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Milton’s Moving Bodies

Milton’s Moving Bodies
Author: Marissa Greenberg
Publisher: Northwestern University Press
Total Pages: 325
Release: 2024-09-15
Genre: Literary Criticism
ISBN: 0810147416

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A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.


Milton's Moving Bodies

Milton's Moving Bodies
Author: Marissa Greenberg
Publisher:
Total Pages: 0
Release: 2024
Genre: Literary Criticism
ISBN: 9780810147409

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"A collection of original contributions to Milton studies by established and emerging scholars challenging traditional assumptions about literary history and periodization"--


Milton's Paradise Lost

Milton's Paradise Lost
Author: John Milton
Publisher:
Total Pages: 452
Release: 1850
Genre: Bible
ISBN:

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Milton in the New Scientific Age

Milton in the New Scientific Age
Author: Catherine G. Martin
Publisher: Routledge
Total Pages: 220
Release: 2019-04-23
Genre: Literary Criticism
ISBN: 0429595506

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Milton and the New Scientific Age represents significant advantages over all previous volumes on the subject of Milton and science, as it includes contributions from top scholars and prominent beginners in a broad number of fields. Most of these fields have long dominated work in both Milton and seventeenth-century studies, but they have previously not included the relatively new and revolutionary topic of early modern chemistry, physiology, and medicine. Previously this subject was confined to the history of science, with little if any attention to its literary development, even though it prominently appears in John Milton’s Paradise Lost, which also includes early "science fiction" speculations on aliens ignored by most readers. Both of these oversights are corrected in this essay collection, while more traditional areas of research have been updated. They include Milton’s relationship both to Bacon and the later or Royal Society Baconians, his views on astronomy, and his "vitalist" views on biology and cosmology. In treating these topics, our contributors are not mired in speculations about whether or not Milton was on the cutting edge of early science or science fiction, for, as nearly all of them show, the idea of a "cutting edge" is deeply anachronistic at a time when most scientists and scientific enthusiasts held both fully modern and backward-looking beliefs. By treating these combinations contextually, Milton’s literary contributions to the "new science" are significantly clarified along with his many contemporary sources, all of which merit study in their own right.


Metropolitan Tragedy

Metropolitan Tragedy
Author: Marissa Greenberg
Publisher: University of Toronto Press
Total Pages: 248
Release: 2015-03-27
Genre: Drama
ISBN: 1442617721

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Breaking new ground in the study of tragedy, early modern theatre, and literary London, Metropolitan Tragedy demonstrates that early modern tragedy emerged from the juncture of radical changes in London’s urban fabric and the city’s judicial procedures. Marissa Greenberg argues that plays by Shakespeare, Milton, Massinger, and others rework classical conventions to represent the city as a locus of suffering and loss while they reflect on actual sources of injustice in sixteenth- and seventeenth-century London: structural upheaval, imperial ambition, and political tyranny. Drawing on a rich archive of printed and manuscript sources, including numerous images of England’s capital, Greenberg reveals the competing ideas about the metropolis that mediated responses to theatrical tragedy. The first study of early modern tragedy as an urban genre, Metropolitan Tragedy advances our understanding of the intersections between genre and history.


The Moving Body and the English Romantic Imaginary

The Moving Body and the English Romantic Imaginary
Author: Kristin Flieger Samuelian
Publisher: Routledge
Total Pages: 257
Release: 2021-05-30
Genre: Literary Criticism
ISBN: 100038778X

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The Moving Body and the English Romantic Imaginary explores ways in which England in the Romantic period conceptualized its relation both to its constituent parts within the United Kingdom and to the larger world through discussions of dance, dancing, and dancers, and through theories of dance and performance. As a referent that both engaged and constructed the body—through physical training, anatomization, spectacle and spectatorship, pathology, parody, and sentiment—dance worked to produce an English exceptional body. Discussions of dance in fiction and periodical essays, as well as its visual representation in print culture, were important ways to theorize points of contact as England was investing itself in the world as an economic and imperial power during and after the Revolutionary period. These formulations offer dance as an engine for the reconfiguration of gender, class, and national identity in the print culture of late eighteenth- and nineteenth-century England.


Milton among the Philosophers

Milton among the Philosophers
Author: Stephen M. Fallon
Publisher: Cornell University Press
Total Pages: 280
Release: 2018-10-18
Genre: Literary Criticism
ISBN: 1501724053

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While Johnson charged that Milton "unhappily perplexed his poetry with his philosophy," Stephen M. Fallon argues that the relationship between Milton's philosophy and the poetry of Paradise Lost is a happy one. The author examines Milton's thought in light of the competing philosophical systems that filled the vacuum left by the repudiation of Aristotle in the seventeenth century. In what has become the classic account of Milton's animist materialism, Fallon revises our understanding of Milton's philosophical sophistication. The book offers a new interpretation of the War in Heaven in Paradise Lost as a clash of metaphysical systems, with free will hanging in the balance.