02-23 |
| Genre | : Photography |
| ISBN | : 0300259891 |
Download How Photography Became Contemporary Art Book in PDF, ePub and Kindle
A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.
| Author | : Nathanial Gardner |
| Publisher | : University of New Mexico Press |
| Total Pages | : 288 |
| Release | : 2023-05-15 |
| Genre | : Photography |
| ISBN | : 0826364489 |
Download The Study of Photography in Latin America Book in PDF, ePub and Kindle
In this book Nathanial Gardner provides an insider's perspective to the study of photography in Latin America. He begins with a carefully structured introduction that lays out his unique methodology for the book, which features over eighty photographs and the insights from sixteen prominent Latin American photography scholars and historians, including Boris Kossoy, John Mraz, and Ana Mauad. The work reflects the advances of the study of photography throughout Latin America with certain emphasis on Brazil and Mexico. The author further underlines the role of important institutions and builds context by discussing influential theories and key texts that currently guide the discipline. The Study of Photography in Latin America is critical to all who want to expand their current knowledge of the subject and engage with its experts.
| Author | : Geoffrey Batchen |
| Publisher | : MIT Press |
| Total Pages | : 294 |
| Release | : 1999-03-15 |
| Genre | : Photography |
| ISBN | : 9780262522595 |
Download Burning with Desire Book in PDF, ePub and Kindle
In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
| Author | : Siobhan Angus |
| Publisher | : Duke University Press |
| Total Pages | : 238 |
| Release | : 2024-02-16 |
| Genre | : Photography |
| ISBN | : 1478059176 |
Download Camera Geologica Book in PDF, ePub and Kindle
In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.
